The Philosophy Of Humor Yearbook

This yearbook, the sole publication of its kind, addresses the contemporary interest in the philosophy of humor. It invites philosophers from various traditions to share studies of humor, laughter, and the comic, and their roles (e.g., epistemological, ethical, aesthetic) within the history and practice of philosophy. It publishes not only scholarly articles of the highest quality, but also humorous or satirical pieces of philosophic interest.

Humour is a funny thing - everyone knows it but no-one knows what it is. This book addresses the question 'What is humour?' by first untangling the definitions of humour, amusement and funniness before then providing a new theory of humour which draws upon recent research in philosophy, psychology, linguistics and neuroscience. The theory is built up without assuming any prior knowledge and illustrated through humorous examples which are both entertaining and educational for anyone curious about what makes things funny. The book is then an accessible illumination of joking matters from dinner tables to online platforms to comedy clubs.

Comic Relief: A Comprehensive Philosophy of Humor develops an inclusive theory that integrates psychological, aesthetic, and ethical issues relating to humor Offers an enlightening and accessible foray into the serious business of humor Reveals how standard theories of humor fail to explain its true nature and actually support traditional prejudices against humor as being antisocial, irrational, and foolish Argues that humor’s benefits overlap significantly with those of philosophy Includes a foreword by Robert Mankoff, Cartoon Editor of The New Yorker

This book assesses the adequacy of the traditional theories of laughter and humor, suggests revised theories, and explores such areas as the aesthetics and ethics of humor, and the relation of amusement to other mental states. Theories of laughter and humor originated in ancient times with the view that laughter is an expression of feelings of superiority over another person. This superiority theory was held by Plato, Aristotle, and Hobbes. Another aspect of laughter, noted by Aristotle and Cicero and neglected until Kant and Schopenhauer developed it into the incongruity theory, is that laughter is often a reaction to the perception of some incongruity. According to the third and latest traditional theory, the relief theory of Herbert Spencer and Freud, laughter is the venting of superfluous nervous energy. Historical examples of all these theories are presented along with hybrid theories such as those of Descartes and Bergson. The book also features traditional explorations of the place of humor in aesthetics, drama, and literature. This is the first work in the last fifty years to include the classic sources in the philosophy of humor and the first to present theories by contemporary philosophers.

Isn’t That Clever provides a new account of the nature of humor – the cleverness account – according to which humor is intentional conspicuous acts of playful cleverness. This volume asks whether there are limits to what can be said in dealing with a heckler and how do we determine whether one comedian has stolen jokes from another.

Some things are funny -- jokes, puns, sitcoms, Charlie Chaplin, The Far Side, Malvolio with his yellow garters crossed -- but why? Why does humor exist in the first place? Why do we spend so much of our time passing on amusing anecdotes, making wisecracks, watching The Simpsons? In Inside Jokes, Matthew Hurley, Daniel Dennett, and Reginald Adams offer an evolutionary and cognitive perspective. Humor, they propose, evolved out of a computational problem that arose when our long-ago ancestors were furnished with open-ended thinking. Mother Nature -- aka natural selection -- cannot just order the brain to find and fix all our time-pressured misleaps and near-misses. She has to bribe the brain with pleasure. So we find them funny. This wired-in source of pleasure has been tickled relentlessly by humorists over the centuries, and we have become addicted to the endogenous mind candy that is humor.

Comic novelist and critic Paul McDonald explores the philosophy of humour in a book that will appeal to philosophers and creative writers alike. One aim of this book is to assess theories of humour and laughter. It concentrates mainly on philosophical approaches to humour- including those of Plato, Aristotle, Cicero, Descartes, Hobbes, Bergson, Kant, Schopenhauer, Kierkegaard, Freud and Bakhtin, but also explores such fields as cultural studies, literary theory, religion, psychoanalysis, and psychology; this broad focus makes for a richer account of humour, its relationship with philosophical thought, and its bearing on the human condition. Readers are invited to engage in creative writing exercises designed to exploit this crucial facet of humour, and to help them explore relevant issues imaginatively. In this way they will deepen their understanding of those issues, whilst at the same time cultivating their own creative skills. REVIEW COMMENT "The philosophical study of humour has a complex and fitful history: few people have been brave enough to write about humour seriously, and those who have tend to disagree with one another. For those seeking an entry point, Paul McDonald’s 'The Philosophy of Humour' (2012) gives a useful overview of the major theories. There are those who believe that laughter derives from a sense of superiority (Hobbes and Bergson) or from a sense of relief, or release of energy (Freud’s “economy of psychic expenditure”). But the earliest, most primal examples of humour all seem to have some sort of incongruity at their heart. McDonald gives the example of “the Lion Man figure found in 1939 in the Swabian Alps”, which is thought to be about 35,000 years old. Having the body of a lion and the legs of a man, it is thought to be one of the earliest examples of represented incongruity, dating from the time when human beings first developed “an ability to juxtapose disparate concepts”. Jonathan Coe, The Guardian.

Political humor and satire are, perhaps, as old as comedy itself, and they are crucial to our society and our collective sense of self. Satire is confrontational. It’s about pushback, dissent, discord, disappointment, and demonstrating the absurdity of the status quo. This book is an attempt to explore how these aspects of satire help secure our sanity. Aristotle famously said that humans are naturally political animals. We need political community to flourish and live good lives. But politics also entails unpopular decisions, oppression, and power struggles. Satire is a vehicle through which we reflect on and challenge the irrational, incomprehensible, and intolerable nature of our lives without becoming totally despondent or depressed. In a poignant, pithy, but not ponderous manner, Al Gini and Abraham Singer delve into the history of satire to rejoice in its triumphs and watch its development from ancient graffiti to the latest late-night TV talk show.

Humor has been praised by philosophers and poets as a balm to soothe the sorrows that outrageous fortune’s slings and arrows cause inevitably, if not incessantly, to each and every one of us. In mundane life, having a sense of humor is seen not only as a positive trait of character, but as a social prerequisite, without which a person’s career and mating prospects are severely diminished, if not annihilated. However, humor is much more than this, and so much else. In particular, humor can accompany cruelty, inform it, sustain it, and exemplify it. Therefore, in this book, we provide a comprehensive, reasoned exploration of the vast literature on the concepts of humor and cruelty, as these have been tackled in Western philosophy, humanities, and social sciences, especially psychology. Also, the apparent cacophony of extant interpretations of these two concepts is explained as the inevitable and even useful result of the polysemy inherent to all common-sense concepts, in line with the understanding of concepts developed by M. Polanyi in the 20th century. Thus, a thorough, nuanced grasp of their complex mutual relationship is established, and many platitudes affecting today's received views, and scholarship, are cast aside.

A Philosopher Looks at The Sense of Humor by Richard C. Richards is intended as a starting point for a philosophical discussion. A colleague once said that Richards writes about humor in a humorous way. He said there are serious books about humor, and humorous books, but a combination of the two occurs rarely. In this tour of the wide, wonderful world of the humorous, he touches upon such issues as what causes a sense of humor, whether it can be taught, what its value may be, how it is connected with happiness, and whether it should be placed on the endangered species list. He out of necessity explores the habitat of the amusing, the entertaining, and the comedic. There is considerable laughter in the world, and a more than abundant supply of things to laugh at. But since laughter and humor are only partially and not essentially connected, this may end up being a eulogy for the death of humor. Perhaps this book will cause it. We can only hope. This book may also be useful as a textbook in a classroom setting.