The Message Of Mahabharata

Eleven year old Samhita Arni s beautifully illustrated version of the Mahabharatha is a bold and fresh re-telling of the great epic.

The Story Of The Mahabharata Is Not Only Of The Great War Between The Kouravas And Pandavas For A Period Of Eighteen Days In The Battlefield Of Kurukshetra Near Delhi. As A Matter Of Fact The Supreme Lesson Held Out By The Great Epic Is The One With Which Vyasa Deva, The Author, Starts-Viz. When Men Live Together As One Family They Not Only Thrive, But They Exist As A Great Community Or Race. As Long As The Pandavas And Kauravas Lived Together They Not Only Thrived As Two Great Wings Of A Race But As One And The Same Race Of The Kurus. As We Proceed With The Story Of The Mahabharata We Notice How This Was Stabilised As Long As They Lived Together With Each Other. And We Have Noticed How The Great War Reduced The Powerful Kurus And Decimated Them To A Struggling Few To Call Themselves As Remnants Of The Great Kuru Race. This Holds Good Not Only In The Case Of Few Families Living Together In Small Units But Number Of Races Living In The World Culminating In The Truth Noticed In The Maxim “One World One Family” Which Is The Title Of The Next Work By The Same Author.

This book, Messages from Mahabharat, presents the epic story of Mahabharat in simple English. After editing the Scriptures, the great sage created this wonderful epic to convey the underlying essence of Vedas using the story medium. Mahabharat is thus known as the ‘Panchama Vedam’, the fifth Veda. Addressing a group of scholar sages led by Kulapati Shounaka Maharshi, Ugrasravas, a talented storyteller, narrates the story of Mahabharat in the setting of a forest known as Naimisharanyam. The sages were conducting a long Yagnam. During one of the breaks of this Yagnam, they wanted to hear a new, unheard, enlightening and entertaining story. The epic unfolds a series of legendary events, culminating in the famed Kurukshetra War, and beyond. Running close to Vyasa’s original story, the book presents the entire epic story with all relevant features including many sub-stories and details of the eighteen-day war. Starting from the early origins of the Chandra Dynasty, the story revolves around the lives of the children of Kings Dhritarastra and Pandu. The detailed conduct of these main players and others portrays a wide spectrum of human behavioral traits.

It was in 1942 that the late Dr. V.S. Sukthankar was engaged to deliver four lectures on the 'Meaning of the Mahabharata' under the auspices of the University of Bombay. However, the fourth and last lecture was not delivered on account of his sad sudden demise on the morning of the day fixed for it. The Manuscript (Ms.) of these lectures-a veritable treasure to cherish had remained lost to the world of scholars for the long period of fifteen years. It bore the title "Four Lectures on the Meaning of the Mahabharata." This rather heavy-looking title has been abridged here in publication into the substantial title "On the Meaning of the Mahabharata." In a great many places, sentences or paragraphs have been placed in rectangular brackets in pencil. This bracketed material has been retained in the body of this book. Secondly, an alternative word or phrase is occasionally found written with a pencil in the margin along with an underscoring of the relevant word or words in the text. It is thought advisable to retain the text of the script as it stands, leaving such marginal alternatives alone. However, there is one exception: Dr. Sukthankar had rewritten in pencil almost a whole para at the end of the third lecture. This pencil-script is incorporated in the body of the book. A facsimile of this page is reproduced as the frontispiece. An English rendering of the German quotation from OLDENBURG is given in an Appendix for the convenience of the general reader. In Index, I Sanskrit quotations are printed in Devanagari for the benefit of those not quite conversant with the transliteration.

In this exciting rendition of the renowned classic, Krishna Dharma retells this epic as a fast-paced novel, but fully retains the majestic mood of the original. As the divinely beautiful Draupadi rose from the fire, a voice rang out from the heavens foretelling a terrible destiny. “She will cause the destruction of countless warriors.” And so begins one of the most fabulous stories of all time. Mahabharata plunges readers into a wondrous and ancient world of romance and adventure. A powerful and moving tale, it recounts the history of the five heroic Pandava brothers and their celestial wife. Cheated of their kingdom and sent into exile by their envious cousins, they set off on a fascinating journey on which they encounter mystical sages, mighty kings, and a host of gods and demons. Profound spiritual themes underlie the enthralling narrative, making it one of the world’s most revered texts. Culminating in an apocalyptic war, Mahabharata is a masterpiece of suspense, intrigue, and illuminating wisdom.

The Nay Science offers a new perspective on the problem of scientific method in the human sciences. Taking German Indological scholarship on the Mahabharata and the Bhagavadgita as their example, Adluri and Bagchee develop a critique of the modern valorization of method over truth in the humanities. The authors show how, from its origins in eighteenth-century Neo-Protestantism onwards, the critical method was used as a way of making theological claims against rival philosophical and/or religious traditions. Via discussions of German Romanticism, the pantheism controversy, scientific positivism, and empiricism, they show how theological concerns dominated German scholarship on the Indian texts. Indology functions as a test case for wider concerns: the rise of historicism, the displacement of philosophical concerns from thinking, and the belief in the ability of a technical method to produce truth. Based on the historical evidence of the first part of the book, Adluri and Bagchee make a case in the second part for going beyond both the critical pretensions of modern academic scholarship and the objections of its post-structuralist or post-Orientalist critics. By contrasting German Indology with Plato's concern for virtue and Gandhi's focus on praxis, the authors argue for a conception of the humanities as a dialogue between the ancients and moderns and between eastern and western cultures.

"The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose" by Anonymous (translated by Kisari Mohan Ganguli). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

A retelling in English of the Sanskrit epic.