The Medieval And Modern In Middle Earth

J.R.R. Tolkien delved into the Middle Ages to create a critique of the modern world in his fantasy, yet did so in a form of modernist literature with postmodern implications and huge commercial success. These essays examine that paradox and its significance in understanding the intersection between traditionalist and counter-culture criticisms of the modern. The approach helps to explain the popularity of his works, the way in which they continue to be brought into dialogue with Twenty-First century issues, and their contested literary significance in the academy.

A collection of more than two-hundred reproductions of Tolkien's drawings, sketches, and paintings explores his career as an artist.

Interdisciplinary in approach, Tolkien the Medievalist provides a fresh perspective on J. R. R. Tolkien's Medievalism. In fifteen essays, eminent scholars and new voices explore how Professor Tolkien responded to a modern age of crisis - historical, academic and personal - by adapting his scholarship on medieval literature to his own personal voice. The four sections reveal the author influenced by his profession, religious faith and important issues of the time; by his relationships with other medievalists; by the medieval sources that he read and taught, and by his own medieval mythologizing.

With Christopher Tolkien as your guide, take a tour through this colourful gallery of enchanting art produced by J.R.R. Tolkien and presented in an elegant new slipcased edition. This collection of pictures, with text by Christopher Tolkien, now reissued after almost 30 years confirms J.R.R. Tolkien's considerable talent as an artist. It provides fascinating insight into his visual conception of many of the places and events familiar to readers of The Hobbit, The Lord of the Rings and The Silmarillion. Examples of his art range from delicate watercolours depicting Rivendell, the Forest of Lothlorien, Smaug, and Old Man Willow, to drawings and sketches of Moria Gate and Minas Tirith. Together they form a comprehensive collection of Tolkien's own illustrations for his most popular books. Also included are many of his beautiful designs showing patterns of flowers and trees, friezes, tapestries and heraldic devices associated with the world of Middle-earth. In their variety and scope they provide abundant visual evidence of the richness of his imagination. This enchanting gallery was personally selected by Christopher Tolkien who, through detailed notes on the sources for each picture, provides unique insight into the artistic vision of his father, J.R.R. Tolkien.

A scholar explores the ideas within The Lord of the Rings and the world created by J. R. R. Tolkien: “A most valuable and timely book” (Ursula K. Le Guin, Los Angeles Times–bestselling author of Changing Planes). What are millions of readers all over the world getting out of reading the Lord of the Rings trilogy? Defending Middle-earth argues, in part, that the appeal for fans goes far deeper than just quests and magic rings and hobbits. In fact, through this epic, Tolkien found a way to provide something close to spirit in a secular age. This thoughtful book focuses on three main aspects of Tolkien’s fiction: the social and political structure of Middle-earth and how the varying cultures within it find common cause in the face of a shared threat; the nature and ecology of Middle-earth and how what we think of as the natural world joins the battle against mindless, mechanized destruction; and the spirituality and ethics of Middle-earth—for which the author provides a particularly insightful and resonant examination. Includes a new afterword

The Keys of Middle-Earth uniquely introduces the reader to the world of Medieval Literature through the fiction of J.R.R. Tolkien. Using key episodes in The Hobbit and The Lord of the Rings, readers are taken back to the works of Old, Middle English and Old Norse literature that so influenced Tolkien. The original texts are presented with helpful new translations to help the reader approach the medieval poems and tales, and introductory essays draw on recent scholarship and Tolkien's own unpublished notes. Presenting a new era of Tolkien studies, this book will be of use to students (and teachers) of Medieval/Old English literature and general readers interested in the origins of Tolkien's most widely-known works.

Now reissued in an updated paperback edition, this groundbreaking account of the Medieval Revival movement examines the ways in which the style of the medieval period was re-established in post-Enlightenment England—from Walpole and Scott, Pugin, Ruskin, and Tennyson to Pound, Tolkien, and Rowling. “Medievalism . . . takes a panoramic view of the ‘recovery’ of the Medieval in English literature, visual arts and culture. . . . Ambitious, sweeping, sometimes idiosyncratic, but always interesting.”—Rosemary Ashton, Times Literary Supplement “Deeply researched and stylishly written, Medievalism is an unalloyed delight that will instruct and amuse a wide readership.”—Edward Short, Books & Culture

Tolkien's Modern Reading addresses the claim that Tolkien "read very little modern fiction, and took no serious notice of it." This claim, made by one of his first biographers, has led to the widely accepted view that Tolkien was dismissive of modern culture, and that The Hobbit and The Lord of the Rings are fundamentally medieval and nostalgic in their inspiration. In fact, as Holly Ordway demonstrates in this major corrective, Tolkien enjoyed a broad range of contemporary works, engaged with them in detail and depth, and even named specific titles as sources for and influences upon his creation of Middle-earth. Drawing on meticulous archival research, Ordway shows how Tolkien appreciated authors as diverse as James Joyce and Beatrix Potter, Rider Haggard and Edith Nesbit, William Morris and Kenneth Grahame. She surveys the work of figures such as S.R. Crockett and J.H. Shorthouse, who are forgotten now but made a significant impression on Tolkien. He even read Americans like Longfellow and Sinclair Lewis, assimilating what he read in characteristically complex ways, both as positive example and as influence-by-opposition. Tolkien's Modern Reading not only enables a clearer understanding of Tolkien's epic, it also illuminates his views on topics such as technology, women, empire, and race. For Tolkien's genius was not simply backward-looking: it was intimately connected with the literature of his own time and concerned with the issues and crises of modernity. Ordway's ground-breaking study reveals that Tolkien brought to the workings of his fantastic imagination a deep knowledge of both the facts and the fictions of the modern world.