The musical compositions of Somanātha
Author | : Somanātha (son of Mudgala.) |
Publisher | : |
Total Pages | : 48 |
Release | : 1904 |
Genre | : Raga |
ISBN | : |
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Author | : Somanātha (son of Mudgala.) |
Publisher | : |
Total Pages | : 48 |
Release | : 1904 |
Genre | : Raga |
ISBN | : |
Author | : Somanātha (son of Mudgala.) |
Publisher | : |
Total Pages | : 38 |
Release | : 1904 |
Genre | : |
ISBN | : |
Author | : Emmie te Nijenhuis |
Publisher | : BRILL |
Total Pages | : 120 |
Release | : 2023-03-27 |
Genre | : History |
ISBN | : 9004543120 |
The print edition is available as a set of two volumes (9789004048737).
Author | : Arthur Henry Fox-Strangways |
Publisher | : Mittal Publications |
Total Pages | : 414 |
Release | : 1914 |
Genre | : Hindu music |
ISBN | : |
Author | : Arthur Henry Fox Strangways |
Publisher | : Oxford : The Clarendon Press |
Total Pages | : 418 |
Release | : 1914 |
Genre | : Hindu music |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 968 |
Release | : 1904 |
Genre | : Classified catalogs |
ISBN | : |
Author | : New York Public Library. Reference Department |
Publisher | : |
Total Pages | : 794 |
Release | : 1964 |
Genre | : Music |
ISBN | : |
Author | : American Oriental Society |
Publisher | : |
Total Pages | : 510 |
Release | : 1905 |
Genre | : Electronic journals |
ISBN | : |
List of members in each volume.
Author | : Boston Public Library |
Publisher | : |
Total Pages | : 328 |
Release | : 1906 |
Genre | : Classified catalogs |
ISBN | : |
Author | : José Luiz Martinez |
Publisher | : Motilal Banarsidass Publ. |
Total Pages | : 430 |
Release | : 2001 |
Genre | : Music |
ISBN | : 9788120818019 |
For thousands of years music in India has been considered a signifying art. Indian music creates and represents meanings of all kings, some of which extend outwardly to the cosmos, while others arise inwardly, in the refined feelings which a musical connoisseur experiences when listening to it. In this book the author explores signification in Hindustani classical music along a two-fold path. Martineq first constructs a theory of musical semiotics based on the sign-theories of Charles Sanders Peirce. He then applies his theory to the analysis of various types of Hindustani music and how they generate significations. The author engages such fundamental issues as sound quality, raga, tala and form, while advancing his unique interpretations of well-known semiotic phenomena like iconicity, metalanguage, indexicality, symbolism, Martinez`s study also provides deep insight into semiotic issues of musical perception, performance, scholarship, and composition. An specially innovative and extensive section of the book analyzes representations in Hindustani music in terms of the Indian aesthetic theory of rasa. The evolution of the rasa system as applied to musical structures is traced historically and analyzed semiotically. In the light of Martinez`s theories, Hindustani music reveals itself to be both a delightfully sensuous and highly sophisticated system of acoustic representations.