The Penland Book Of Ceramics

Br>A wealth of ideas and works from top ceramists who have taught at the prestigious Penland School of Crafts make this book an indispensable resource. These ten talented artists, well known and respected for the particular techniques they have mastered, demonstrate their methods in a series of instructive photographs. They also discuss their interest and affinity with different influences and methods, and present work by other artists whose work they admire. Stunning art, innovative techniques, and thoughtful personal essays illustrate the breadth of contemporary ceramic practice for both artists and collectors. Ten of the finest ceramists in the field-all of whom have taught at Penland School of Crafts in North Carolina-here offer master classes in a clay technique for which they are well known. Photographs and insightful commentary capture the skilled, innovative, and sometimes surprising ways they work and think. Youll learn as much about their materials and processes as you do about their influences and aspirations. Clara "Kitty" Couch creates one of her signature large, coil-built terra cotta pots, showing how form and process mature together. Angelica Pozo makes tiles with her own template method, then shows how to build up a relief surface and add vitreous glaze painting to it. Michael Sherrill demonstrates techniques he uses to extrude and carve porcelain forms that become components of his ceramic sculpture. Tom Spleth illustrates mold making, from carving the original plaster form to building the molds to realizing a finished slip-cast porcelain assemblage. Linda Arbuckle demonstrated with her majolica brushwork technique how she marries functional form and decorative surface. Nick Joerling alters his wheel-thrown vessels with straightforward cutting and reshaping methods. Cynthia Bringle shares how she joins wheel-thrown sections to make very large vessels. Joe Bova creates a joined pair of realistic relief sculptures of human forms from clay slabs. Sergei Isopov builds a figurative slab sculpture, then demonstrates his techniques for detailed narrative underglaze illustration. Mary Barringer marks and unifies clay surfaces with rich slip and textural surface treatments on functional forms. Also, a gallery of complementary work from other artists provides additional inspiration. Content: Introduction by Jean W. McLaughlin, Director of Penland School of Crafts The Artists Clara "Kitty" Couch Technique: Coil-Building Vessels "Contemplative Coilings" Hands On About the Artist Gallery of Invited Artists Angelica Pozo Technique: Making & Decorating Tiles "Tile Making: One Approach, Plus a Recipe for Potato Salad" Hands On About the Artist Gallery of Invited Artists Michael Sherrill Technique: Carving Extrusions "A Maker of Things" Hands On About the Artist Gallery of Invited Artists Tom Spleth Technique: Mold Making & Slip Casting "Slip Casting, or Romancing the Plaster" Hands On About the Artist Gallery of Invited Artists Linda Arbuckle Technique: Majolica "Shamelessly Decorative" Hands On About the Artist Gallery of Invited Artists Nick Joerling Technique: Altering Wheel-Thrown Forms "The Altered Pot" Hands On About the Artist Gallery of Invited Artists Cynthia Bringle Technique: Throwing a Large Vessel "The Large (and Small) of Turning and Burning" Hands On About the Artist Gallery of Invited Artists Joe Bova Technique: Slab Relief "Under the Skin" Hands On About the Artist Gallery of Invited Artists Sergei Isupov Technique: Slab Building & Underglaze Painting "A Life in the Studio" Hands On About the Artist Gallery of Invited Artists Mary Barringer Technique: Slips & Surfaces "The Well-Built Surface" Hands On About the Artist Gallery of Invited Artists A Short History of Penland School of Crafts Acknowledgments Contributing Photographers Contributing Artists Index.

Here, for the first time in book form, the artist-craftsmen of Penland reveal their pottery techniques, in a set of eight magnificent projects--techniques that have drawn thousands of students to the celebrated Penland School of Crafts in the mountains of North Carolina ...

"For more than 75 years, the Penland School of Crafts has attracted the most creative crafters from across the globe. This ... focuses on glass and the ten top contemporary flameworkers who have taught at the school, all of whom have areas of expertise that make them leaders in their field. These skilled masters offer a very personal perspective on their influences and work, with revelatory essays that give their views on flameworking and art in general. In photographic how-to sections of about 25-30 captioned images, each one demonstrates a particular technique, usually resulting in a finished piece."--Global Books in Print.

Miss Lucy went to the North Carolina mountains in 1920 as an apprentice teacher, but she soon discovered that the kind of teaching that she wanted to do was not in the fields in which she was trained. What interested her most was already there among the mountain people--the ancient arts of hand-weaving and vegetable dyeing. Her campaign to revive interest in these native crafts has resulted in the internationally respected Penland School of Handicrafts. Originally published in 1971. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.

Demonstrating four different clay-firing techniques, this book illustrates the diverse results that each can produce.

Take your work to the next level! Join ceramic artist Deb Schwartzkopf for a journey that will help you grow as a functional potter, whether your background is in wheel-throwing or handbuilding. Creative Pottery begins with a quick review of where you are in your own journey as a potter. If you need to brush up on the basics, help setting goals, or pointers on how to translate your inspiration into your work, you've come to the right place. The rest of the book is a self-guided journey in which you can choose the techniques and projects that interest you: Go Beyond the Basics and learn how to throw or handbuild a bottomless cylinder. Then explore seams and alterations for projects like a vase, sauce boats, dessert boats, and a citrus juicer. Flatter Forms takes your throwing and trimming horizontal. Make beautiful plates and learn how to make the jump from plate to cake stand. Master Molds and use them to open a new world of possibilities. Make spoons, platters, and asymmetrical shapes like an out-of-round serving dish with molded feet and a thrown rim. Compose with Multiple Shapes to make two-part forms like a butter dish or a stacking set of bowls. Make a pitcher out of two simple forms and then take it further by exploring handles and spouts for a proper teapot. With compelling galleries, artist features, and guided questions for growth throughout, this is a book for potters everywhere that want to go beyond the basics, learn new skills, and unlock their creativity.

Raku is an ancient ceramics technique enjoying a modern-day renaissance. This groundbreaking new entry in the highly successful 500 series demonstrates the vitality and invention of today's raku ceramics. Objects including cups, plates, bowls, vases, and statuary contribute to this international gallery of work juried by Jim Romberg, one of the leading practitioners and teachers of raku in the world."

From pinch pots to coiled boxes to soft slab tableware, mastering hand building is a lifelong pursuit. In this book, Sunshine Cobb covers all the foundational skills, with lessons for constructing both simple and complex forms from clay. Ceramic artists will also find a variety of next-level techniques and tips: designing templates and replicating pieces, lidded vessels, using molds, a variety of decorative techniques, and other avenues of exploration are all inside. Artist features and inspirational galleries include work from today's top working artists, such as Bryan Hopkins, Lindsay Oesterritter, Liz Zlot Summerfield, Bandana Pottery, Shoko Teruyama, Courtney Martin, Sam Chung, Deborah Schwartzkopf, and many more. Take your hand building skills—and your artwork—to the next level with Mastering Hand Building. The Mastering Ceramics series is for artists who never stop learning. With compelling projects, expert insight, step-by-step photos, and galleries of work from today’s top artists, these books are the perfect studio companions. Also available from the series: Mastering the Potter's Wheel and Mastering Kilns and Firing.