The Prayers And Tears Of Jacques Derrida

The Prayer and Tears of Jacques Derrida takes its point of departure from Derrida's more recent, sometimes autobiographical writings and closely examines the religious motifs that have emerged in his later works. John D. Caputo's provocative interpretation of Derrida's thinking also makes an original contribution to the question of the relevance of deconstruction for religion. Caputo's Derrida is a man of faith who bridges Jewish and Christian traditions. The deep messianic, apocalyptic, and prophetic tones in Derrida's writings, Caputo argues, bespeak his broken covenant with Judaism. Through its startling exploration of Derrida's impossible religion, the book sheds light on the implications of deconstruction for an understanding of religion and faith today--from back cover.

Written in response to John Caputo's The Prayers and Tears of Jacques Derrida, this work gathers together cutting-edge theologians and philosophers to examine the relationship between Derridan deconstruction and religion. Containing a lengthy counter-response by Caputo, as well as an interview, Religion With/Out Religion will be required reading for all those involved in contemporary theological debate.

Acts of Religion, compiled in close association with Jacques Derrida, brings together for the first time a number of Derrida's writings on religion and questions of faith and their relation to philosophy and political culture. The essays discuss religious texts from Jewish, Christian, and Muslim traditions, as well as religious thinkers such as Kant, Levinas, and Gershom Scholem, and comprise pieces spanning Derrida's career. The collection includes two new essays by Derrida that appear here for the first time in any language, as well as a substantial introduction by Gil Anidjar that explores Derrida's return to his own "religious" origins and his attempts to bring to light hidden religious dimensions of the social, cultural, historical, and political.

Postmodern Apologetics provides an introduction to contemporary French thinkers who argue for the coherence and viability of Christian faith and religious experience with phenomenological and hermeneutical tools. It treats both French philosophers and appropriations of their thought in the North American context.

The author of What Would Jesus Deconstruct? makes “a bold attempt to reconfigure the terms of debate around the topic of divine omnipotence” (Choice). Applying an ever more radical hermeneutics—including Husserlian and Heideggerian phenomenology, Derridian deconstruction, and feminism—John D. Caputo breaks down the name of God in this irrepressible book. Instead of looking at God as merely a name, Caputo views it as an event, or what the name conjures or promises in the future. For Caputo, the event exposes God as weak, unstable, and barely functional. While this view of God flies in the face of most religions and philosophies, it also puts up a serious challenge to fundamental tenets of theology and ontology. Along the way, Caputo’s readings of the New Testament, especially of Paul’s view of the Kingdom of God, help to support the “weak force” theory. This penetrating work cuts to the core of issues and questions—What is the nature of God? What is the nature of being? What is the relationship between God and being? What is the meaning of forgiveness, faith, piety, or transcendence?—that define the terrain of contemporary philosophy of religion. “Caputo comes out of the closet as a theologian in this work.” —Catherine Keller, Drew University “Caputo has a gift for explaining Continental philosophy’s jargon succinctly and accurately, and despite technical and foreign terms, this book will engage upper-level undergraduates. Includes scriptural and general indexes . . . Highly recommended.” —Choice

A brilliant and witty postmodern critique of ethics, framed as a contemporary restaging of Kierkegaard’s Fear and Trembling. John D. Caputo undertakes a passionate, poetic, and satiric search for the basis of an ethics in the postmodern situation. Restaging Kierkegaard’s Fear and Trembling, Caputo defends the notion of obligation without ethics, of responsibility without the support of ethical foundations. Retelling the story of Abraham and Isaac, he strikes the pose of a postmodern-day Johannes de Silentio, accompanied by communications from such startling figures as Johanna de Silentio, Felix Sineculpa, and Magdalena de la Cruz. In dialogue with the thought of Kierkegaard, Nietzsche, Derrida, and Lyotard, Caputo forges a challenging, original account of what is possible and what is not possible for a continentalist ethics today. “Against Ethics is a bold work. . . . A counterethics whose multiple voices will be heard long after the trivializing arguments of many analytic ethicists have vanished and the arcane formulations of many postmoderns have been jettisoned.” —Edith Wyschogrod “Caputo provides a brilliant new analysis of the limits of ethics. . . . Essential reading for anyone concerned with the philosophical issues raised in postmodernity.” —Drucilla Cornell “One of the most important works on philosophical ethics written in recent years. . . . Caputo speaks with a passion and concern that are rare in academic philosophy.” —Mark C. Taylor “Against Ethics is beautifully written, clever, learned, thought-provoking, and even inspiring.” —Theological Studies “Writing in the form of his ideas, Caputo offers the reader a truly exquisite reading experience. . . . His iconic style mirrors a truly refreshing honesty that draws the reader in to play.” —Quarterly Journal of Speech

Scanlon, and Mark Vessey.Indiana Series in the Philosophy of Religion--Merold Westphal, general editor

This collection of groundbreaking essays considers the many dimensions of prayer, and takes up the meaning of prayer from within a uniquely phenomenological point of view.

This provocative addition to The Church and Postmodern Culture series offers a lively rereading of Charles Sheldon's In His Steps as a constructive way forward. John D. Caputo introduces the notion of why the church needs deconstruction, positively defines deconstruction's role in renewal, deconstructs idols of the church, and imagines the future of the church in addressing the practical implications of this for the church's life through liturgy, worship, preaching, and teaching. Students of philosophy, theology, religion, and ministry, as well as others interested in engaging postmodernism and the emerging church phenomenon, will welcome this provocative, non-technical work.

Discusses Derrida as a religious thinker, reading Dante’s Commedia and Derrida’s religious writings together.