The Past Is Never

Siblings Bert, Willet, and Pansy know better than to go swimming at the old rock quarry. According to their father, it's the Devil's place, a place that's been cursed and forgotten. But Mississippi Delta summer days are scorching hot and they can't resist cooling off in the dark, bottomless water. Until the day six-year-old Pansy disappears. Not drowned, not lost . . . simply gone. After years with no sign, no hope of ever finding Pansy alive, Bert and Willet have tried to move on. But as surely as their mother died of a broken heart, they can't let go. So when clues surface drawing them to the remote tip of Florida, they drop everything and drive south. Deep in the murky depths of the Florida Everglades they may find the answer to Pansy's mysterious disappearance . . . but truth, like the past, is sometimes better left where it lies. Perfect for fans of Flannery O'Connor and Dorothy Allison, The Past Is Never is an atmospheric, haunting story of myths, legends, and the good and evil we carry in our hearts.

DigiCat Publishing presents to you this special edition of "Requiem for a Nun" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Psychiatrist David "Gritz" Goldberg is caught up in a historical mystery when his childhood caretaker, T Royal, returns to Asheville, North Carolina, after a long absence. T has been plagued by the ghost of Mordecai Moore, a young black man put to death sixty-five years earlier for a murder he didn't commit. Gritz's investigations into the murder turn up dirty secrets involving prominent people.

The New York Times bestselling author of Dark Invasion and The Last Goodnight once again illuminates the lives of little-known individuals who played a significant role in America’s history as he chronicles the incredible true story of a critical, recently declassified counterintelligence mission and two remarkable agents whose story has been called "the greatest secret of the Cold War." In 1946, genius linguist and codebreaker Meredith Gardner discovered that the KGB was running an extensive network of strategically placed spies inside the United States, whose goal was to infiltrate American intelligence and steal the nation’s military and atomic secrets. Over the course of the next decade, he and young FBI supervisor Bob Lamphere worked together on Venona, a top-secret mission to uncover the Soviet agents and protect the Holy Grail of Cold War espionage—the atomic bomb. Opposites in nearly every way, Lamphere and Gardner relentlessly followed a trail of clues that helped them identify and take down these Soviet agents one by one, including Julius and Ethel Rosenberg. But at the center of this spy ring, seemingly beyond the American agents’ grasp, was the mysterious master spy who pulled the strings of the KGB’s extensive campaign, dubbed Operation Enormoz by Russian Intelligence headquarters. Lamphere and Gardner began to suspect that a mole buried deep in the American intelligence community was feeding Moscow Center information on Venona. They raced to unmask the traitor and prevent the Soviets from fulfilling Soviet Premier Nikita Khrushchev’s threat: "We shall bury you!" A breathtaking chapter of American history and a page-turning mystery that plays out against the tense, life-and-death gamesmanship of the Cold War, this twisting thriller begins at the end of World War II and leads all the way to the execution of the Rosenbergs—a result that haunted both Gardner and Lamphere to the end of their lives.

"The Arsonists' City delivers all the pleasures of a good old-fashioned saga, but in Alyan's hands, one family's tale becomes the story of a nation--Lebanon and Syria, yes, but also the United States. It's the kind of book we are lucky to have."--Rumaan Alam A rich family story, a personal look at the legacy of war in the Middle East, and an indelible rendering of how we hold on to the people and places we call home The Nasr family is spread across the globe--Beirut, Brooklyn, Austin, the California desert. A Syrian mother, a Lebanese father, and three American children: all have lived a life of migration. Still, they've always had their ancestral home in Beirut--a constant touchstone--and the complicated, messy family love that binds them. But following his father's recent death, Idris, the family's new patriarch, has decided to sell. The decision brings the family to Beirut, where everyone unites against Idris in a fight to save the house. They all have secrets--lost loves, bitter jealousies, abandoned passions, deep-set shame--that distance has helped smother. But in a city smoldering with the legacy of war, an ongoing flow of refugees, religious tension, and political protest, those secrets ignite, imperiling the fragile ties that hold this family together. In a novel teeming with wisdom, warmth, and characters born of remarkable human insight, award-winning author Hala Alyan shows us again that "fiction is often the best filter for the real world around us" (NPR).

The Caldecott Medal Winner, Sibert Honor Book, and New York Times bestseller Locomotive is a rich and detailed sensory exploration of America’s early railroads, from the creator of the “stunning” (Booklist) Moonshot. It is the summer of 1869, and trains, crews, and family are traveling together, riding America’s brand-new transcontinental railroad. These pages come alive with descriptive details of the journey: the sounds, speed, and strength of the mighty locomotives; the work that keeps them moving; and the thrill of travel from plains to mountain to ocean. Come sit inside the caboose, feel the heat of the engine, watch the landscape race by. Come ride the rails, come cross the young country!

Melody Mahaffey, trapped into touring for years with a third-rate Christian pop band she can hardly stand, is almost relieved to receive her mother's distress call. But when she returns home to care for her dying father and brain-damaged brother at the sprawling, defunct Three Rivers Farm, Melody is shocked to discover that her mother has abandoned the family. Sure that her daughter will do the right thing, Geneva has left to seek spiritual guidance and break things off with her long-time lover. Rain begins to fall and an epic flood threatens the Mississippi Delta. While Melody tries to get a handle on the chaos at home, a man and his little boy are squatting on her land, escaping their own nightmare. Obi is on the run from a horrific mistake, and he's intent on keeping his son with him at any cost. When the storm arrives, though, they have no choice but to take shelter in Melody's house. And the waters just keep rising. A lifetime of lies, misunderstandings and dark secrets bubble to the surface as the flood destroys the land and threatens their lives. Set against the fertile but dangerous landscape of the rural south near the fictional town of White Forest, Mississippi, Three Rivers beautifully weaves together three parallel stories, told over three days, as each character is propelled headlong into the storm.

A New York Times Notable Book of 2020 How do we read William Faulkner in the twenty-first century? asks Michael Gorra, in this reconsideration of Faulkner's life and legacy. William Faulkner, one of America’s most iconic writers, is an author who defies easy interpretation. Born in 1897 in Mississippi, Faulkner wrote such classic novels as Absolom, Absolom! and The Sound and The Fury, creating in Yoknapatawpha county one of the most memorable gallery of characters ever assembled in American literature. Yet, as acclaimed literary critic Michael Gorra explains, Faulkner has sustained justified criticism for his failures of racial nuance—his ventriloquism of black characters and his rendering of race relations in a largely unreconstructed South—demanding that we reevaluate the Nobel laureate’s life and legacy in the twenty-first century, as we reexamine the junctures of race and literature in works that once rested firmly in the American canon. Interweaving biography, literary criticism, and rich travelogue, The Saddest Words argues that even despite these contradictions—and perhaps because of them—William Faulkner still needs to be read, and even more, remains central to understanding the contradictions inherent in the American experience itself. Evoking Faulkner’s biography and his literary characters, Gorra illuminates what Faulkner maintained was “the South’s curse and its separate destiny,” a class and racial system built on slavery that was devastated during the Civil War and was reimagined thereafter through the South’s revanchism. Driven by currents of violence, a “Lost Cause” romanticism not only defined Faulkner’s twentieth century but now even our own age. Through Gorra’s critical lens, Faulkner’s mythic Yoknapatawpha County comes alive as his imagined land finds itself entwined in America’s history, the characters wrestling with the ghosts of a past that refuses to stay buried, stuck in an unending cycle between those two saddest words, “was” and “again.” Upending previous critical traditions, The Saddest Words returns Faulkner to his sociopolitical context, revealing the civil war within him and proving that “the real war lies not only in the physical combat, but also in the war after the war, the war over its memory and meaning.” Filled with vignettes of Civil War battles and generals, vivid scenes from Gorra’s travels through the South—including Faulkner’s Oxford, Mississippi—and commentaries on Faulkner’s fiction, The Saddest Words is a mesmerizing work of literary thought that recontextualizes Faulkner in light of the most plangent cultural issues facing America today.

Chronicles skateboarding's rise in popularity, interweaving the stories of early skaters while discussing how innovations in board design enabled new tricks as the sport evolved.