The Northern Star The British Monarchy Or The Northern The Fourth Universal Monarchy Charles Ii And His Successors The Founders Of The Northern Last And Most Happy Monarchy

Thornton also sheds light on areas where popular culture and politics were uneasily interlinked: the powerful political influence of those outside elite groups; the variations in political culture across the country; and the considerable continuing power of mystical, supernatural, and 'non-rational' ideas in British social and political life into the nineteenth century."--Jacket.

In a lively investigation into the boundaries between popular culture and early-modern science, Sara Schechner presents a case study that challenges the view that rationalism was at odds with popular belief in the development of scientific theories. Schechner Genuth delineates the evolution of people's understanding of comets, showing that until the seventeenth century, all members of society dreaded comets as heaven-sent portents of plague, flood, civil disorder, and other calamities. Although these beliefs became spurned as "vulgar superstitions" by the elite before the end of the century, she shows that they were nonetheless absorbed into the science of Newton and Halley, contributing to their theories in subtle yet profound ways. Schechner weaves together many strands of thought: views of comets as signs and causes of social and physical changes; vigilance toward monsters and prodigies as indicators of God's will; Christian eschatology; scientific interpretations of Scripture; astrological prognostication and political propaganda; and celestial mechanics and astrophysics. This exploration of the interplay between high and low beliefs about nature leads to the conclusion that popular and long-held views of comets as divine signs were not overturned by astronomical discoveries. Indeed, they became part of the foundation on which modern cosmology was built.

On the evening of 17 October 1678 the body of Sir Edmund Berry Godfrey, a Westminster Justice of the Peace, was discovered in a ditch near Primrose Hill. He had been pierced with his own sword and apparently strangled. His death lead to a widespread popular hysteria about a "Popish Plot". Although a magistrate famous for his fierce rectitude, Godfrey was closely involved with the alternative healer and "stroker", Valentine Greatrakes and also played a part in many plots and and intrigues centred on the uninhibited court of Charles II and Restoration London. His death brought to a head a series of rumours about Catholic plots to kill Charles II and install his brother, James, Duke of York, on the throne. Identified as the victim of a Jesuit hit-man, Godfrey became overnight a Protestant martyr and cult figure.

In the climactic part of his three-book series exploring the importance of public image in the Tudor and Stuart monarchies, Kevin Sharpe employs a remarkable interdisciplinary approach that draws on literary studies and art history as well as political, cultural, and social history to show how this preoccupation with public representation met the challenge of dealing with the aftermath of Cromwell's interregnum and Charles II's restoration, and how the irrevocably changed cultural landscape was navigated by the sometimes astute yet equally fallible Stuart monarchs and their successors.