The Memoirs Of St Peter

"A fresh, vigorous new translation of the Gospel of Mark."—The American Conservative "Professor Pakaluk provides not only a thrilling new rendering of the ancient Greek text but also provides lively scholarship in the commentary that follows his translation of Mark's sixteen chapters."—The Catholic Thing "This is a very rewarding version of Mark, and even those who have made long study of the text will find a wise and sensitive guide in Michael Pakaluk."—National Catholic Register "Pakaluk's translation and commentary offers us a wonderful way to immerse ourselves anew..."—The B.C. Catholic "Like his translation, Pakaluk's notes do a lot to bring St. Mark and his gospel alive for us."—Aleteia The Gospel as You Have Never Heard It Before... At a distance of twenty centuries, the figure of Jesus of Nazareth can seem impossibly obscure—indeed, some skeptics even question whether he existed. And yet we have an eyewitness account of his life, death, and resurrection from one of his closest companions, the Simon Bar-Jona, better known as the Apostle Peter. Writers from the earliest days of the Church tell us that Peter’s disciple Mark wrote down the apostle’s account of the life of Jesus as he told it to the first Christians in Rome. The vivid, detailed, unadorned prose of the Gospel of Mark conveys the unmistakable immediacy of a first-hand account. For most readers, however, this immediacy is hidden behind a veil of Greek, the language of the New Testament writers. Four centuries of English translations have achieved nobility of cadence or, more recently, idiomatic accessibility, but the voice of Peter himself has never fully emerged. Until now. In this strikingly original translation, atten- tive to Peter’s concern to show what it was like to be there, Michael Pakaluk captures the tone and texture of the sherman’s evocative account, leading the reader to a bracing new encounter with Jesus. The accompanying verse-by-verse commentary—less theological than historical—will equip you to experience Mark’s Gospel as the narrative of an eyewitness, drawing you into its scenes, where you will come to know Jesus of Nazareth with new intimacy. A stunning work of scholarship readily accessible to the layman, The Memoirs of St. Peter belongs on the bookshelf of every serious Christian.

See Naples: A Memoir begins in a villa high above the gorgeous ruin of Naples four years after World War II. Composer Douglas Allanbrook is passionately involved with Laura, a ringer for Bette Davis, but he is in love with Naples, with the opera at San Carlo, with the inflections and rhetoric of the scugnizzi, street actors in this most dramatic of cities. Allanbrook spent from 1943 to 1945 in Italy with a U.S. infantry division that took seventy-five percent casualties, shuffling among land mines, reading maps in command posts by lamplight, and watching helplessly as his friends were killed. In 1949 he returned to Naples, where he cured himself of the war and married Candida, with whom he returned to America to make a family and a life.

Written by an L. A. County homicide detective and former atheist, Cold-Case Christianity examines the claims of the New Testament using the skills and strategies of a hard-to-convince criminal investigator. Christianity could be defined as a “cold case”: it makes a claim about an event from the distant past for which there is little forensic evidence. In Cold-Case Christianity, J. Warner Wallace uses his nationally recognized skills as a homicide detective to look at the evidence and eyewitnesses behind Christian beliefs. Including gripping stories from his career and the visual techniques he developed in the courtroom, Wallace uses illustration to examine the powerful evidence that validates the claims of Christianity. A unique apologetic that speaks to readers’ intense interest in detective stories, Cold-Case Christianity inspires readers to have confidence in Christ as it prepares them to articulate the case for Christianity.

Peter Cushing was widely known as 'the gentleman of horror', his kind and sensitive nature a sharp contrast with the sinister roles that dominated his work from the 1950s onwards. This is Cushing's own account of his remarkable career, and the devastating loss he suffered following the death of his wife.