The Mirror And Nine Other Short Stories

When a young girl's dreams are cracked like a mirror and children are caught between two fathers harbouring teenage grudges we wonder at life's surprises. These are short stories that present a cross section of an African society presenting life in the village, life in town, portraits of teenagers and adults we encounter every day. These are stories about our struggles with the inevitable forces of life, providing some subtle and interesting insights to these struggles. They have been told by a woman who has, in these stories, proven to be a keen observer who mentally records the thrills, frustrations and idiosyncrasies of the people she encounters. We would wonder, laugh and sympathise with the characters she has so vividly recreated.

“The Mirror in the Mirror” – in the E-Book now also with illustrations by his father Edgar Ende, to whom Michael Ende dedicated this book. It is a fantastic story labyrinth of a very special kind. For the author himself, this work was of great importance: in interviews, he liked to call it his “never-ending story for adult readers.” The reader is taken into a mysterious narrative world, full of bizarre situations and mysterious fates, surreal images and philosophical thoughts. Those who open themselves in amazement to these enigmatic visions and allow themselves to be drawn into the fantastic stories will emerge from Michael Ende’s magic labyrinth with a new perspective. The core question is: What is reflected in a mirror that is reflected in a mirror? If two readers read the same book, they are still not reading the same thing. For both people immerse themselves into the reading. The book becomes a mirror in which the reader is reflected. But in the same way, the reader is also a mirror in which the book is reflected: The mirror in the mirror refers the reader back to himself. The FAZ, one of the major newspapers in Germany, writes that Michael Ende shows with the book “how much darkness, wildness and rawness is inherent in dreams. He does not trivialize. His dreams make reference to reality because in dreams, Cicero wrote, ‘the remnants of those objects roll and tumble about in the souls which we have thought and impelled while awake’.”

A gorgeous new Cecelia mini-book which contains two powerful and unforgettable short stories.

Quinquennial supplements,1950/1954-1979/1983, compiled by Estelle A. Fidell, and others, published 1956-1984.

Can desire really transform reality? From award-winning novelist Jonathan Coe and distinguished Italian artist Chiara Coccorese comes The Broken Mirror, a political parable for children, a contemporary fairy tale for adults, and a fable for all ages. One day Claire, to escape her quarrelsome parents, takes refuge in the dump behind her house. There she finds a broken mirror, a nasty piece of sharp glass... yet she is strangely drawn to it. She soon discovers it has the power to transform even the most drab reality into a fairy-tale world: the grey sky is reflected blue, and Claire’s modest, suburban house is transformed into the most beautiful castle. As Claire grows older, always accompanied by her magic mirror, she can see her face without her teenage acne, and her town before it fell victim to thieving property developers. But, in reality, libraries are being turned into luxury flats wherever she looks, and the boy Claire loves is instead her worst enemy. Frustrated and angry with the mirror’s illusions, Claire is about to destroy it when the mysterious Peter steps in: he has also found a shard of broken mirror, and so begins their journey to piece together the larger puzzle... Previously published in Italian, French, Greek and Dutch, The Broken Mirror comes to life in English for the first time, to be read with equal pleasure by children and adults.

Seventh grade is hard. You count on having your friends around you to share your experiences. But what if that doesn’t happen? This is what Kelly faces in author Jodie Keeling’s book, The Mirror in the Woods. She looked forward to seventh grade with her best friend, Lily, by her side. But then she loses Lily to makeup, cheerleading, boys, and even new friends. All things Kelly isn’t really interested in. Then what starts out as a normal, boring day at school ends in a four-wheeler wreck in front of a mirror in the woods. All it takes is one mixed-up reflection to learn that, sometimes, what is on the other side of the glass might not be what we expect to see. Kelly could be someone you know—even you. Things are going great, and then everything seems upside down. Friendships you thought were forever are torn apart. Maybe you, like Kelly, also have issues with being a middle child. You’ll find The Mirror in the Woods a fun and inspiring read.

The brilliant #1 New York Times bestseller Named a best book of 2020 by The New York Times, The Washington Post, TIME, The Guardian, and many more With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with her peerless, Booker Prize-winning novels, Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. The story begins in May 1536: Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell, a man with only his wits to rely on, has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to the breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. All of England lies at his feet, ripe for innovation and religious reform. But as fortune’s wheel turns, Cromwell’s enemies are gathering in the shadows. The inevitable question remains: how long can anyone survive under Henry’s cruel and capricious gaze? Eagerly awaited and eight years in the making, The Mirror & the Light completes Cromwell’s journey from self-made man to one of the most feared, influential figures of his time. Portrayed by Mantel with pathos and terrific energy, Cromwell is as complex as he is unforgettable: a politician and a fixer, a husband and a father, a man who both defied and defined his age.

A young girl dances with her reflection in a mirror in this story told without words.

In a strangely distorted Paris, a Japanese adoptee is haunted by the woman he once loved When Fumiko emerges after one month locked in her dorm room, she’s already dead, leaving a half-smoked Marlboro Light and a cupboard of petrified food in her wake. For her boyfriend, Henrik Blatand, an aspiring translator, these remnants are like clues, propelling him forward in a search for meaning. Meanwhile, Fumiko, or perhaps her doppelgänger, reappears: in line at the Louvre, on street corners and subway platforms, and on the dissection table of a group of medical students. Henrik’s inquiry expands beyond Fumiko’s seclusion and death, across the absurd, entropic streets of Paris and the figures that wander them, from a jaded group of Korean expats, to an eccentric French widow, to the indelible woman whom Henrik finds sitting in his place on a train. It drives him into the shadowy corners of his past, where his adoptive Danish parents raised him in a house without mirrors. And it mounts to a charged intimacy shared with his best friend’s precocious daughter, who may be haunted herself. David Hoon Kim’s debut is a transgressive, darkly comic novel of becoming lost and found in translation. With each successive, echoic chapter, Paris Is a Party, Paris Is a Ghost plunges us more deeply beneath the surface of things, to the displacement, exile, grief, and desire that hide in plain sight.