The Notorious Virtues

Bestselling Rebel of the Sands author Alwyn Hamilton is back with a glittering fantasy thriller about a glamorous media darling, a surprise heiress, and the magical competition of a lifetime. At sixteen, Honora "Nora" Holtzfall is the daughter of the most powerful heiress in all of Walstad. Her family controls all the money—and all the magic—in the entire country. But despite being the center of attention, Nora has always felt like an outsider. When her mother is found dead in an alley, the family throne and fortune are suddenly up for grabs, and Nora will be pitted against her cousins in the Veritaz, the ultimate magical competition for power that determines the one family heir. But there's a surprise contestant this time: Lotte, the illegitimate daughter of Nora's aunt. When Lotte's absent mother retrieves her from the rural convent she'd abandoned her to, Lotte goes from being an orphan to surrounded by family. Unfortunately, most of them want her dead. And soon, Nora discovers that her mother's death wasn't random—it was murder. And the only person she can trust to uncover the truth of what happened is a rakish young reporter who despises everything Nora and her family stand for. While the dangers of the Veritaz competition threaten each of the Holtzfall girls, and the stark class differences turns political outrage to terrifing violence—the new cousins must fight to stay alive, no matter what. Incredible tests, impossible choices, and deadly odds await both girls. But there can only be one winner.

At sixteen, Honora 'Nora' Holtzfall is the daughter of the most powerful heiress in Gammamix; her family controls all the money - and all the magic - in the entire country. But when her mother is found murdered in an alley, the family throne and fortune are up for grabs, which means Nora will be pitted against her cousins in the deadly Veritaz trials to determine the rightful inheritor. But there's a surprise rival in the form of Ottoline, aka Lotte, the illegitimate daughter of Nora's aunt, who left her with nuns as a baby. Thrown into the Veritaz, she is suddenly surrounded by a hostile family she never knew she had. But as the Holtzfalls wage their battles of privilege, something bigger and more sinister bubbles beneath the surface, and revolution is in the air. Could the balance of power about to be overturned?

The breathless finale to the New York Times bestselling Rebel of the Sands series will have you on the edge of your seat until the dust from the final battle clears! When gunslinging Amani Al'Hiza escaped her dead-end town, she never imagined she'd join a revolution, let alone lead one. But after the bloodthirsty Sultan of Miraji imprisoned the Rebel Prince Ahmed in the mythical city of Eremot, she doesn't have a choice. Armed with only her revolver, her wits, and her untameable Demdji powers, Amani must rally her skeleton crew of rebels for a rescue mission through the unforgiving desert to a place that, according to maps, doesn't exist. As she watches those she loves most lay their lives on the line against ghouls and enemy soldiers, Amani questions whether she can be the leader they need or if she is leading them all to their deaths.

From public intellectual and professor Robert Boyers, a thought-provoking volume of nine essays that elegantly and fiercely addresses recent developments in American culture and argues for the tolerance of difference that is at the heart of the liberal tradition. Written from the perspective of a liberal intellectual who has spent a lifetime as a writer, editor, and college professor, The Tyranny of Virtue is a precise and nuanced insider’s look at shifts in American culture—most especially in the American academy—that so many people find alarming. Part memoir and part polemic, an anatomy of important and dangerous ideas, and a cri de coeur lamenting the erosion of standard liberal values, Boyers’s collection of essays is devoted to such subjects as tolerance, identity, privilege, appropriation, diversity, and ableism that have turned academic life into a minefield. Why, Robert Boyers asks, are a great many liberals, people who should know better, invested in the drawing up of enemies lists and driven by the conviction that on critical issues no dispute may be tolerated? In stories, anecdotes, and character profiles, a public intellectual and longtime professor takes on those in his own progressive cohort who labor in the grip of a poisonous and illiberal fundamentalism. The end result is a finely tuned work of cultural intervention from the front lines.

A collection of the influential ethical writings of medieval philosopher William of Ockham, published in English for the first time.

The second installment of this highly-acclaimed trilogy, Traitor to the Throne throws the irrepressible Amani into a world of espionage, harems, and the Sultan himself. T his is not about blood or love. This is about treason. Nearly a year has passed since Amani and the rebels won their epic battle at Fahali. Amani has come into both her powers and her reputation as the Blue-Eyed Bandit, and the Rebel Prince's message has spread across the desert - and some might say out of control. But when a surprise encounter turns into a brutal kidnapping, Amani finds herself betrayed in the cruellest manner possible. Stripped of her powers and her identity, and torn from the man she loves, Amani must return to her desert-girl's instinct for survival. For the Sultan's palace is a dangerous one, and the harem is a viper's nest of suspicion, fear and intrigue. Just the right place for a spy to thrive... But spying is a dangerous game, and when ghosts from Amani's past emerge to haunt her, she begins to wonder if she can trust her own treacherous heart. Praise for the series: 'Sheer escapism.' Guardian 'Winning.' New York Times 'Thrilling.' Booklist 'Hugely entertaining . . . breathless romance and show-stopping action sequences.' Bookseller

Highly controversial when it was first published in 1981, Alasdair MacIntyre's After Virtue has since established itself as a landmark work in contemporary moral philosophy. In this book, MacIntyre sought to address a crisis in moral language that he traced back to a European Enlightenment that had made the formulation of moral principles increasingly difficult. In the search for a way out of this impasse, MacIntyre returns to an earlier strand of ethical thinking, that of Aristotle, who emphasised the importance of 'virtue' to the ethical life. More than thirty years after its original publication, After Virtue remains a work that is impossible to ignore for anyone interested in our understanding of ethics and morality today.

In 1462 Pope Pius II performed the only reverse canonization in history, publicly damning a living man. The target was Sigismondo Malatesta, Lord of Rimini and a patron of the arts with ties to the Florentine Renaissance. Condemned to an afterlife of torment, he was burned in effigy in several places in Rome. What had this cultivated nobleman done to merit such a fate? Pagan Virtue in a Christian World examines anew the contributions and contradictions of the Italian Renaissance, and in particular how the recovery of Greek and Roman literature and art led to a revival of pagan culture and morality in fifteenth-century Italy. The court of Sigismondo Malatesta (1417–1468), Anthony D’Elia shows, provides a case study in the Renaissance clash of pagan and Christian values, for Sigismondo was nothing if not flagrant in his embrace of the classical past. Poets likened him to Odysseus, hailed him as a new Jupiter, and proclaimed his immortal destiny. Sigismondo incorporated into a Christian church an unprecedented number of zodiac symbols and images of the Olympian gods and goddesses and had the body of the Greek pagan theologian Plethon buried there. In the literature and art that Sigismondo commissioned, pagan virtues conflicted directly with Christian doctrine. Ambition was celebrated over humility, sexual pleasure over chastity, muscular athleticism over saintly asceticism, and astrological fortune over providence. In the pagan themes so prominent in Sigismondo’s court, D’Elia reveals new fault lines in the domains of culture, life, and religion in Renaissance Italy.

The 1899 lynching of Sam Hose in Newnan, Georgia, was one of the earliest and most gruesome events in a tragic chapter of U.S. history. Hose was a black laborer accused of killing Alfred Cranford, a white farmer, and raping his wife. The national media closely followed the manhunt and Hose’s capture. An armed mob intercepted Hose’s Atlanta-bound train and took the prisoner back to Newnan. There, in front of a large gathering on a Sunday afternoon, Hose was mutilated and set on fire. His body was dismembered and pieces of it were kept by souvenir hunters. Born and raised twenty miles from Newnan, Edwin T. Arnold was troubled and fascinated by the fact that this horrific chain of events had been largely shut out of local public memory. In "What Virtue There Is in Fire," Arnold offers the first in-depth examination of the lynching of Sam Hose. Arnold analyzes newspapers, letters, and speeches to understand reactions to this brutal incident, without trying to resolve the still-disputed facts of the crime. Firsthand accounts were often contradictory, and portrayals of Hose differed starkly--from "black beast" to innocent martyr. Arnold traces how different groups interpreted and co-opted the story for their own purposes through the years. Reflecting on recent efforts to remember the lynching of Sam Hose, Arnold offers the portrait of a place still trying to reconcile itself, a century later, to its painful past.

Two notorious antebellum New York murder cases--a prostitute slashed in an elegant brothel and a tradesman bludgeoned by the brother of inventor Samuel Colt--set off journalistic scrambles over the meanings of truth, objectivity, and the duty of the press that reverberate to this day. In 1833 an entirely new kind of newspaper--cheap, feisty, and politically independent--introduced American readers to the novel concept of what has come to be called objectivity in news coverage. The penny press was the first medium that claimed to present the true, unbiased facts to a democratic audience. But in Froth and Scum, Andie Tucher explores--and explodes--the notion that 'objective' reporting will discover a single, definitive truth. As they do now, news stories of the time aroused strong feelings about the possibility of justice, the privileges of power, and the nature of evil. The prostitute's murder in 1836 sparked an impassioned public debate, but one newspaper's 'impartial investigation' pleased the powerful by helping the killer go free. Colt's 1841 murder of the tradesman inspired universal condemnation, but the newspapers' singleminded focus on his conviction allowed another secret criminal to escape. By examining media coverage of these two sensational murders, Tucher reveals how a community's needs and anxieties can shape its public truths. The manuscript of this book won the 1991 Allan Nevins Prize of the Society of American Historians for the best-written dissertation in American history. from the book Journalism is important. It catches events on the cusp between now and then--events that still may be changing, developing, ripening. And while new interpretations of the past can alter our understanding of lives once led, new interpretations of the present can alter the course of our lives as we live them. Understanding the news properly is important. The way a community receives the news is profoundly influenced by who its members are, what they hope and fear and wish, and how they think about their fellow citizens. It is informed by some of the most occult and abstract of human ideas, about truth, beauty, goodness, and justice.