The Princess Goes West

DIVHer kingdom bankrupt, a princess travels to the New World in search of a fortune/divDIV When Princess Marlena’s father, the benevolent ruler of the tiny kingdom of Hartz-Coburg, dies, he leaves behind nothing but a famous name and a mountain of debt. To fill her beloved nation’s empty coffers, Marlena has two choices: marry or beg. Although she’s considered one of Europe’s great beauties, Marlena has a fiery temper and frightens off all but the most repulsive of the international nobility. Too proud to surrender to a man she does not love, Marlena goes to America to raise the money, arriving just in time to see the stock market crash of 1880./divDIV /divDIVPenniless and desperate, the princess decides to find investors among the gold-rush millionaires of the American West. Instead she finds misery, danger, and a handsome stranger with a temper rough enough to match her own. To make it home, Europe’s toughest princess will have to find her inner cowgirl./div

Billy Rice appeared in Dry Gulch, with all his fancy togs on and was named Fancy Pants. He joined the posse as the Deputy. Sarah, a mentally, disturbed, fleshy girl tried all kinds of tricks to get him. She was jealous o one of the Akin sisters because Billy liked her and she kidnapped her but the other sister was taken by mistake also. The Mexican banditos caught them. The Akin sisters put sleeping powder in their soup and escaped. A new church was built and a Minister, his sister and mother came to town. Gray Wolf, of the Apaches, turned outlaw with his braves and he was determined to marry the Princess. She hated him, so the Chief and her came to see the Sheriff for help. Pedro, one of the Mexican banditos saw Crystal, the Minister’s sister and he fell in love with her. He was determined to leave the gang. The Minister married the Princess and Gray Wolf took them captive. Pedro happened upon them and rescued but was killed by the leader of the gang. Marshall Tom came, saw Crystal and fell in love with her. He sang and played his guitar for her as she tried to get over Pedro’s death.

Three western romance titles by Nan Ryan about an outlaw, a cowgirl, and a determined European princess finding their fortunes in the American West In Outlaw’s Kiss, a young woman joins a gang of rough-riding outlaws. As she begins her career as a renegade, the son of a soldier killed in a long-ago raid searches Mexico for justice. His fevered quest could destroy Cordell’s band of outlaws, but only if he can resist the charms of the sultry young woman who rides like a man. In Written in the Stars, the beautiful star of a Wild West show sets off with the traveling spectacle’s most recent addition: a captured man, raised by the Shoshoni. Together, they embark on a passionate adventure that will change both of their lives forever. And in The Princess Goes West, the heiress of a bankrupt kingdom travels to the New World in search of a fortune. The princess decides to find investors among the gold-rush millionaires of the American West. Instead she finds misery, danger, and a handsome stranger with a temper rough enough to match her own. To make it home, Europe’s toughest princess will have to find her inner cowgirl.

"A wonderfully resplendent evocation of a newcomer's America" (Chang-rae Lee, author of Native Speaker) by the father of Korean American literature A Penguin Classic Having fled Japanese-occupied Korea for the gleaming promise of the United States with nothing but four dollars and a suitcase full of Shakespeare to his name, the young, idealistic Chungpa Han arrives in a New York teeming with expatriates, businessmen, students, scholars, and indigents. Struggling to support his studies, he travels throughout the United States and Canada, becoming by turns a traveling salesman, a domestic worker, and a farmer, and observing along the way the idealism, greed, and shifting values of the industrializing twentieth century. Part picaresque adventure, part shrewd social commentary, East Goes West casts a sharply satirical eye on the demands and perils of assimilation. It is a masterpiece not only of Asian American literature but also of American literature. Celebrate Asian American and Pacific Islander (AAPI) Heritage Month with these three Penguin Classics: America Is in the Heart by Carlos Bulosan (9780143134039) East Goes West by Younghill Kang (9780143134305) The Hanging on Union Square by H. T. Tsiang (9780143134022)

Get ready to laugh - the Feng Shui Detective is back in an all new adventure. Feng Shui master CF Wong's skills and charms are again in desperate need, this time in London. But is the West ready for our Feng Shui crime-fighting hero?

Before he fell in love with Wallis Simpson, Edward VIII had fallen in love with America. As a young Prince of Wales, Edward witnessed the birth of the American century at the end of the First World War and, captivated by the energy, confidence, and raw power of the USA as it strode onto the world stage, he paid a number of subsequent visits: surfing in Hawaii; dancing with an American shop-girl in Panama; and partying with the cream of New York society on Long Island. Eventually, of course, he fell violently in love with Wallis, a Southern belle and latter-day Scarlett O'Hara. Forceful, irreverent, and sassy, she embodied everything that Edward admired about modern America. But Edward's fascination with America was not unreciprocated. America was equally fascinated by the Prince, especially his love life, and he became an international media celebrity through newsreels, radio, and the press. Indeed, even in the decades after his abdication in 1936, Edward remained a celebrity in the US and a regular guest of Presidents and the elite of American society.

Throughout my childhood, my grandmother Yasmina, who was illiterate and grew up in a harem, repeated that to travel is the best way to learn and to empower yourself. "When a woman decides to use her wings, she takes big risks," she would tell me, but she was convinced that if you didn't use them, it hurt.... So recalls Fatema Mernissi at the outset of her mesmerizing new book. Of all the lessons she learned from her grandmother -- whose home was, after all, a type of prison -- the most central was that the opportunity to cross boundaries was a sacred privilege. Indeed, in journeys both physical and mental, Mernissi has spent virtually all of her life traveling -- determined to "use her wings" and to renounce her gender's alleged legacy of powerlessness. Bursting with the vitality of Mernissi's personality and of her rich heritage, Scheherazade Goes West reveals the author's unique experiences as a liberated, independent Moroccan woman faced with the peculiarities and unexpected encroachments of Western culture. Her often surprising discoveries about the conditions of and attitudes toward women around the world -- and the exquisitely embroidered amalgam of clear-eyed autobiography and dazzling meta-fiction by which she relates those assorted discoveries -- add up to a deliciously wry, engagingly cosmopolitan, and deeply penetrating narrative. In her previous bestselling works, Mernissi -- widely recognized as the world's greatest living Koranic scholar and Islamic sociologist -- has shed unprecedented light on the lives of women in the Middle East. Now, as a writer and scholarly veteran of the high-wire act of straddling disparate societies, she trains her eyes on the female culture of the West. For her book's inspired central metaphor, Mernissi turns to the ancient Islamic tradition of oral storytelling, illuminating her grandmother's feminized, subversive, and highly erotic take on Scheherazade's wife-preserving tales from The Arabian Nights -- and then ingeniously applying them to her own lyrically embellished personal narrative. Interwoven with vivid ruminations on her childhood, her education, and her various international travels are the author's piquant musings on a range of deeply embedded societal conditions that add up, Mernissi argues, to a veritable "Western harem." A provocative and lively challenge to the common assumption that women have it so much better in the West than anywhere else in the world, Mernissi's book is an entrancing and timely look at the way we live here and now. By inspiring us to reconsider even the most commonplace aspects of our culture with fresh eyes and a healthy dose of suspicion, Scheherazade Goes West offers an invigorating, candid, and entertaining new perspective on the themes and ideas to which Betty Friedan first turned us on nearly forty years ago.