The Past As Present

Pt. I. History and the public. 1. Interpretations of early Indian history ; Historical perspectives of nation-building ; 3. Of histories and identities ; 4. In defence of history ; 5. Writing history textbooks: a memoir ; 6. Glimpses of a possible history from below: early India -- pt. II. Concerning religion and history. 7. Communalism: a historical perspective ; 8. Religion and the secularizing of Indian society ; 9. Syndicated Hinduism -- pt. III. Debates. 10. Which of us are Aryans ; 11. Dating the epics ; 12. The epic of the Bharatas ; 13. The Ramayana syndrome ; 14. In defence of the variant ; 15. Historical memory without history ; 16. The many narratives of Somanatha -- pt. IV. Our women-then and now. 17. Women in the Indian past ; 18. Becoming a Sati - the problematic widow ; 19. Rape within a cycle of violence.

The popular author of How to Be an Adult in Relationships reveals how past trauma can negatively impact our present-day relationships—and offers guidance on what to do about it We all have a tendency to transfer potent feelings, needs, expectations, and beliefs from childhood or from former relationships onto the people in our daily lives, whether they are our intimate partners, friends, or acquaintances. When the Past Is Present helps us to become more aware of the ways we slip into the past so that we can identify our emotional baggage and take steps to unpack it and put it where it belongs. Drawing on decades of experience as a psychotherapist, Richo helps readers to: • Understand how the wounds of childhood become exposed in adult relationships—and why this is a gift • Identify and heal the emotional wounds we carry over from the past so that they won’t sabotage present-day relationships • Recognize how strong attractions and aversions to people in the present can be signals of our own unfinished business • Use mindfulness to stay in the present moment and cultivate authentic intimacy Full of practical guidance, When the Past is Present will teach you how to free yourself from old wounds and destructive behavioral partners so you can foster healthier, happier relationships.

When the Past Is Always Present: Emotional Traumatization, Causes, and Cures introduces several new ideas about trauma and trauma treatment. The first of these is that another way to treat disorders arising from the mind/brain may be to use the senses. This idea, which is at the core of psychosensory therapy, forms what the author considers the "third pillar" of trauma treatment (the first and second pillars being psychotherapy and psychopharmacology). Psychosensory therapy postulates that sensory input—for example, touch—creates extrasensory activity that alters brain function and the way we respond to stimuli. The second idea presented in this book is that traumatization is encoded in the amygdala only under special circumstances. Thus, by understanding what makes an individual resistant to traumatization we can offer a way of preventing it. The third idea is that traumatization occurs because we cannot find a haven during the event. This is the cornerstone of havening, the particular form of psychosensory therapy described in the book. Using evolutionary biological principles and recently published neuroscientific studies, this book outlines in detail how havening touch de-links the emotional experience from a trauma, essentially making it just an ordinary memory. Once done, the event no longer causes distress.

"An irresistible book about Grub Street, authorship and the literary marketplace."—Washington Post Book World Jason Epstein has led arguably the most creative career in book publishing during the past half-century. He founded Anchor Books and launched the quality paperback revolution, cofounded the New York Review of Books, and created of the Library of America, the prestigious publisher of American classics, and The Reader's Catalog, the precursor of online bookselling. In this short book he discusses the severe crisis facing the book business today—a crisis that affects writers and readers as well as publishers—and looks ahead to the radically transformed industry that will revolutionize the idea of the book as profoundly as the introduction of movable type did five centuries ago.

"This comprehensive text, highly acclaimed as the premier sourcebook on goddesses, introduces students of religion to the various manifestations and complex nature of the goddess. Often a stranger to contemporary devotees of monotheistic religions, the goddess forces the recognition of female power, which can transform deeply held beliefs. The recent renewed interest in goddesses and the rise of feminist scholarship are addressed in this well-chosen collection of essays, written by an international group of scholars. The book elucidates the diverse religious cultures and periods of history in which goddesses have played an important role by providing examples of ancient and modern goddesses in Eastern and Western religious traditions, in major world and tribal religions, and in living religions and those no longer practiced."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"From candle-lit cottages to electricity-filled houses, this carefully leveled text compares and contrasts homes of the past to homes of the present. Colorful photographs engage young readers, while age-appropriate critical thinking questions and a photo glossary help develop nonfiction-reading skills."--Amazon.com.

Following decades of silence about the involvement of doctors, medical researchers and other health professionals in the Holocaust and other National Socialist (Nazi) crimes, scholars in recent years have produced a growing body of research that reveals the pervasive extent of that complicity. This interdisciplinary collection of studies presents documentation of the critical role medicine played in realizing the policies of Hitler’s regime. It traces the history of Nazi medicine from its roots in the racial theories of the 1920s, through its manifestations during the Nazi period, on to legacies and continuities from the postwar years to the present.

Roger Sale’s Seattle, Past to Present has become a beloved reflection of Seattle’s history and its possible futures as imagined in 1976, when the book was first published. Drawing on demographic analysis, residential surveys, portraiture, and personal observation and reflection, Sale provides his take on what was most important in each of Seattle’s main periods, from the city’s founding, when settlers built a city great enough that the railroads eventually had to come; down to the post-Boeing Seattle of the 1970s, when the city was coming to terms with itself based on lessons from its past. Along the way, Sale touches on the economic diversity of late nineteenth-century Seattle that allowed it to grow; describes the major achievements of the first boom years in parks, boulevards, and neighborhoods of quiet elegance; and draws portraits of people like Vernon Parrington, Nellie Cornish, and Mark Tobey, who came to Seattle and flourished. The result is a powerful assessment of Seattle’s vitality, the result of old-timers and newcomers mixing both in harmony and in antagonism. With a new introduction by Seattle journalist Knute Berger, this edition invites today's readers to revisit Sale’s time capsule of Seattle—and perhaps learn something unexpected about this ever-changing city.

The term 'temporality' often refers to the traditional mode of the way time is: a linear procession of past, present and future. As philosophers will note, this is not always the case. Christine Ross builds on current philosophical and theoretical examinations of time and applies them to the field of contemporary art: films, video installations, sculpture and performance works. Ross first provides an interdisciplinary overview of contemporary studies on time, focusing on findings in philosophy, psychology, sociology, communications, history, postcolonial studies, and ecology. She then illustrates how contemporary artistic practices play around with what we consider linear time. Engaging the work of artists such as Guido van der Werve, Melik Ohanian, Harun Farocki, and Stan Douglas, allows investigation though the art, as opposed to having art taking an ancillary role. The Past is the Present; It's the Future Too forces the reader to understand the complexities of the significance of temporal development in new artistic practices.

William's life began in a small town in Axton, Virginia on his grandfather's farm. William grew up with his brother Howard and they played different games during their childhood. William attended several elementary schools and later high school where he graduated. He had a successful military career where he served for twenty-four years. He met his wife Beulah at the start of his military career in 1970. They were married in October 1973. William and Beulah traveled to different states dur