The Objects Of Life In Central Africa

In The Objects of Life in Central Africa the history of consumption and social change from 1840 until 1980 is explored. By taking consumption as a vantage point, the contributions deviate from and add to previous works which have mainly analysed issues of production from an economic and political perspective. The chapters are broad-ranging in temporal and geographical focus, including contributions on Congo, Zambia, Zimbabwe and Angola. Topics range from the social history of firearms to the perception of the railway and include contributions on sewing machines, traders and advertising. By looking at the socio-economic, political and cultural meaning and impact of goods the history of Central Africa is reassessed.

Western attitudes to Africa have been influenced to an extraordinary degree by the arts and artefacts that were brought back by the early collectors, exhibited in museums, and celebrated by scholars and artists in the metropolitan centres. The contributors to this volume trace the life history of artefacts that were brought to Europe and America from Congo towards the end of the nineteenth century, and became the subjects of museum displays. They also present fascinating case studies of the pioneering collectors, including such major figures as Frobenius and Torday. They discuss the complex and sensitive issues involved in the business of 'collecting', and show how the collections and exhibitions influenced academic debates about the categories of art and artefact, and the notion of authenticity, and challenged conventional aesthetic values, as modern Western artists began to draw on African models.

Revealing the powers immanent in works that the West long regarded only as exotic or abstract, Constantine Petridis looks beneath the surface of the arts of the Luba, Songye, Chokwe and Luluwa peoples to find, literally embedded in sculpture, the forces that enable the spirit world to intervene in daily life. Ritual use of these objects is expected to ensure a healthy birth, successful hunt, or triumph over an enemy. Analysis of the scholarly record illuminates the changing visions of leadership and prestige that fostered the development of the majestic, elaborate figure styles long prized in the West. These sculptures nevertheless retain the mysterious potency of more humble objects trusted for centuries to protect, heal and harm. Art and Power in the Central African Savanna examines an artistic culture in which the sacred and the secular are indivisible, and aesthetic and moral value inseparable.

Living for the City is a social history of the Central African Copperbelt, considered as a single region encompassing the neighbouring mining regions of Zambia and the Democratic Republic of Congo. The Haut Katanga and Zambian Copperbelt mine towns have been understood as the vanguard of urban 'modernity' in Africa. Observers found in these towns new African communities that were experiencing what they wrongly understood as a transition from rural 'traditional' society – stable, superstitious and agricultural – to an urban existence characterised by industrial work discipline, the money economy and conspicuous consumption, Christianity, and nuclear families headed by male breadwinners supported by domesticated housewives. Miles Larmer challenges this representation of Copperbelt society, presenting an original analysis which integrates the region's social history with the production of knowledge about it, shaped by both changing political and intellectual contexts and by Copperbelt communities themselves. This title is available as Open Access on Cambridge Core.

Excerpt from Journey to Central Africa, or Life and Landscapes From Egypt to the Negro Kingdoms of the White Nile There are a few words of further explanation which I wish to say. The journey was undertaken solely for the purpose of restoring a frame exhausted by severe mental labor. A previous experience of a tropi cal climate convinced me that I should best accomplish my object by a visit to Egypt, and as I had a whole winter before me, I determined to penetrate as far into the interior of Africa as the time would allow, attracted less by the historical and geographical interest of those regions than by the desire to participate in their free, vigorous, semi-barbaric life. If it had been my inten tion, as some of my friends supposed, to search for the undiscovered sources of the White Nile, I should not have turned back, until the aim was accomplished or all means had failed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A unique and forward-thinking book that sheds new light on the origins, dynamics, and cosmopolitan culture of the Kongo Kingdom from a cross-disciplinary perspective.

African-Atlantic Cultures and the South Carolina Lowcountry examines perceptions of the natural world revealed by the religious ideas and practices of African-descended communities in South Carolina from the colonial period into the twentieth century. Focusing on Kongo nature spirits known as the simbi, Ras Michael Brown describes the essential role religion played in key historical processes, such as establishing new communities and incorporating American forms of Christianity into an African-based spirituality. This book illuminates how people of African descent engaged the spiritual landscape of the Lowcountry through their subsistence practices, religious experiences and political discourse.