The Nice Old Man And The Pretty Girl

...the sin of an old man is equal to about two sins of a young man. The fable-like story of an old man's sexual obsession with a young woman is a distillation of Italo Svevo's concerns--attraction of an older man to a younger woman, individual conscience versus social convention, and the cost of sexual desire. This novella is a marvel of psychological insight, following the man's vacillations and tortuous self-justifications to their tragic-comic end. It is presented here in a translation first commissioned and published by Virginia Woolf for her Hogarth Press. The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

"The Italian Italo Svevo had many things in common with other writers: a long struggle for recognition, a mutually respectful friendship with a noteworthy author (in Svevo's case, James Joyce), and a long list of neuroses. Unlike some writers, however, Svevo was fortunate to have a wife who worked tirelessly on his behalf." "After Svevo's death in 1928 at the age of sixty-six, Livia Veneziani Svevo penned this portrait of a serious artist and a loving, if quirky, marriage. Memoir of Italo Svevo illuminates its subject's darkly comic novels and shows how a successful middle-aged businessman, as obsessed with smoking as with his abandoned literary ambitions, became one of the great authors of the twentieth century." --Book Jacket.

A self-described failed filmmaker falls obsessively in love with her theorist-husband's colleague: a manifesto for a new kind of feminism and the power of first-person narration. In I Love Dick, published in 1997, Chris Kraus, author of Aliens & Anorexia, Torpor, and Video Green, boldly tore away the veil that separates fiction from reality and privacy from self-expression. It's no wonder that I Love Dick instantly elicited violent controversies and attracted a host of passionate admirers. The story is gripping enough: in 1994 a married, failed independent filmmaker, turning forty, falls in love with a well-known theorist and endeavors to seduce him with the help of her husband. But when the theorist refuses to answer her letters, the husband and wife continue the correspondence for each other instead, imagining the fling the wife wishes to have with Dick. What follows is a breathless pursuit that takes the woman across America and away from her husband and far beyond her original infatuation into a discovery of the transformative power of first person narrative. I Love Dick is a manifesto for a new kind of feminist who isn't afraid to burn through her own narcissism in order to assume responsibility for herself and for all the injustice in world and it's a book you won't put down until the author's final, heroic acts of self-revelation and transformation.

Forty-nine short stories, selected for their richness of detail, accurate depictions of human passion, and international scope, fill this collection. The authors include Americans such as Hemingway, Faulkner, Saul Bellow, and Flannery O'Connor, 19th and 20th century Western European giants such as Proust, Sartre, Flaubert, Kafka, Mann, Pirandello, Rilke, and Balzac, Russian icons Tolstoy, Dostoyevsky, Pushkin, Turgenev, and Chekhov, and Asian writers Rabindranath Tagore and Lu Hsun. While many of the names are recognizable (though some, such as Bunin, Lagerlof, Nexo, and Svevo rank among the lesser-known), Neider has favored gems less familiar to the average reader.

Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey’s Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.