The Plantation

One by one, in cities across America, people of all ages are taken from their homes, their cars, their lives. But these aren't random kidnappings. They're crimes of passion, planned and researched several months in advance, then executed with a singular objective in mind. Revenge. Ariane Walker is one of the victims, dragged from her apartment with few clues to follow. The police said there's little they can do for her, but that isn't good enough for her boyfriend, Jonathon Payne. With the help of his best friend, Payne gives chase, hoping that a lead in New Orleans somehow pays off. Together, they uncover the mystery of Ariane's abduction and the truth behind the South's most violent secret. Praise for THE PLANTATION: James Patterson, #1 international bestselling author—“THE PLANTATION is a rip-roaring page-turner based on an ingenious idea. No reader will easily forget it.” Lee Child, #1 international bestselling author—“Excellent! High stakes, fast action, vibrant characters, and a very, very original plot concept. Not to be missed!” Nelson DeMille, #1 international bestselling author—“Wear your running shoes when you read THE PLANTATION. This is the most action-packed, swiftly paced, and tightly plotted novel I’ve read in a long time.” James Rollins, #1 international bestselling author—“Chris Kuzneski displays a remarkable sense of suspense and action in THE PLANTATION. A riveting ride from start to finish as an ex-Special Forces soldier searches for the kidnappers of his girlfriend, leading to an international manhunt that will leave readers breathless and up much too late. Don’t miss it!” Douglas Preston, #1 international bestselling author—“THE PLANTATION is a powerful read with a great plot twist. Right from the opening scenes the book takes off, and all I can say is, hang on for the ride.”

"This book discusses some of the family and environmental contributions that led to my change from liberal to conservative. It also discusses how Black Americans came from slavery to freedom [and] ... examines the 'Plantation mentality' that still plagues us today."--Preface, p. i.

African American freedom is often defined in terms of emancipation and civil rights legislation, but it did not arrive with the stroke of a pen or the rap of a gavel. No single event makes this more plain, Laurie Green argues, than the 1968 Memphis sanitation workers' strike, which culminated in the assassination of Martin Luther King Jr. Exploring the notion of "freedom" in postwar Memphis, Green demonstrates that the civil rights movement was battling an ongoing "plantation mentality" based on race, gender, and power that permeated southern culture long before--and even after--the groundbreaking legislation of the mid-1960s. With its slogan "I AM a Man!" the Memphis strike provides a clarion example of how the movement fought for a black freedom that consisted of not only constitutional rights but also social and human rights. As the sharecropping system crumbled and migrants streamed to the cities during and after World War II, the struggle for black freedom touched all aspects of daily life. Green traces the movement to new locations, from protests against police brutality and racist movie censorship policies to innovations in mass culture, such as black-oriented radio stations. Incorporating scores of oral histories, Green demonstrates that the interplay of politics, culture, and consciousness is critical to truly understanding freedom and the black struggle for it.

This bold and precedent-setting study details numerous slave rebellions against white masters, drawn from planters' records, government petitions, newspapers, and other documents. The reactions of white slave owners are also documented. 15 halftones.

In the days of pre-Civil War slavery––the unforgettable novel of a shocking portion of our American heritage. The time was not all magnolia blossoms and crinolines. It was more than romance and splendor. It was debauchery and slavery, gambling tables and dens of iniquity. It was murder and forgiveness. It was all the great contradiction of life in a golden era...

Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on US race relations.

This pioneering study of the much-mythologized Southern belle offers the first serious look at the lives of white women and their harsh and restricted place in the slave society before the Civil War. Drawing on the diaries, letters, and memoirs of hundreds of planter wives and daughters, Clinton sets before us in vivid detail the daily life of the plantation mistress and her ambiguous intermediary position in the hierarchy between slave and master. "The Plantation Mistress challenges and reinterprets a host of issues related to the Old South. The result is a book that forces us to rethink some of our basic assumptions about two peculiar institutions -- the slave plantation and the nineteenth-century family. It approaches a familiar subject from a new angle, and as a result, permanently alters our understanding of the Old South and women's place in it.

Details the daily life and major events of the inhabitants, both free and slave of her plantation.

Remembering Enslavement explores plantation museums as sites for contesting and reforming public interpretations of slavery in the American South. Emerging out of a three-year National Science Foundation grant (2014–17), the book turns a critical eye toward the growing inclusion of the formerly enslaved within these museums, specifically examining advances but also continuing inequalities in how they narrate and memorialize the formerly enslaved. Using assemblage theory as a framework, Remembering Enslavement offers an innovative approach for studying heritage sites, retelling and remapping the ways that slavery and the enslaved are included in southern plantation museums. It examines multiple plantation sites across geographic areas, considering the experiences of a diversity of actors: tourists, museum managers/owners, and tour guides/interpreters. This approach allows for an understanding of regional variations among plantation museums, narratives, and performances, as well as more in-depth study of the plantation tour experience and public interpretations. The authors conclude the book with a set of questions designed to help professionals reassemble plantation museum narratives and landscapes to more justly position the formerly enslaved at their center.