The Politics Of Culture In Soviet Occupied Germany 1945 1949

They allow for a painstaking analysis of the political and "aesthetic" priorities of a developing Stalinist culture while raising intriguing questions about the early stages of the Cold War and the subsequent division of Germany. In particular, the gradual introduction of Zhdanovist or socialist-realist political norms and aesthetic forms into Soviet-occupied Germany closely paralleled developments in the Soviet Union during the infamous zhdanovshchina (1946-1948). Smear campaigns against "formalism," "decadence," and "cosmopolitanism," carefully tailored to local circumstances, were the natural consequence. Simultaneously, the German Communists worked behind the scenes with the Soviet occupation regime to establish the administrative apparatus for the enforcement of these standards, imported from the Soviet Union and calculated to infuse German art and literature with the proper political priorities.

In 1945, when the Red Army marched in, eastern Germany was not "occupied" but "liberated." This, until the recent collapse of the Soviet Bloc, is what passed for history in the German Democratic Republic. Now, making use of newly opened archives in Russia and Germany, Norman Naimark reveals what happened during the Soviet occupation of eastern Germany from 1945 through 1949. His book offers a comprehensive look at Soviet policies in the occupied zone and their practical consequences for Germans and Russians alike--and, ultimately, for postwar Europe. In rich and lucid detail, Naimark captures the mood and the daily reality of the occupation, the chaos and contradictions of a period marked by rape and repression, the plundering of factories, the exploitation of German science, and the rise of the East German police state. Never have these practices and their place in the overall Soviet strategy, particularly the political development of the zone, received such thorough treatment. Here we have our first clear view of how the Russians regarded the postwar settlement and the German question, how they made policy on issues from reparations to technology transfer to the acquisition of uranium, how they justified their goals, how they met them or failed, and how they changed eastern Germany in the process. The Russians in Germany also takes us deep into the politics of culture as Naimark explores the ways in which Soviet officers used film, theater, and education to foster the Bolshevization of the zone. Unique in its broad, comparative approach to the Soviet military government in Germany, this book fills in a missing--and ultimately fascinating--chapter in the history of modern Europe.

This study explores the history of the New School that developed in the postwar period and its role in communicating antifascism to young people in the Soviet zone. Blessing traces how the decisions about how to educate young people after the National Socialist dictatorship became part of a broader discussion about the future of the German nation.

The Politics of Religion in Soviet-Occupied Germany illuminates the religious policies of the Soviet military authorities and their allies in the Socialist Unity Party in the Soviet zone, and more importantly, who devised these policies and how they implemented them. Brennan illustrates how the Soviet authorities recreated the Soviet zone along Stalinist lines with regard to religious policy, focusing on the Soviet zone, and in particular its most important province, Berlin-Brandenburg. This book also demonstrates how the church leaders responded to these policies, especially as they became increasingly antireligious. Book jacket.

This text explores how cultural life in the former German Democratic Republic (GDR) was strictly controlled by the ruling party, the SED, through attempts to dictate the way people spent their free time. It shows how people's cultural life in the GDR developed a dynamic of its own.

An archive-based study examining how the four Allies - Britain, France, the United States and the Soviet Union - prepared for and conducted their occupation of Germany after its defeat in 1945. Uses the case of public health to shed light on the complexities of the immediate post-war period.

In this thesis I have studied the processes of de-Nazification and reeducation carried out by the Soviet Military Administration in Eastern Germany from 1945 to 1949 to create a socialist country. It begins with a background on the political developments across Germany after World War II. Attention is paid to the creation of the Socialist Unity Party of Germany and the relationship between the Soviet Union and the United States. The thesis moves into a discussion of the de-Nazification process as the purging of National Socialists from society. While punitive measures were utilized at first, I highlight the transition that takes place to more rehabilitative measures in 1947. In terms of reeducation I discuss mass organizations, the educational system and the cultural sphere. Each topic receives its own chapter and the development of socialism in each sphere of society is analyzed in depth.

A study of German traditions of cultural renewal from their origins in antifascist activism in German exile communities in Europe and Latin America during World War II to their failure during the emerging Cold War in occupied Germany and the early German Democratic Republic.

This book deals with the intricate connection between the political structure of the East German government and cultural politics. Specifically, it focuses on the relationship between the government agencies and three authors. It explores the difficulties the writers encountered in the 1960s with the government of East Germany and how their works did or did not conform to the cultural policy established by the GDR regime in 1951. The government believed that it was imperative for authors and artists to adhere to the literary policy of social realism prescribed by the East German Ministry of Culture. An author's works were expected to conform to the political ideology of Marxism. The Ministry of Culture expected writers to depict the society through the glorification of Marxism. The East German cultural functionaries evaluated a piece of literature more for the author's devotion to the political doctrine than the aesthetic quality of the work. If works did not conform, the government agencies such as the Ministry of Culture could apply pressure to the authors in many forms: censorship, silencing, fines, prosecution, surveillance and, for extreme cases, expatriation. This study assesses three prominent writers of the former East Germany: Wolf Biermann, a lyricist; Christa Wolf, a novelist; and Heiner Müller, a dramatist. The analysis is based on the political content of the authors' works and how the West German and East German critics evaluated them. Government documents from German State Archives revealed the sensitive nature of the political and writer conferences of the GDR. The study analyzes how the writers' interpretation of socialism increasingly deviated from that of the East German regime. Over time, the writers chose to express themselves in a different manner and thus, encountered problems and conflicts with the Ministry of Culture.