The Pirate Wars

Investigating the fascination pirates hold over the popular imagination, Earle takes the fable of ocean-going Robin Hoods and contrasts it with the murderous reality of robbery, torture and death and the freedom of a short, violent life on the high seas.

The wars against the Barbary pirates not only signaled the determination of the United States to throw off its tributary status, liberate its citizens from slavery in North Africa, and reassert its right to trade freely upon the seas: they enabled America to regain its sense of national dignity. The wars also served as a catalyst for the development of a navy with which America could project its newly acquired power thousands of miles away. By the time the fighting was over the young republic bore the unmistakable marks of a nation destined to play a major role in international affairs.

Join the pirate crew in their final spectacular adventure! Jolly, Griffin, and their pirate friends are back, battling to save the world from the evil Maelstrom. Griffin leaves his magic room in the belly of a giant whale to take on the lord of the kobalins. Princess Soledad fights to protect the sea star city and encounters an awe-inspiring serpent god. Together, Jolly and Munk make their way underwater to reach the center of the Maelstrom. There they meet the beautiful Aina, who is a polliwog like themselves but from an ancient time. Is she a girl or a ghost? A friend or an enemy? While the battle for the sea star city is raging, Jolly learns the shocking truth about Aina. As Jolly begins to understand the past, she realizes what she must do to save the whole Caribbean. But is she already too late? This rip-roaring fantasy filled with nonstop action is a perfect ending to magical mastermind Kai Meyer's swashbuckling Wave Walkers trilogy.

Investigating the fascination pirates hold over the popular imagination, Peter Earle takes the fable of ocean-going Robin Hoods sailing under the "banner of King Death" and contrasts it with the murderous reality of robbery, torture and death and the freedom of a short, violent life on the high seas. The Pirate Wars charts 250 years of piracy, from Cornwall to the Caribbean, from the 16th century to the hanging of the last pirate captain in Boston in 1835. Along the way, we meet characters like Captain Thomas Cocklyn, chosen as commander of his ship "on account of his brutality and ignorance," and Edward Teach, the notorious "Blackbeard," who felt of his crew "that if he did not now and then kill one of them they would forget who he was." Using material from British Admiralty records, this is an account of the Golden Age of pirates and of the men of the legitimate navies of the world charged with the task of finally bringing these cutthroats to justice.

Since the rise of Napster and other file-sharing services in its wake, most of us have assumed that intellectual piracy is a product of the digital age and that it threatens creative expression as never before. The Motion Picture Association of America, for instance, claimed that in 2005 the film industry lost $2.3 billion in revenue to piracy online. But here Adrian Johns shows that piracy has a much longer and more vital history than we have realized—one that has been largely forgotten and is little understood. Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader implications for today’s debates over open access, fair use, free culture, and the like, Johns’s book ultimately argues that piracy has always stood at the center of our attempts to reconcile creativity and commerce—and that piracy has been an engine of social, technological, and intellectual innovations as often as it has been their adversary. From Cervantes to Sonny Bono, from Maria Callas to Microsoft, from Grub Street to Google, no chapter in the story of piracy evades Johns’s graceful analysis in what will be the definitive history of the subject for years to come.

Jefferson, and the terrorists were the Barbary pirates of Algiers, Tunis, and Tripoli.

“An epic history of piracy . . . Goodall explores the role of these legendary rebels and describes the fine line between piracy and privateering.” —WYPR The story of Chesapeake pirates and patriots begins with a land dispute and ends with the untimely death of an oyster dredger at the hands of the Maryland Oyster Navy. From the golden age of piracy to Confederate privateers and oyster pirates, the maritime communities of the Chesapeake Bay are intimately tied to a fascinating history of intrigue, plunder and illicit commerce raiding. Author Jamie L.H. Goodall introduces infamous men like Edward “Blackbeard” Teach and “Black Sam” Bellamy, as well as lesser-known local figures like Gus Price and Berkeley Muse, whose tales of piracy are legendary from the harbor of Baltimore to the shores of Cape Charles. “Rather than an unchanging monolith, Goodall creates a narrative filled with dynamic movement and exchange between the characters, setting, conflict, and resolution of her story. Goodall positioned this narrative to be successful on different levels.” —International Social Science Review

C.S. Forester, creator of the beloved Horatio Hornblower series, takes young readers on an exciting adventure to the shores of Tripoli in North Africa. That’s where, more than 200 years ago, the United States was threatened by “pirates” who snatched American merchant ships and imprisoned sailors—and the country’s young, untested navy took on the task of fighting the pirates in their home waters. This true tale features thrilling ocean battles, hand-to-hand combat, and the first landing on foreign soil by the U.S. Marines, and it’s as fresh and relevant today as when it was first published (1953).

The mass market edition of the New York Times Bestseller. This is the little-known story of how a newly independent nation was challenged by four Muslim powers and what happened when America's third president decided to stand up to intimidation. When Thomas Jefferson became president in 1801, America was deeply in debt and needed its economy to grow quickly, but its merchant ships were under attack. Pirates from North Africa routinely captured American sailors and held them as slaves, demanding ransom and tribute far beyond what the new country could afford. Jefferson found it impossible to negotiate with the leaders of the Barbary states, who believed their religion justified the plunder and enslavement of non-Muslims. These rogue states would show no mercy, so President Jefferson decided to move beyond diplomacy. He sent the U.S. Navy's new warships and a detachment of Marines to blockade Tripoli--launching the Barbary Wars and beginning America's journey toward future superpower status. As they did in George Washington's Secret Six, Kilmeade and Yaeger have transformed a nearly forgotten slice of history into a dramatic story that will keep you turning the pages to find out what happens next. Among the many suspenseful episodes: · Lieutenant Andrew Sterett's ferocious cannon battle on the high seas against the treacherous pirate ship Tripoli. · Lieutenant Stephen Decatur's daring night raid of an enemy harbor, with the aim of destroying an American ship that had fallen into the pirates' hands. · General William Eaton's 500-mile march from Egypt to the port of Derne, where the Marines launched a surprise attack and an American flag was raised in victory on foreign soil for the first time.

The history of America's conflict with the piratical states of the Mediterranean runs through the presidencies of Washington, Adams, Jefferson, and Madison; the adoption of the Constitution; the Quasi-War with France and the War of 1812; the construction of a full-time professional navy; and, most important, the nation's haltering steps toward commercial independence. Frank Lambert's genius is to see in the Barbary Wars the ideal means of capturing the new nation's shaky emergence in the complex context of the Atlantic world. Depicting a time when Britain ruled the seas and France most of Europe, The Barbary Wars proves America's earliest conflict with the Arabic world was always a struggle for economic advantage rather than any clash of cultures or religions.