The Orourkes Interviews

Named a Best Poetry Book of 2017 by the New York Times Book Review, Sun in Days is “O’Rourke’s most ravishing and brilliant collection yet” (Cathy Park Hong). From acclaimed poet and critic Meghan O’Rourke comes a powerful collection about the frailty of the body, the longing for a child, and the philosophical questions raised when the body goes dramatically awry. These formally ambitious poems and lyric essays give voice to the experience of illness, the permanence of loss, and invigorating moments of grace. A Paterson Poetry Prize finalist, Sun in Days is unsentimental yet deeply felt, characterized by O’Rourke’s signature lyric precision and force of observation.

The first openly nonbinary contestant on America’s favorite cooking show falls for their clumsy competitor in this delicious romantic comedy debut that USA Today hailed as “an essential read.” Recently divorced and on the verge of bankruptcy, Dahlia Woodson is ready to reinvent herself on the popular reality competition show Chef’s Special. Too bad the first memorable move she makes is falling flat on her face, sending fish tacos flying—not quite the fresh start she was hoping for. Still, she's focused on winning, until she meets someone she might want a future with more than she needs the prize money. After announcing their pronouns on national television, London Parker has enough on their mind without worrying about the klutzy competitor stationed in front of them. They’re there to prove the trolls—including a fellow contestant and their dad—wrong, and falling in love was never part of the plan. As London and Dahlia get closer, reality starts to fall away. Goodbye, guilt about divorce, anxiety about uncertain futures, and stress from transphobia. Hello, hilarious shenanigans on set, wedding crashing, and spontaneous dips into the Pacific. But as the finale draws near, Dahlia and London’s steamy relationship starts to feel the heat both in and outside the kitchen—and they must figure out if they have the right ingredients for a happily ever after. Booklist's Best Romance Debuts of the Year Women's Health's Best Romance Novels of the Year Bookpage's Best Romance Novels of the Year

"Anguished, beautifully written... The Long Goodbye is an elegiac depiction of drama as old as life." -- The New York Times Book Review From one of America's foremost young literary voices, a transcendent portrait of the unbearable anguish of grief and the enduring power of familial love. What does it mean to mourn today, in a culture that has largely set aside rituals that acknowledge grief? After her mother died of cancer at the age of fifty-five, Meghan O'Rourke found that nothing had prepared her for the intensity of her sorrow. In the first anguished days, she began to create a record of her interior life as a mourner, trying to capture the paradox of grief-its monumental agony and microscopic intimacies-an endeavor that ultimately bloomed into a profound look at how caring for her mother during her illness changed and strengthened their bond. O'Rourke's story is one of a life gone off the rails, of how watching her mother's illness-and separating from her husband-left her fundamentally altered. But it is also one of resilience, as she observes her family persevere even in the face of immeasurable loss. With lyricism and unswerving candor, The Long Goodbye conveys the fleeting moments of joy that make up a life, and the way memory can lead us out of the jagged darkness of loss. Effortlessly blending research and reflection, the personal and the universal, it is not only an exceptional memoir, but a necessary one.

A NEW YORK TIMES BESTSELLER FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR NONFICTION Named one of the BEST BOOKS OF 2022 by NPR, The New Yorker, Time, and Vogue “Remarkable.” –Andrew Solomon, The New York Times Book Review "At once a rigorous work of scholarship and a radical act of empathy.”—Esquire "A ray of light into those isolated cocoons of darkness that, at one time or another, may afflict us all.” —The Wall Street Journal "Essential."—The Boston Globe A landmark exploration of one of the most consequential and mysterious issues of our time: the rise of chronic illness and autoimmune diseases A silent epidemic of chronic illnesses afflicts tens of millions of Americans: these are diseases that are poorly understood, frequently marginalized, and can go undiagnosed and unrecognized altogether. Renowned writer Meghan O’Rourke delivers a revelatory investigation into this elusive category of “invisible” illness that encompasses autoimmune diseases, post-treatment Lyme disease syndrome, and now long COVID, synthesizing the personal and the universal to help all of us through this new frontier. Drawing on her own medical experiences as well as a decade of interviews with doctors, patients, researchers, and public health experts, O’Rourke traces the history of Western definitions of illness, and reveals how inherited ideas of cause, diagnosis, and treatment have led us to ignore a host of hard-to-understand medical conditions, ones that resist easy description or simple cures. And as America faces this health crisis of extraordinary proportions, the populations most likely to be neglected by our institutions include women, the working class, and people of color. Blending lyricism and erudition, candor and empathy, O’Rourke brings together her deep and disparate talents and roles as critic, journalist, poet, teacher, and patient, synthesizing the personal and universal into one monumental project arguing for a seismic shift in our approach to disease. The Invisible Kingdom offers hope for the sick, solace and insight for their loved ones, and a radical new understanding of our bodies and our health.

There's none so blind as she who can see . . . Esther is blessed, and cursed, with a rare gift: the ability to see the fates of those around her. But when she escapes her peasant upbringing to become a priestess of the Order, she begins to realise how valuable her ability is among the power-hungry nobility, and what they are willing to do to possess it. Haunted by the dark man of her father's warnings, and unable to see her own destiny, Esther is betrayed by those sworn to protect her. With eyes newly open to the harsh realities of her world, she embarks on a path that diverges from the plan the Gods have laid out. Now she must choose between sacrificing her own heart's blood, and risking a future that will turn the lands against each other in bloody war. The Reluctant Prophet is the story of one woman who holds the fate of the world in her hands, when all she wishes for is a glimpse of her own happiness.

O'Rourke casts his ever-shrewd and mordant eye on America's latest adventures in warfare. He is both incisive reporter and absurdist, relevant and irreverent, with a clear eye for everyone's confusion, including his own. O'Rourke understands that peace is sometimes one of the most troubling aspects of war.

In a time of chaos, the #1 New York Times–bestselling political humorist asks his fellow Americans to take it down a notch. Is there an upside to being woke (and unable to get back to sleep)? If we license dentists, why don’t we license politicians? Is your juicer sending fake news to your FitBit about what’s in your refrigerator? The legendary P. J. O’Rourke addresses these questions and more in this hilarious new collection of essays about our nation’s propensity for anger and perplexity, which includes such gems as “An Inaugural Address I’d Like to Hear” (Ask not what your country can do for you, ask how I can get the hell out of here) and “Sympathy vs. Empathy,” which contemplates whether it’s better to hold people’s hands or bust into their heads. Also included is a handy quiz to find out where you stand on the Coastals-vs.-Heartlanders spectrum. From the author of Parliament of Whores, None of My Business, and other modern classics, this is a smart look at the current state of these United States, and a plea to everyone to take a deep breath, relax, and enjoy a few good laughs. “To say that P. J. O’Rourke is funny is like saying the Rocky Mountains are scenic—accurate but insufficient.” —Chicago Tribune “The funniest writer in America.” —The Wall Street Journal

The #1 New York Times–bestselling political humorist reads Adam Smith’s classic economic treatise—so you don’t have to. Recognized almost instantly on its publication in 1776 as the fundamental work of economics, The Wealth of Nations was also recognized as really long. The original edition totaled over nine hundred pages in two volumes—including the blockbuster sixty-seven-page “Digression concerning the Variations in the Value of Silver during the Course of the Four last Centuries,” which, to those uninterested in the historiography of currency supply, is like reading Modern Maturity in Urdu. Although daunting, Adam Smith’s tome is still essential to understanding such current hot topics as outsourcing, trade imbalances, and Angelina Jolie. In this witty, approachable, and insightful examination of Smith and his groundbreaking work, P. J. O’Rourke puts his trademark wit to good use, and shows us why Smith is still relevant, why what seems obvious now was once revolutionary, and why the pursuit of self-interest is so important. “If there is anyone on the planet who can make Adam Smith as entertaining and informative as he was prophetic, it’s P. J. O’Rourke.” —The Weekly Standard “Hilarious . . . Learning history while better understanding the current economy—and laughing while doing it? Hard to ask for more.” —Rocky Mountain News

An essential collection of career-spanning writings by the political satirist and #1 New York Times–bestselling author of Parliament of Whores. From his early pieces for the National Lampoon, through his classic reporting as Rolling Stone’s International Affairs editor in the 1980s and 1990s, and his brilliant, inimitable political journalism and analysis, P. J. O’Rourke has been entertaining and provoking readers with high octane prose, a gonzo Republican attitude, and a rare ability to make you laugh out loud. Christopher Buckley once described his work as “S. J. Perelman on acid.” Thrown Under the Omnibus brings together his funniest, most outrageous, most controversial, and most loved pieces in the definitive O’Rourke reader. Handpicked and introduced by the humorist himself, Thrown Under the Omnibus is the essential O’Rourke anthology. “The funniest writer in America.” —The Wall Street Journal

Composer Michael Nyman's classic 1974 account of the postwar experimental tradition in music.