The Papered Wall

The definitive international history of wallpaper from its origins to today's digital and laser printing, now brought completely up to date. Wallpaper is high fashion, and literally so in the wallcovering lines launched by Gucci in 2003 and Benetton in 2004. Innovation has been fueled by technology (with developments such as multicolored dry rub-off transfers); by environmental concerns (with nonwovens, or vlies, that breathe and create no harmful residues); and by a profusion of retro, luxury, naturalistic, humorous, and artistic ideas. First published in 1994, The Papered Wall has been revised to include a new and fully illustrated chapter on recent trends and a thorough reworking of its invaluable reference section, including suppliers of historic patterns and collections open to the public. Written by experts from Belgium, Britain, France, Germany, and the United States, this authoritative volume begins with the individually printed sheets that formed the first wallpapers in the fifteenth century. It encompasses English flocked papers with repeats as large as seven feet, spectacular French panoramas encircling an entire room, and exquisitely printed bowers of roses. By 1900 technical inventiveness and designers like William Morris had put new kinds of wall coverings and a vast choice of patterns before a worldwide market. The twentieth century saw a struggle between traditional ideas and radically "modern" styles—Jugendstil, Art Deco, Bauhaus, and postwar contemporary designs. Complete with a guide to care and conservation, this is a timely, informative, and stimulating record of wallpapers for every use and taste.

Charlotte Perkins Gilman (1860-1935) penned this sardonic remark in her autobiography, encapsulating a lifetime of frustration with the gender-based double standard that prevailed in turn-of-the-century America. With her slyly humorous novel, Herland (1915), she created a fictional utopia where not only is face powder obsolete, but an all-female population has created a peaceful, progressive, environmentally-conscious country from which men have been absent for two thousand years. Gilman was enormously prolific, publishing five hundred poems, two hundred short stories, hundreds of essays, eight novels, and seven years' worth of her monthly magazine, The Forerunner. She emerged as one of the key figures in the women's movement of her day, advocating equality of the sexes, the right of women to work, and socialized child care, among other issues. Today Gilman is perhaps best known for the chilling depiction of a woman's mental breakdown in her unforgettable short story, "The Yellow Wall-Paper". This Penguin Twentieth-Century Classics edition includes both this landmark work and Herland, together with a selection of Gilman's major short stories and her poems.

She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.

"The Yellow Wallpaper" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.

"The Yellow Wall-Paper" is a short story that was written in the late 1800s by Charlotte Perkins Gilman, after she suffered a serious downturn with depression, upon taking a doctor's advice to engage in the "rest cure" and abandon creative pursuits forever. Now, more than a hundred years later, this image-rich work has been interpreted by artist Sara Barkat -in a manner that combines both philosophical thought and visual intrigue. Sometimes understood as feminist literature, sometimes understood as exploring mental illness, and sometimes understood as both at the same time, this story is oddly poetic even when it is chilling and challenging. The tale contains subtexts that touch upon the nature of Imagination, as well as the act of Writing, and the artist has enhanced these subtexts with the inclusion of Victorian flower symbols, such as thistle for independence and lupine for imagination. Watch, too, for the appearance of some of history's most imaginative art, refashioned and in dialog with the story at hand, which gives a sense of timelessness and broader societal import to the tale. / Buy now!