The Midnight Lady And The Mourning Man

*The book that inspired the Burt Lancaster film, 'The Midnight Man', now back in print!* The rites of spring are well underway on the small Midwestern campus of Jordan City College when Morgan Butler reluctantly agrees to pinch hit for his ailing Marine buddy, the town constable. For Butler, a former detective turned gentleman farmer, it all seems fairly routine until he stumbles on the brutally murdered body of the beautiful, frosty coed Natalie Clayborne. In search for the girl's killer he plunges into a thick web of intrigue that turns up two more murders and begins to uncover shocking relationships between notable members of the academic community. The closer Butler gets to the situation, the more it appears that a disreputable member of the faculty still carries a torch for Natalie's mother; that the relationship between Natalie and her father was more than a little out of the ordinary; and that the distinguished editor of the local newspaper knows more about the secrets Natalie shared with her hippy boyfriend than he is letting on. This is a powerful story about the explosive forces lurking beneath the staid veneer of the academic environment, and about the men and women forced to live behind this mask of respectability. The murder is the catalyst which unleashes a flood of pent-up furies and finally forces into the open the hidden secrets that have affected the very foundation of the community.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.

With a career in films spanning nearly fifty years, Burt Lancaster brought his unique charisma and energy to roles in films ranging from the adventurous to the bittersweet. This comprehensive filmography of Lancaster's career is accompanied by a biography that provides the background for his immense range of work on the screen. Production information, a synopsis, and commentary is provided for each of Lancaster's 85 films, from the first--The Killers--to the last--Separate But Equal. Photographs from nearly all of Lancaster's films accompany the text, and an index and bibliography are also included.

Burt Lancaster is perhaps most widely remembered as the tough, iron-jawed star of films such as Gunfight at the OK Corral and Airport. But as this superbly readable and insightful biography demonstrates, he was an actor with much broader ambitions – brilliantly realised in Visconti’s The Leopard – as well as the founder of the first actor-led production company in Hollywood. Lancaster’s liberal political views led not only to frequent clashes with the House Un-American Activities Committee and a voluminous FBI file, but also a private life that was colourful even by Hollywood standards. Although a devoted father and husband (to three wives), the actor took numerous lovers – of both sexes. In his sexual tastes as in his choice of roles, he defied classification. Kate Buford’s definitive biography offers a full, frank, sensitive and compelling portrait of the star of Atlantic City, From Here to Eternity and Elmer Gantry (for which he won a Best Actor Oscar). Lancaster emerges as a man of restless energy, relentless curiosity and continual development as an actor: a star every bit as interesting offscreen as on. As one American reviewer put it: ‘Not many film stars receive first-class biographies; Burt Lancaster not only deserved one, he got one.’ Acclaimed biographer Kate Buford has been a regular commentator on National Public Radio in the United States since 1994.

This title was first published in 2003. The sixth edition of this compendium of film and television adaptations of books and plays includes several thousand new listings that cover the period from 1992 to December 2001. There are 8000 main entries, covering 70 years of film history, including some foreign language material.

A bibliography of various mystery novels published between November 1976 and Fall 1992.

Providing an overview of the entire thriller genre, this book examines over 160 movies from classic Hollywood and British studios, including such essential film noir entries as "Murder, My Sweet," "The Dark Corner," "The Maltese Falcon" and "Afraid To Talk." Great cinema detectives are represented by William Powell (all six of his Thin Man pictures are detailed and discussed), Basil Rathbone (Sherlock Holmes), Warner Oland (Charlie Chan), Sidney Toler (Charlie Chan), Peter Ustinov (Hercule Poirot), Margaret Rutherford (all four of her Miss Marple films are covered), and others including the Saint, the Falcon, Bulldog Drummond and Philo Vance. From director Alfred Hitchock comes "Notorious," "Saboteur," "Number 17" and "Rich and Strange." A few comedies and spoofs, such as "Satan Met a Lady" (an amazing re-make of the original "Maltese Falcon" with Bette Davis and Warren William) and "Who Done It?" (with Abbott and Costello) round out the survey.