The New Plantation

The New Plantation examines the controversial relationship between predominantly White NCAA Division I Institutions (PWI s) and black athletes, utilizing an internal colonial model. It provides a much-needed in-depth analysis to fully comprehend the magnitude of the forces at work that impact black athletes experiences at PWI s. Hawkins provides a conceptual framework for understanding the structural arrangements of PWI s and how they present challenges to Black athletes academic success; yet, challenges some have overcome and gone on to successful careers, while many have succumbed to these prevailing structural arrangements and have not benefited accordingly. The work is a call for academic reform, collective accountability from the communities that bear the burden of nurturing this athletic talent and the institutions that benefit from it, and collective consciousness to the Black male athletes that make of the largest percentage of athletes who generate the most revenue for the NCAA and its member institutions. Its hope is to promote a balanced exchange in the athletic services rendered and the educational services received.

Whayne also offers an analysis of the forces at work on the local level. She suggests that concerted opposition to modernization existed even before New Deal programs gave power to the planters in the 1930s. She also demonstrates that the Arkansas delta experienced many of the same conflicts based on social class and racial caste that were evident in former slaveholding areas.

"This book discusses some of the family and environmental contributions that led to my change from liberal to conservative. It also discusses how Black Americans came from slavery to freedom [and] ... examines the 'Plantation mentality' that still plagues us today."--Preface, p. i.

Examines the creation of 'sporting plantations' in the South Carolina lowcountry during the first four decades of the twentieth century.

Charting the Plantation Landscape from Natchez to New Orleans examines the hidden histories behind one of the nineteenth-century South’s most famous maps: Norman’s Chart of the Lower Mississippi River, created by surveyor Marie Adrien Persac before the Civil War and used for decades to guide the pilots of river vessels. Beyond its purely cartographic function, Persac’s map depicted a world of accomplishment and prosperity, while concealing the enslaved and exploited laborers whose work powered the plantations Persac drew. In this collection, contributors from a variety of disciplines consider the histories that Persac’s map omitted, exploring plantations not as sites of ease and plenty, but as complex legal, political, and medical landscapes. Essays by Laura Ewen Blokker and Suzanne Turner consider the built and designed landscapes of plantations as they were structured by the logics and logistics of both slavery and the effort to present a façade of serenity and wealth. William Horne and Charles D. Chamberlain III delve into the political activity of formerly enslaved people and slaveholders respectively, while Christopher Willoughby explores the ways the plantation health system was defined by the agro-industrial environment. Jochen Wierich examines artistic depictions of plantations from the antebellum years through the twentieth century, and Christopher Morris uses the famed Uncle Sam Plantation to explain how plantations have been memorialized, remembered, and preserved. With keen insight into the human cost of the idealized version of the agrarian South depicted in Persac’s map, Charting the Plantation Landscape encourages us to see with new eyes and form new definitions of what constitutes the plantation landscape.

The Baskets, who are driven by their ancestors, are looking for a better life that includes an inheritance. Their journey includes the breakup of their family, spiritual confusions and considerations, joy, sadness, and despair. Yet, they are determined that the ancestors are right and that they will experience the better life. Their oldest son Abunda, the renegade, is determined that he will not live as a slave and be denied the opportunities that he has heard about which exist outside of his small world. In his quest, he comes face to face with his ancestors and the White mans God. Who is right? His ancestors or God? Why does a good God allow bad things to happen to the Colored people? The New Plantation is a story of mystery, intrigue, humor, romance and spirituality. As the story unfolds, it draws you into the journey of The Baskets and Abundas separate journey to find the better life. Sandra Snowden, according to the many that know her, will tell you that she loves the Lord Jesus Christ first and foremost. She is a gifted teacher, a discipler, an administrator, and a Non-Profit Consultant. She is a single mother of three grown daughters and has assisted them in rearing five grandchildren. Sandra is a native of Annapolis, Maryland but has resided in the Atlanta, Georgia area for the last 14 years.

Plantation Politics and Campus Rebellions provides a multidisciplinary exploration of the contemporary university's entanglement with the history of slavery and settler colonialism in the United States. Inspired by more than a hundred student-led protests during the Movement for Black Lives, contributors examine how campus rebellions—and university responses to them—expose the racialized inequities at the core of higher education. Plantation politics are embedded in the everyday workings of universities—in not only the physical structures and spaces of academic institutions, but in its recruitment and attainment strategies, hiring practices, curriculum, and notions of sociality, safety, and community. The book is comprised of three sections that highlight how white supremacy shapes campus communities and classrooms; how current diversity and inclusion initiatives perpetuate inequality; and how students, staff, and faculty practice resistance in the face of institutional and legislative repression. Each chapter interrogates a connection between the academy and the plantation, exploring how Black people and their labor are viewed as simultaneously essential and disruptive to university cultures and economies. The volume is an indispensable read for students, faculty, student affairs professionals, and administrators invested in learning more about how power operates within education and imagining emancipatory futures.

The author of "Every Good-Bye Ain't Gone" presents a provocative, timely examination of racial identity. Itabari Njeri lays out with precision and power how limited racial definitions contribute to the psychological slavery that makes the mind "the last plantation".

Mac Griswold's The Manor is the biography of a uniquely American place that has endured through wars great and small, through fortunes won and lost, through histories bright and sinister—and of the family that has lived there since its founding as a Colonial New England slave plantation three and a half centuries ago. In 1984, the landscape historian Mac Griswold was rowing along a Long Island creek when she came upon a stately yellow house and a garden guarded by looming boxwoods. She instantly knew that boxwoods that large—twelve feet tall, fifteen feet wide—had to be hundreds of years old. So, as it happened, was the house: Sylvester Manor had been held in the same family for eleven generations. Formerly encompassing all of Shelter Island, New York, a pearl of 8,000 acres caught between the North and South Forks of Long Island, the manor had dwindled to 243 acres. Still, its hidden vault proved to be full of revelations and treasures, including the 1666 charter for the land, and correspondence from Thomas Jefferson. Most notable was the short and steep flight of steps the family had called the "slave staircase," which would provide clues to the extensive but little-known story of Northern slavery. Alongside a team of archaeologists, Griswold began a dig that would uncover a landscape bursting with stories. Based on years of archival and field research, as well as voyages to Africa, the West Indies, and Europe, The Manor is at once an investigation into forgotten lives and a sweeping drama that captures our history in all its richness and suffering. It is a monumental achievement.

Historians have long believed that the "frontier" shaped Texas plantation society, but in this detailed examination of Texas's most important plantation region, Sean M. Kelley asserts that the dominant influence was not the frontier but the Mexican Republic. The Lower Brazos River Valley -- the only slave society to take root under Mexican sovereignty -- made replication of eastern plantation culture extremely difficult and complicated. By tracing the synthesis of cultures, races, and politics in the region, Kelley reveals a distinct variant of southern slavery -- a borderland plantation society. Kelley opens by examining the four migration streams that defined the antebellum Brazos community: Anglo-Americans and their African American slaves who constituted the first two groups to immigrate; Germans who came after the Mexican government barred immigrants from the U.S. while encouraging those from Europe; and African-born slaves brought in through Cuba who ultimately made up the largest concentration of enslaved Africans in the antebellum South. Within this multicultural milieu, Kelley shows, the disparity between Mexican law and German practices complicated southern familial relationships and master-slave interaction. Though the Mexican policy on slavery was ambiguous, alternating between toleration and condemnation, Brazos slaves perceived the Rio Grande River as the boundary between white supremacy and racial egalitarianism. As a result, thousands fled across the border, further destabilizing the Brazos plantation society. In the1850s, nonslaveholding Germans also contributed to the upheaval by expressing a sense of ethnic solidarity in politics. In an attempt to undermine Anglo efforts to draw a sharp boundary between black and white, some Germans hid runaway slaves. Ultimately, Kelley demonstrates how the Civil War brought these issues to the fore, eroding the very foundations of Brazos plantation society. With Los Brazos de Dios, Kelley offers the first examination of Texas slavery as a borderland institution and reveals the difficulty with which southern plantation society was transplanted in the West.