The Portable Queen

The progresses were both emblematic of Elizabeth's rule and intrinsic to her ability to govern." "In this book, Mary Hill Cole provides a detailed analysis of the progresses. Drawing on royal household accounts, ministerial correspondence, county archives, corporation records, and family papers, she examines the effects of the visits on the queen's household and government, the individual and civic hosts, and the monarchy of the Virgin Queen."--BOOK JACKET.

In their introduction to this anthology, James Bruce Ross and Mary Martin McLaughlin remind us that "no area of the past is dead if we are alive to it. The variety, the complexity, the sheer humanity of the middle ages live most meaningfully in their own authentic voices." The Portable Medieval Reader assembles an entire chorus of those voices—of kings, warriors, prelates, merchants, artisans, chroniclers, and scholars—that together convey a lively, intimate impression of a world that might otherwise seem immeasurably alien. All the aspects and strata of medieval society are represented here: the life of monasteries and colleges, the codes of knigthood, the labor of peasants and the privileges of kings. There are contemporary accounts of the persecution of Jews and heretics, of the Crusades in the Holy Land, of courtly pageants, popular uprisings, and the first trade missions to Cathay. We find Chaucer, Petrarch, Boccaccio, Saint Francis of Assisi, Thomas Aquinas and Abelard alongside a host of lesser-known writers, discoursing on all the arts, knowledge and speculation of their time. The result, according to the Columbia Record, is a broad and eminetly readable "cross section of source history and literature...as rich and varied as a stained glass window."

This study examines representations of early modern female consorts and regnants via extra-literary emblematics such as paintings, jewelry, miniature portraits, carvings, placards, masques, funerary monuments, and imprese.

"Indispensable to students of antebellum culture."—Philip F. Gura, Univ. of North Carolina. "A highly valuable resource for students of American Studies and Women's Studies alike."—Donald Pease, UC-Riverside.

Making her debut in 2020 and already followed by more than 3.8 million fans on TikTok, the internet sensation The Folding Lady shows everyone how to use her smart and simple home hacks and tips to fold any household item and organize difficult areas to create extra space and improve functionality in the home. In this illustrated guide, Sophie Liard brings her expertise together and teaches you how to fold all of your household items, from boxers, leggings, and socks to sheets, towels and even napkins and wrapping paper. The Folding Lady shows you that anything is foldable and shares the inner joy that folding brings and offers extra tips on organizing drawers, desks, snack drawers, cosmetics, and more to make life a little easier and more manageable. Sophie encourages you to take charge of small, simple, and achievable tasks. Sometimes you have to let go of trying to tackle the big stuff and make the most of the little things that can be controlled. The Folding Lady will bring you comfort and help you find solace amid the daily stress.

A biography of the twelfth-century queen, first of France, then of England, who was the wife of Henry II and mother of several notable sons, including Richard the Lionhearted.

From the private world of a beloved English queen, a story of intimacy, royalty, espionage, rumor, and subterfuge Queen Elizabeth I acceded to the throne in 1558, restoring the Protestant faith to England. At the heart of the new queen's court lay her bedchamber, closely guarded by the favored women who helped her dress, looked after her jewels, and shared her bed. Elizabeth's private life was of public concern. Her bedfellows were witnesses to the face and body beneath the makeup and raiment, as well as to rumored dalliances with such figures as Earl Robert Dudley. Their presence was for security as well as propriety, as the kingdom was haunted by fears of assassination plots and other Catholic stratagems. Such was the significance of the queen's body: it represented the very British state itself. In The Queen's Bed, the historian Anna Whitelock offers a revealing look at the Elizabethan court and the politics of intimacy. She dramatically reconstructs, for the first time, the queen's quarters and the women who patrolled them. It is a story of sex, gossip, conspiracy, and intrigue brought to life amid the colors, textures, smells, and routines of the royal court. The women who attended the queen held the truth about her health, chastity, and fertility. They were her friends, confidantes, and spies—nobody knew her better. And until now, historians have overlooked them. The Queen's Bed is a revelatory, insightful look into their daily lives—the untold story of the queen laid bare.

This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.