The Perfect English Country House

Perfect English Cottage explores 18 inspirational homes that celebrate the best of cottage style in the English countryside. Perfect English Cottage explores 18 inspirational homes that celebrate the best of cottage style in the English countryside. The book explores the decorating and design solutions that make the cottages as attractive inside as out, as well as practical and comfortable to live in. Bestselling author Ros Byam Shaw takes a fresh look at this perennially appealing style, which she divides into five chapters: Character, Holiday, Romance, Simplicity, and Elegance. The featured homes are incredibly varied, from a tiny house with exposed beams to a pared-down Georgian gem, to a picture-perfect cottage with roses over the door—and plenty more adorning the interior. Each section ends with a Get The Look page devoted to ideas for recreating the style in your own home.

The English style in interior design is admired and imitated the world over. The English style in interior design is admired and imitated the world over. At its grandest it is a stately home furnished with antiques, but the houses featured in this book are country cottages, farmhouses, townhouses, and apartments. What links them is as much an attitude as a look. The English style of decoration is practical and informal, designed around the inhabitants of the rooms and their lifestyles rather than to awe or impress. These houses are lived in and loved, with interiors that are comfortable, relaxed and not afraid to be pretty. All are perfect in their own way, and all as endearingly English as saying sorry when someone treads on your foot. The book’s chapters—Plain English, English Eccentric, English Rose, English Country House and Classic English—reflect the many and varied facets of English style, and each section ends with pages devoted to suggestions and ideas for furnishing a house in all these versions of English style. At the back of the book, there is also a comprehensive listing of suppliers to help readers create their very own take on perfect English style.

Perfect English Farmhouse celebrates the characteristic style and fascinating history of the classic farmhouse and shows how to turn your own home into a similarly welcoming retreat. Farmhouse is a word that conjures an array of appealing associations: fresh eggs and baby lambs, chunky wooden beams and stone floors, cream teas and harvest suppers; a place of welcome and plenty. With their generous kitchens and meandering layout, the architectural informality of the farmhouse suits modern lifestyles. In Perfect English Farmhouse, via a series of case studies, Ros Byam Shaw explores both traditional and contemporary farmhouse style. The book is divided into chapters according to style: Organic, Traditional, Fresh, No Frills, and Funky, and at the end of each chapter a spread highlights the key elements of that particular decorative look. At the back of the book, there is also a comprehensive listing of UK and US sources to help readers create their very own take on perfect farmhouse style.

A highly detailed look at the English country house interior, offering unprecedented access to England’s finest rooms. In this splendid book, renowned historian Jeremy Musson explores the interiors and decoration of the great country houses of England, offering a brilliantly detailed presentation of the epitome of style in each period of the country house, including the great Jacobean manor house, the Georgian mansion, and the Gothic Revival castle. For the first time, houses known worldwide for their exquisite architecture and decoration--including Wilton, Chatsworth, and Castle Howard--are seen in unprecedented detail. With intimate views of fabric, gilding, carving, and furnishings, the book will be a source of inspiration to interior designers, architects, and home owners, and a must-have for anglophiles and historic house enthusiasts. The fifteen houses included represent the key periods in the history of English country house decoration and cover the major interior fashions and styles. Stunning new color photographs by Paul Barker-who was given unparalleled access to the houses-offer readers new insights into the enduring English country house style. Supplementing these are unique black-and-white images from the archive of the esteemed Country Life magazine. Among the aspects of these that the book covers are: paneling, textile hangings (silks to cut velvet), mural painting, plasterwork, stone carving, gilding, curtains, pelmets, heraldic decoration, classical imagery, early upholstered furniture, furniture designed by Thomas Chippendale, carved chimney-pieces, lass, use of sculpture, tapestry, carpets, picture hanging, collecting of art and antiques, impact of Grand Tour taste, silver, use of marble, different woods, the importance of mirror glass, boulle work, English Baroque style, Palladian style, neo-Classical style, rooms designed by Robert Adam, Regency, Gothic Revival taste, Baronial style, French 18th century style, and room types such as staircases, libraries, dining rooms, parlors, bedrooms, picture galleries, entrance halls and sculpture galleries. Houses covered include: Hatfield - early 1600s (Jacobean); Wilton - 1630/40s (Inigo Jones); Boughton - 1680/90s (inspired by Versailles); Chatsworth -1690/early 1700s (Baroque); Castle Howard - early 1700s (Vanbrugh); Houghton - 1720s (Kent); Holkham - 1730s-50s (Palladian); Syon Park - 1760s (Adam); Harewood - 1760s/70s (neo-Classical); Goodwood - 1790s/1800s (neo-Classical/Regency); Regency at Chatsworth/Wilton/C Howard etc - 1820/30s; Waddesdon Manor - 1870/80ss (French Chateau style); Arundel Castle -1880s/90s (Gothic Revival); Berkeley Castle - 1920/30s (period recreations and antique collections); Parham House - 1920s/30s (period restorations and antique collections). The range is from the early 17th century to present day, drawn from the authenticated interiors of fifteen great country houses, almost all still in private hands and occupied as private residences still today. The book shows work by twentieth-century designers who have helped evolve the country house look, including Nancy Lancaster, David Hicks, Colefax & Fowler, and David Mlinaric

From an acclaimed social and architectural historian, the tumultuous, scandalous, glitzy, and glamorous history of English country houses and high society during the interwar period As WWI drew to a close, change reverberated through the halls of England's country homes. As the sun set slowly on the British Empire, the shadows lengthened on the lawns of a thousand stately homes. In The Long Weekend, historian Adrian Tinniswood introduces us to the tumultuous, scandalous and glamorous history of English country houses during the years between World Wars. As estate taxes and other challenges forced many of these venerable houses onto the market, new sectors of British and American society were seduced by the dream of owning a home in the English countryside. Drawing on thousands of memoirs, letters, and diaries, as well as the eye-witness testimonies of belted earls and bibulous butlers, Tinniswood brings the stately homes of England to life as never before, opening the door to a world by turns opulent and ordinary, noble and vicious, and forever wrapped in myth. We are drawn into the intrigues of legendary families such as the Astors, the Churchills and the Devonshires as they hosted hunting parties and balls that attracted the likes of Charlie Chaplin, T.E. Lawrence, and royals such as Edward VIII and Wallis Simpson. We waltz through aristocratic soiré, and watch as the upper crust struggle to fend off rising taxes and underbred outsiders, property speculators and poultry farmers. We gain insight into the guilt and the gingerbread, and see how the image of the country house was carefully protected by its occupants above and below stairs. Through the glitz of estate parties, the social tensions between old money and new, the hunting parties, illicit trysts, and grand feasts, Tinniswood offers a glimpse behind the veil of these great estates -- and reveals a reality much more riveting than the dream.

Sixty-two stunning houses in a range of architectural styles spanning seven centuries are brought to life through glorious imagery from the photography library of Country Life magazine.

If the traditional thatched-roofed, picturesque English country cottage has piqued your curiosity about their interiors, step inside and see. Their imaginative owners have found many delightful ways to retain old-fashioned charm while not sacrificing modern comfort. A Devon home still has a log-burning stove. The washhouse of an Oakhurst cottage allows a glimpse of another century. The fruits of a countrywide search, these cottages show both those quirky imperfections and beguiling architectural details that reveal poignant reminders of past generations.

Some styles of decorating have a longer shelf life than others. One of the most durable is what has come to be known as English Country Style, which works just as well in a city apartment or suburban home as it does in a rectory or manor house. We may recognize an interior as archetypally English, but putting a finger on exactly what makes it so can be tricky. One of the strengths of English style is that it isn’t prescriptive. In fact, quite the opposite. It is relaxed, laissez-faire, and endlessly adaptable—all reasons, no doubt, why it has enjoyed such longevity. You may know it when you see it, but what are its essential ingredients? In Perfect English Style, Ros Byam Shaw looks at a range of rooms with a strong English feel to them. As it happens, almost all are in England, although this is a look that travels the world, from the Americas to the Antipodes, still predominantly English in flavor even when spiced with foreign ingredients. She explores the main rooms of a house, their characteristics and furnishings, and how they achieve that mix of comfort, informality, and visual charm that is the hallmark of English style. Ros also homes in on specifics: the qualities of patina, the important role of fabrics, how to buy and include antique and vintage furnishings, and how a collection, whether of pebbles or 18th-century glass, adds individuality and character.

A home of one’s own has always been a cornerstone of the American dream, fulfilling like nothing else the desire for comfort, financial security, independence, and with a little luck, even a touch of distinctive character, or even beauty. But what we have come to regard as almost a national birthright has recently begun to elude more and more prospective homebuyers. Where housing is concerned, affordable and well-crafted rarely exist together. Or do they? For years, founding editor-in-chief of Dwell magazine and noted architecture and design critic Karrie Jacobs had been confronting this question both professionally and personally. Finally, she decided to see for herself whether it was possible to build the home of her own dreams for a reasonable sum. The Perfect $100,000 House is the story of that quest, a search that takes her from a two-week crash course in housebuilding in Vermont to a road trip of some 14,000 miles. In the course of her journey Jacobs encounters a group of intrepid and visionary architects and builders working to revolutionize the way Americans thinks about homes, about construction techniques, and about the very idea of community. By her trip’s end Jacobs, has not only had a practical and sobering education in the economics, aesthetics, and politics of homebuilding, but has been spurred to challenge her own deeply held beliefs about what constitutes an ideal home. The Perfect $100,000 House is a compelling and inspiring demonstration that we can live in homes that are sensible, modest, and beautiful.