The Night Side Of Dickens

"The Night Side of Dickens looks beyond the public image of Charles Dickens and his works to examine the startling dark side of the novelist's creative powers, the side where images of cannibalism, unbridled passion, and inexorable fate resided. Harry Stone, one of the preeminent Dickens scholars of our generation, has studied the entire Dickens oeuvre, including the previously unattributed story "The Bride's Chamber," a work that provides important new insights into Dickens' emotional life and creative energies." "By concentrating on the origins and then tracing the astonishing development of three crucial but largely unexamined areas of Dickens' life and art - his obsession with cannibalism, his latter-day experience of and depictions of passion, and his increasing attention to necessity, to behavior that is predetermined and inexorable - Stone offers us an enlarged and deeper appreciation of Dickens' protean art. Employing biographical, psychological, sociological, historical, linguistic, structural, textual, and archetypal techniques, The Night Side of Dickens ranges through the entire Dickens canon, including newly discovered and newly authenticated writings and important unpublished materials. Stone also examines the eighteenth- and nineteenth-century literary, journalistic, graphic, medical, ethnographic, and other, often exotic, sources that helped shape the way Dickens saw and re-created everyday life. In the course of this wide-ranging odyssey through Dickens' mind and world, Stone presents the reader with a new and unconventional appreciation of nineteenth-century life and culture, a panorama teeming with humor, horror, and boundless diversity, all brought to vibrant immediacy in 145 full-page illustrations." "A major work of literary scholarship, The Night Side of Dickens offers important insights, not only for Dickens readers and scholars, but for anyone interested in the creative process and in the bright highways and dark byways of nineteenth-century literature and life."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Winner of the Plutarch Award for Best Biography A lively and insightful biographical celebration of the imaginative genius of Charles Dickens, published in commemoration of the 150th anniversary of his death. Charles Dickens was a superb public performer, a great orator and one of the most famous of the Eminent Victorians. Slight of build, with a frenzied, hyper-energetic personality, Dickens looked much older than his fifty-eight years when he died—an occasion marked by a crowded funeral at Westminster Abbey, despite his waking wishes for a small affair. Experiencing the worst and best of life during the Victorian Age, Dickens was not merely the conduit through whom some of the most beloved characters in literature came into the world. He was one of them. Filled with the twists, pathos, and unusual characters that sprang from this novelist’s extraordinary imagination, The Mystery of Charles Dickens looks back from the legendary writer’s death to recall the key events in his life. In doing so, he seeks to understand Dickens’ creative genius and enduring popularity. Following his life from cradle to grave, it becomes clear that Dickens’s fiction drew from his life—a fact he acknowledged. Like Oliver Twist, Dickens suffered a wretched childhood, then grew up to become not only a respectable gentleman but an artist of prodigious popularity. Dickens knew firsthand the poverty and pain his characters endured, including the scandal of a failed marriage. Going beyond standard narrative biography, A. N. Wilson brilliantly revisits the wellspring of Dickens’s vast and wild imagination, to reveal at long last why his novels captured the hearts of nineteenth century readers—and why they continue to resonate today. The Mystery of Charles Dickens is illustrated with 30 black-and-white images.

A “delightful reader’s companion” (The New York Times) to the great nineteenth-century British novels of Austen, Dickens, Trollope, the Brontës, and more, this lively guide clarifies the sometimes bizarre maze of rules and customs that governed life in Victorian England. For anyone who has ever wondered whether a duke outranked an earl, when to yell “Tally Ho!” at a fox hunt, or how one landed in “debtor’s prison,” this book serves as an indispensable historical and literary resource. Author Daniel Pool provides countless intriguing details (did you know that the “plums” in Christmas plum pudding were actually raisins?) on the Church of England, sex, Parliament, dinner parties, country house visiting, and a host of other aspects of nineteenth-century English life—both “upstairs” and “downstairs. An illuminating glossary gives at a glance the meaning and significance of terms ranging from “ague” to “wainscoting,” the specifics of the currency system, and a lively host of other details and curiosities of the day.

The Chimes A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In, a short novel by Charles Dickens, was written and published in 1844, one year after A Christmas Carol. It is the second in his series of Christmas books five short books with strong social and moral messages that he published during the 1840's.

This memoir is Peter Dickens' account of his experiences as the young commander of the 21st MTB Flotilla during 1942-43, mainly in the North Sea and the Channel. In all the annals of the war at sea, comparatively little has been written about the role of the torpedo boat, and yet these small and vulnerable boats, travelling at high speed amid storms and gunfire, and usually under the cover of darkness, managed to closely engage enemy convoys and escorts in high-speed attacks and wreak havoc among the German supply lines. Like the sailors who fought against the U-boats in the battle of the Atlantic, Dickens and his comrades were experiencing a new kind of warfare and had to hit upon the techniques and tactics as they went along; their kind of action called for great courage, spilt-second timing and complete understanding between captain and crew. Night Action is a lively and thrilling account, but also one which is frank and carefully considered; there is humour but the horror of war is never far away and the author conveys to the reader a sharp sense of the reality of those operations in a way that no history book can do.

Meg Pickel's older brother, Orion, has disappeared. One night, she steals out to look for him, and makes two surprising discoveries: She stumbles upon a séance that she suspects involves Orion, and she meets the author Charles Dickens, also unable to sleep, and roaming the London streets. He is a customer of Meg's father, who owns a print shop, and a family friend. Mr. Dickens fears that the children of London aren't safe, and is trying to solve the mystery of so many disappearances. If he can, then perhaps he'll be able to write once again. With stunning black-and-white illustrations by Greg Ruth, here is a literary mystery that celebrates the power of books, and brings to life one of the world's best-loved authors.

In this compelling and accessible book, Rosemarie Bodenheimer explores the thoughtworld of the Victorian novelist who was most deeply intrigued by nineteenth-century ideas about the unconscious mind. Dickens found many ways to dramatize in his characters both unconscious processes and acts of self-projection—notions that are sometimes applied to him as if he were an unwitting patient. Bodenheimer explains how the novelist used such techniques to negotiate the ground between knowing and telling, revealing and concealing. She asks how well Dickens knew himself—the extent to which he understood his own nature and the ways he projected himself in his fictions—and how well we can know him. Knowing Dickens is the first book to systematically explore Dickens's abundant correspondence in relation to his published writings. Gathering evidence from letters, journalistic essays, stories, and novels that bear on a major issue or pattern of response in Dickens's life and work, Bodenheimer cuts across familiar storylines in Dickens biography and criticism in chapters that take up topics including self-defensive language, models of memory, relations of identification and rivalry among men, houses and household management, and walking and writing.

Since the voyage of Columbus in search of the New World, and of Raleigh in quest of El Dorado, no visit to America has excited so much interest and conjecture as that of the author of "Oliver Twist." . . . In the mean time the book, however disconcerting to those persons who had looked for something quite different, will bring no disappointment to such as can be luxuriously content with good sense, good feeling, good fun, and good writing. The information, with few exceptions, might be gained much more advantageously from the map and gazetteer. The perusal of them has served chiefly to lower our estimate of the man, and to fill us with contempt for such a compound of egotism, coxcombry, and cockneyism. . . . We have never read a book, professing to give an account of any country, which, in respect to its natural features, its towns and cities, its manners and customs, its social, civil, and religious institutions—in short, in respect to everything about which the reader wishes to receive information, or at least to ascertain the opinions of the author, is so profoundly silent as the book before us.