The Mexican Cult Of Death In Myth Art And Literature

"The word death is not pronounced in New York, in Paris, in London, because it burns the lips. The Mexican, in contrast, is familiar with death, jokes about it, caresses it, sleeps with it, celebrates it, it is one of his favorite toys and his most steadfast love." Thus Octavio Paz describes a cultural phenomenon that has for centuries fascinated scholars and aficionados of virtually every field of Mexican studies, "el culto a la muerte," the cult of death, a term that readily calls to the mind of anyone familiar with Mexico and her culture the unusually constant place of death in the minds and lives of the Mexican people. In this volume, author Brodman examines the Mexican cult of death from a variety of disciplinary perspectives to provide the most comprehensive analysis yet of the origins and nature of the Mexican cult of death and its relationship to Mexican arts, literature and culture.

From vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. In addition to monsters appearing in English-language literature and film, the Encyclopedia also includes significant monsters in Spanish, French, Italian, German, Russian, Indian, Chinese, Japanese, African and Middle Eastern traditions. Alphabetically organized, the entries each feature suggestions for further reading. The Ashgate Encyclopedia of Literary and Cinematic Monsters is an invaluable resource for all students and scholars and an essential addition to library reference shelves.

Hybrid films that straddle more than one genre are not unusual. But when seemingly incongruous genres are mashed together, such as horror and comedy, filmmakers often have to tread carefully to produce a cohesive, satisfying work. Though they date as far back as James Whale’s Bride of Frankenstein (1935), horror-comedies have only recently become popular attractions for movie goers. In The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland, editors Cynthia J. Miller and A. Bowdoin Van Riper have compiled essays on the comic undead that look at the subgenre from a variety of perspectives. Spanning virtually the entire sound era, this collection considers everything from classics like The Canterville Ghost to modern cult favorites like Shaun of the Dead. Other films discussed include Abbott and Costello Meet Frankenstein, Beetlejuice, Ghostbusters, House on Haunted Hill, ParaNorman, Scream, Vampire’s Kiss, and Zombieland. Contributors in this volume consider a wide array of comedic monster films—from heartwarming (The Book of Life) to pitch dark (The Fearless Vampire Killers) and even grotesque (Frankenhooker). The Laughing Dead will be of interest to scholars and fans of both horror and comedy films, as well as those interested in film history and, of course, the proliferation of the undead in popular culture.

Utopia and Dystopia in the Age of Trump focuses on utopias and dystopias that either prefigure or suggest alternatives to the rise of individuals such as Donald J. Trump and the changing conditions of America we now see around us. These topical studies provide compelling reading for both the general reader and the specialist.

This book deals with legends and images of the apocalypse and post-apocalypse in film and graphic arts, literature and lore from early to modern times and from peoples and cultures around the world. It reflects an increasingly popular leitmotif in literature and visual arts of the 21st century: humanity’s fear of extinction and its quest for survival -- in revenant, supernatural, or living human form. It is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The third, The Supernatural Revamped: From Timeworn Legends to Twenty-First-Century Chic (2016), focused on a range of supernatural beings in literature, film, and other forms of popular culture.

This book is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The essays in this collection expand that scope to include a multicultural and multigeneric discussion of a pantheon of supernatural creatures who interact and cross species-specific boundaries with ease. Angels and demons are discussed from the perspective of supernatural allegory, angelic ethics and supernatural heredity and genetics. Fairies, sorcerers, witches and werewolves are viewed from the perspectives of popular nightmare tales, depictions of race and ethnicity, popular public discourse and cinematic imagery. Discussions of the “undead and still dead” include images of death messengers and draugar, zombies and vampires in literature, popular media and Japanese anime.

An illustrated historical study of gendered personifications of death in Western art, literature, and culture.

In this thought-provoking book, Peter Moore examines the often overlooked issues concerning human mortality, the fragile ways in which the dead can be said to “live on” in earthly terms: through their children, their work, the memories of others, their possessions, and even their bodies. Such earthly immortalities raise a host of fascinating questions about our attitudes toward life, and toward the world we leave behind us when we die. To what extent does the meaning we find in our lives depend upon the assumption there will always be a new generation to continue the human adventure? What would it be like if science were able to extend life indefinitely, and is this something already enshrined in the doctrine of reincarnation? Can we solve our anxieties about mortality by learning that life is worth living precisely because we do not live forever? In a generous and eloquent account, these and more are the questions Earthly Immortalities seeks to answer.

Around the World in 70 Days…at 70 by Barbara Brodman Here is an RTW itinerary that would challenge the youngest and hardiest traveler. So, how did a 70-year old woman have the audacity to design and set out on such an amazing adventure? If you want to be truly inspired and challenged, follow the adventure from start to finish. If 70 is the new 50, this is still just crazy! Barbara, thank you so much for sharing your incredible journey. Your narrative is beautiful and wonderfully descriptive. You are an amazing and brave woman! --Blog Comment This is wonderful! It’s so overwhelmingly nonstop with great writing… we can’t wait to get the book (with photos). --Newscocktail.com I inhaled every word and am so jealous of your stamina!! Keep going and going and going….loved every word and cannot wait for the book!! --Blog Comment All profits from the sale of this book go to GLOBAL AWARENESS INSTITUTE www.mygai.org