The Merchant Of Havana

LAJSA Book Award Winner, 2017, Latin American Jewish Studies Association As Cuba industrialized in the nineteenth century, an epochal realignment of the social order occurred. In this period of change, two seemingly disparate, yet nevertheless intertwined, ideological forces appeared: anti-Semitism and abolitionism. As the antislavery movement became organized in Cuba, the argument grew that Jews participated in the African slave trade and in New World slavery, and that this participation gave Jews extraordinary influence in the new Cuban economy and culture. What was remarkable about this anti-Semitism was the decidedly small Jewish population on the island in this era. This form of anti-Semitism, Silverstein reveals, sprang almost exclusively from mythological beliefs.

In 1762, British forces mobilized more than 230 ships and 26,000 soldiers, sailors, and enslaved Africans to attack Havana, one of the wealthiest and most populous ports in the Americas. They met fierce resistance. Spanish soldiers and local militias in Cuba, along with enslaved Africans who were promised freedom, held off the enemy for six suspenseful weeks. In the end, the British prevailed, but more lives were lost in the invasion and subsequent eleven-month British occupation of Havana than during the entire Seven Years' War in North America. The Occupation of Havana offers a nuanced and poignantly human account of the British capture and Spanish recovery of this coveted Caribbean city. The book explores both the interconnected histories of the British and Spanish empires and the crucial role played by free people of color and the enslaved in the creation and defense of Havana. Tragically, these men and women would watch their promise of freedom and greater rights vanish in the face of massive slave importation and increased sugar production upon Cuba's return to Spanish rule. By linking imperial negotiations with events in Cuba and their consequences, Elena Schneider sheds new light on the relationship between slavery and empire at the dawn of the Age of Revolutions.

Havana in the 1550s was a small coastal village with a very limited population that was vulnerable to attack. By 1610, however, under Spanish rule it had become one of the best-fortified port cities in the world and an Atlantic center of shipping, commerce, and shipbuilding. Using all available local Cuban sources, Alejandro de la Fuente provides the first examination of the transformation of Havana into a vibrant Atlantic port city and the fastest-growing urban center in the Americas in the late sixteenth century. He shows how local ambitions took advantage of the imperial design and situates Havana within the slavery and economic systems of the colonial Atlantic.

From the bestselling author of THE GIRLS WITH NO NAMES, a new historical novel based on the dazzling story of one of Hollywood’s most celebrated Hispanic actresses and her daughter’s search for closure. “Told in a series of letters, FIND ME IN HAVANA is a beautiful and heart-wrenching story of mothers and daughters, and the American Dream that comes with the biggest price of all. I couldn’t put it down!” — Heather Webb, USA Today bestselling author Cuba, 1936: When Estelita Rodriguez sings in a hazy Havana nightclub for the very first time, she is nine years old. From then on, that spotlight of adoration—from Havana to New York’s Copacabana and then Hollywood—becomes the one true accomplishment no one can take from her. Not the 1933 Cuban Revolution that drove her family into poverty. Not the revolving door of husbands or the fickle world of film. Thirty years later, her young adult daughter, Nina, is blindsided by her mother’s mysterious death. Seeking answers, the grieving Nina navigates the troubling, opulent memories of their life together and discovers how much Estelita sacrificed to live the American dream on her own terms. Based on true events and exclusive interviews with Nina Lopez, Estelita’s daughter, Find Me in Havana weaves two unforgettable voices into one extraordinary story that explores the unbreakable bond between mother and child, and the ever-changing landscape of self-discovery.