The New Romantics

After punk, pop culture wanted to dazzle again. Fashion and style were the means and the New Romantics took them to the limit. But the New Romantic movement was more than just a reaction against the anti-glamour of punk…and the music was only part of the story. The first in-depth book about British Pop’s most flamboyant movement. The clubs and cabarets, the clothes, the glitter, the make-up, the hair, the fashion, the attitude and the style all made up The Look – and the Look was everything. The New Romantics explores the varied roots of the movement, using interviews with the stars and tracing a range of influences from David Bowie to the movie Cabaret and the Berlin of the 1930s. Includes interviews with Martin Kemp, Boy George and Steve Strange.

From the New York Times–bestselling author of The House Girl comes a novel about our most precious and dangerous attachment: family In the spring of 1981, the young Skinner siblings—fierce Renee, dreamy Caroline, golden boy Joe and watchful Fiona—lose their father to a heart attack and their mother to a paralyzing depression, events that thrust them into a period they will later call “the Pause.” Caught between the predictable life they once led and an uncertain future that stretches before them, the siblings navigate the dangers and resentments of the Pause to emerge fiercely loyal and deeply connected. Two decades later, the Skinners find themselves again confronted with a family crisis that tests the strength of these bonds and forces them to question the life choices they’ve made and what, exactly, they will do for love. Narrated nearly a century later by the youngest sibling, the renowned poet Fiona Skinner, The Last Romantics spans a lifetime. It’s a story of sex and affection, sacrifice and selfishness, deeply held principles and dashed expectations, a lost engagement ring, a squandered baseball scholarship, unsupervised summers at the neighbourhood pond and an iconic book of love poems. But most of all it is the story of Renee, Caroline, Joe and Fiona: the ways they support each other, the ways they betray each other and the ways they knit back together bonds they have fractured. In the vein of Commonwealth, Little Fires Everywhere and The Nest, this is a panoramic, tenderly insightful novel about one devoted, imperfect family. The Last Romantics is an unforgettable exploration of the responsibilities we bear both gracefully and unwillingly, and the all-important, ever-complex definition of love.

A New York Times Notable Book of 2022! The New York Times Bestseller and Good Morning America Book Club Pick! "I LOVED this book! ...Funny, breathtaking, hopeful, and dreamy.”—Ali Hazelwood, New York Times bestselling author of The Love Hypothesis A disillusioned millennial ghostwriter who, quite literally, has some ghosts of her own, has to find her way back home in this sparkling adult debut from national bestselling author Ashley Poston. Florence Day is the ghostwriter for one of the most prolific romance authors in the industry, and she has a problem—after a terrible breakup, she no longer believes in love. It’s as good as dead. When her new editor, a too-handsome mountain of a man, won't give her an extension on her book deadline, Florence prepares to kiss her career goodbye. But then she gets a phone call she never wanted to receive, and she must return home for the first time in a decade to help her family bury her beloved father. For ten years, she's run from the town that never understood her, and even though she misses the sound of a warm Southern night and her eccentric, loving family and their funeral parlor, she can’t bring herself to stay. Even with her father gone, it feels like nothing in this town has changed. And she hates it. Until she finds a ghost standing at the funeral parlor’s front door, just as broad and infuriatingly handsome as ever, and he’s just as confused about why he’s there as she is. Romance is most certainly dead . . . but so is her new editor, and his unfinished business will have her second-guessing everything she’s ever known about love stories. "One of the Summer's Hottest Reads"—Entertainment Weekly

Through the work of 36 contemporary Australian artists who have reinvigorated this movement, New Romantics traces the influences that led them to this unlikely path. This is the first book that seeks to understand a paradigm shift that is shaping the future course of Australian art.

Now in paperback, the great historian's provocative account of the rise of Romanticism. Combining his incomparable knowledge of English history with an original interpretation of British literature of the late 18th and early nineteenth century, E. P. Thompson traces the intellectual influences and societal pressures that gave rise to the English Romantic movement. Writing with great passion and literary force, Thompson examines the interaction between politics and literature at the beginning of the modern age, focusing in on the turbulent 1790s -- the time of the French and American revolutions -- through the celebrated writings of Wordsworth, Coleridge, and Mary Wollstonecraft.

As technology races ahead, what will people do better than computers? What hope will there be for us when computers can drive cars better than humans, predict Supreme Court decisions better than legal experts, identify faces, scurry helpfully around offices and factories, even perform some surgeries, all faster, more reliably, and less expensively than people? It’s easy to imagine a nightmare scenario in which computers simply take over most of the tasks that people now get paid to do. While we’ll still need high-level decision makers and computer developers, those tasks won’t keep most working-age people employed or allow their living standard to rise. The unavoidable question—will millions of people lose out, unable to best the machine?—is increasingly dominating business, education, economics, and policy. The bestselling author of Talent Is Overrated explains how the skills the economy values are changing in historic ways. The abilities that will prove most essential to our success are no longer the technical, classroom-taught left-brain skills that economic advances have demanded from workers in the past. Instead, our greatest advantage lies in what we humans are most powerfully driven to do for and with one another, arising from our deepest, most essentially human abilities—empathy, creativity, social sensitivity, storytelling, humor, building relationships, and expressing ourselves with greater power than logic can ever achieve. This is how we create durable value that is not easily replicated by technology—because we’re hardwired to want it from humans. These high-value skills create tremendous competitive advantage—more devoted customers, stronger cultures, breakthrough ideas, and more effective teams. And while many of us regard these abilities as innate traits—“he’s a real people person,” “she’s naturally creative”—it turns out they can all be developed. They’re already being developed in a range of far-sighted organizations, such as: • the Cleveland Clinic, which emphasizes empathy training of doctors and all employees to improve patient outcomes and lower medical costs; • the U.S. Army, which has revolutionized its training to focus on human interaction, leading to stronger teams and greater success in real-world missions; • Stanford Business School, which has overhauled its curriculum to teach interpersonal skills through human-to-human experiences. As technology advances, we shouldn’t focus on beating computers at what they do—we’ll lose that contest. Instead, we must develop our most essential human abilities and teach our kids to value not just technology but also the richness of interpersonal experience. They will be the most valuable people in our world because of it. Colvin proves that to a far greater degree than most of us ever imagined, we already have what it takes to be great.

Oerlemans extends current eco-critical views by synthesizing a range of viewpoints from the Romantic period.

What is Romanticism? In this Very Short Introduction Michael Ferber answers this by considering who the romantics were and looks at what they had in common — their ideas, beliefs, commitments, and tastes. He looks at the birth and growth of Romanticism throughout Europe and the Americas, and examines various types of Romantic literature, music, painting, religion, and philosophy. Focusing on topics, Ferber looks at the 'Sensibility' movement, which preceded Romanticism; the rising prestige of the poet; Romanticism as a religious trend; Romantic philosophy and science; Romantic responses to the French Revolution; and the condition of women. Using examples and quotations he presents a clear insight into this very diverse movement, and offers a definition as well as a discussion of the word 'Romantic' and where it came from. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

'A controversial and honest account of My Life On The Road With Rock Group, a potted history of pop from '79-'85, and a serious analysis of the whole mess... Dave Rimmer has one great weapon at his disposal. He was there.' David Quantick, NME 'As sharp a study of British pop as we'll get ... Rimmer's point is that if the new pop stars' success makes it seem 'like punk never happened', they emerged, in fact, as a direct result of punk attitudes... Rimmer tells this story in his raciest Smash Hits manner, with wit, insider info and scandal.' Simon Frith, City Limits 'Rimmer is among the most entertaining writers ever to pen a rock book.' Dave Marsh, Rock and Roll Confidential

Galt Niederhoffer's The Romantics nimbly follows the shifting allegiances among an unforgettable set of characters, with a powerful, bittersweet romance at its heart, now a major motion picture starring Katie Holmes, Josh Duhamel, and Anna Paquin. Laura and Lila were college roommates--one brooding and Jewish, the other the epitome of golden WASP-dom. Now it's ten years later, a day before Lila's wedding to Laura's former boyfriend, and as the guests arrive, Laura finds herself the only one not coupled up. Struggling with the traditionally thankless role of maid of honor, Laura realizes for the first time why she can't stop thinking about her long, tangled relationship with the groom. And it appears that he is not entirely ready for the altar himself.