The Penguin Book Of Socialist Verse Edited By Alan Bold

Chartist poetry was written by and for workers. In contrast with the portrayal of workers by mainstream Victorian writers, Chartist verse is intellectual, complex, and socially conscious and reflects an international outlook.

Primarily concerned with the historical roots and contemporary condition of socialism, the second edition of the Historical Dictionary of Socialism offers information on writers, activists, ideas, political parties, institutions, and movements that sought_and in many cases are still seeking_to change the social and political order. It reflects the diversity in the broad movement of the left, the many variants of which include reformist social democracy, revolutionary Marxism, the New Left, and contemporary anti-capitalism. Taking up where the first edition left off, this thoroughly revised dictionary shows how socialism has been reacting, reforming and also expanding. This is done through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, and a cross-referenced dictionary section with 114 new entries, some on the current leadership, others on the many new parties of Central and Eastern Europe and the Third World, and yet others on the reaction to globalization. This book will provide a mine of information for teachers and students of political ideologies, comparative politics, political sociology, labor history, and political theory.

Lyric and Labour in the Romantic Tradition, first published in 1998, examines the legacy of Romantic poetics in the poetry produced in political movements during the nineteenth century. It argues that a communitarian tradition of poetry extending from the 1790s to the 1890s learned from and incorporated elements of Romantic lyricism, and produced an ongoing and self-conscious tradition of radical poetics. Showing how romantic lyricism arose as an engagement between the forces of reason and custom, Anne Janowitz examines the ways in which this Romantic dialectic infected the writings of political poets from Thomas Spence to William Morris. The book includes new readings of familiar Romantic poets including Wordsworth and Shelley, and investigates the range of poetic genres in the 1790s. In the case studies which follow, it examines relatively unknown Chartist and Republican poets such as Ernest Jones and W. J. Linton, showing their affiliation to the Romantic tradition, and making the case for the persistence of Romantic problematics in radical political culture.

Includes entries for maps and atlases.