The Pursuit Of Moksha

If you're currently in pursuit of your own personal and spiritual liberation, then this book is for you!Moksha is a Sanskrit term which means "to free" or "to let go." It does not refer to freedom from political tyranny or from financial debt, but to breaking free from the prison of one's ignorance and ego. Moksha refers to a state of being, not a place, and is central to the religions of India. Besides Hinduism, it is also used in Jainism and Buddhism, though the latter prefers the word "nirvana." In all three religions, moksha is understood to mean "spiritual liberation," the closest equivalent to the Christian heaven. This book provides an easy-to-read overview of the journey towards Liberation, through the interrelated life endeavors of dharma, artha, kama, and moksha.

Hindu viewpoint.

Could we find happiness and attain mental peace without relinquishing our material goals? What if we could understand why we behave and act the way we do? How does our brain really trick us into many of the decisions we make every day? What if we could actually train our brain and improve our ability to lead a more meaningful life-not only for ourselves but also for society? In this brilliantly engaging read, Ashok Panagariya blends his life experiences with modern science and Indic philosophy to tackle these questions and shares tools that anyone can acquire to become a better 'brain-manager'. He delves deeply into the human mind, showing what makes the brain unique and the remarkable intrinsic capacity it holds to influence our lives. He does all this while making us acutely aware of the role luck and chance play in how we eventually shape up. Monk in a Merc is an insightful read for anyone looking to achieve eternal happiness and peace while still enjoying all that life offers-material wealth and professional success. It turns the table on the conventional understanding of monkhood, which seeks renunciation of material pursuits in search of a spiritual quest.

Selected writings from the author of Brave New World and The Doors of Perception on the role of psychedelics in society. • Includes letters and lectures by Huxley never published elsewhere. In May 1953 Aldous Huxley took four-tenths of a gram of mescaline. The mystical and transcendent experience that followed set him off on an exploration that was to produce a revolutionary body of work about the inner reaches of the human mind. Huxley was decades ahead of his time in his anticipation of the dangers modern culture was creating through explosive population increase, headlong technological advance, and militant nationalism, and he saw psychedelics as the greatest means at our disposal to "remind adults that the real world is very different from the misshapen universe they have created for themselves by means of their culture-conditioned prejudices." Much of Huxley's writings following his 1953 mescaline experiment can be seen as his attempt to reveal the power of these substances to awaken a sense of the sacred in people living in a technological society hostile to mystical revelations. Moksha, a Sanskrit word meaning "liberation," is a collection of the prophetic and visionary writings of Aldous Huxley. It includes selections from his acclaimed novels Brave New World and Island, both of which envision societies centered around the use of psychedelics as stabilizing forces, as well as pieces from The Doors of Perception and Heaven and Hell, his famous works on consciousness expansion.

This book presents an interpretation of Gandhi's political philosophy, and how he strove to connect it with the four goals of life (purushartha). Anthony Parel argues that Gandhi's aim was the restoration of harmony and the removal of any opposition between the spiritual and the temporal, the political and the ethical.

Dying the Good Death is a unique ethnography, the first to focus on the experiences of dying at the end of the life cycle. In a region of northern India, some people at the end of their lives leave their villages and travel to the Hindu holy city of Kashi to die. These pilgrims expect that by dying in Kashi they will obtain the spiritual reward of moksha—liberation from the cycle of death and rebirth. Based on fieldwork conducted in Kashi's hospices or "mansions of liberation," Christopher Justice introduces us to a number of dying individuals and their families, providing rich and evocative descriptions of their remarkable experiences. The social contexts of these experiences are explored through descriptions of the families who provide care and the priests who chant the name of God twenty-four hours a day. The book also has clear implications for the potential ways in which we may choose to face the ends of our lives.

The Bhagavad Gita is an intensely spiritual work that forms the cornerstone of the Hindu faith, and is also one of the masterpieces of Sanskrit poetry. It describes how, at the beginning of a mighty battle between the Pandava and Kaurava armies, thegod Krishna gives spiritual enlightenment to the warrior Arjuna, who realizes that the true battle is for his own soul.

The word ‘Yoga’ is derived from Sanskrit root yuj which means ‘join’ or ‘unite’. This may be taken as the union of body, mind and soul, and is used in the literature both as an end as well as means. As an end, yoga signifies ‘integration of personality’ at the highest level. As means, yoga includes various practices and techniques which are employed to achieve the development of such integration. These practices and techniques are means in the yogic literature and are also referred collectively as ‘Yoga’.

In recent years, the literature of India has seen a remarkable resurgence with writers exploring diverse themes and narratives that reflect the complexity of the postcolonial experience. This edited volume, "Writing the Postcolonial Nation: Contemporary Indian Voices in English", brings together a collection of essays that delve into the portrayal of postcolonial features in the works of contemporary Indian writers. In the realm of literature, the impact of colonialism on the cultural and social fabric of a nation is a topic that has garnered much attention and debate. The echoes of colonial rule reverberate through the works of contemporary Indian writers in English, as they grapple with the legacy of imperialism and its lasting effects on their identities and narratives. This edited volume delves into the portrayal of postcolonial features in the works of these authors, exploring how they navigate and negotiate the complexities of a postcolonial world. The essays in this collection offer a multi-faceted analysis of contemporary Indian writing in English, examining the various ways in which writers engage with and subvert colonial discourse. From reimagining historical events to challenging traditional power structures, these authors use their stories to reclaim and redefine their cultural identities in a postcolonial context. Through a lens of postcolonial theory, the contributors to this volume shed light on how Indian writers in English interrogate the legacies of colonialism and envision new possibilities for a decolonized future. One of the central themes explored in this book is the notion of hybridity, a concept that reflects the blending of multiple cultural influences and identities. Indian writers in English often navigate this space of hybridity, drawing from both indigenous traditions and Western literary forms to create works that are uniquely Indian yet globally resonant. By embracing their diverse cultural heritage, these authors challenge essentialist notions of identity and offer a nuanced understanding of postcolonial experience. Another key focus of this volume is the concept of agency, as seen through the portrayal of marginalized voices and perspectives in contemporary Indian literature. Through the lens of post colonialism, the contributors to this volume analyze how writers empower themselves and their communities through storytelling, reclaiming their narratives from the confines of colonial discourse. By centering the voices of the marginalized and dispossessed, these authors challenge the dominant narratives of power and privilege and offer a counter-narrative that speaks truth to power. As editors of this volume, we hope to contribute to the ongoing conversation surrounding post colonialism and contemporary Indian literature in English.

Artha-shastra is about generating food, i.e. wealth, by creating goods and services; Kama-shastra is about indulging our hungers with this food. Dharma-shastra insists we consider the hunger of others, while Moksha-shastra is about outgrowing our hungers, in order to be detached and generous. Together, these four Hindu shastras provide a framework within which human action, its purposes and consequences, can be defined; together, they validate human existence and give it meaning. In Dharma Artha Kama Moksha, Devdutt Pattanaik uses his unique understanding of mythology to provide an accessible and lucid guide to the Hindu way of thinking, with short essays that are crisp expositions of important concepts.