The Meaning And Value Of Poetry

This Is A New Release Of The Original 1901 Edition.

Excerpt from The Meaning and Value of Poetry The business of the scientist in his laboratory is, from first to last, with things as they are in themselves. His dominant purpose is to ascertain fact as fact - to learn, in any given case, what is, and the processes by which it came to be as it is. In order to reach his generalizations and establish his laws, he observes with the most patient atten tion, he analyzes with the most scrupulous care, all the phenomena he can bring together for investigation; follows up every clue and suggestion; applies every test within his reach; and though, as an aid in his task, he may ofien frame tentative conclusions and hypotheses, he is never satis fied with such - never gives them out to the world, or re gards them for himself, as more than tentative - but seeks always to substitute for them the reality of rigid and irre fragable proof. Now, such work obviously demands, before all things, a mind free from prejudice and prepossessions, a single eye for the matter in hand, reservation of judgment, and an absolute willingness to accept without hesitation or12 the meaning and value OF poetry. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--

An accessible introduction to poetry's unusual uses of language that tackles a wide range of poetic features from a linguistic point of view. Equally appealing to the non-expert and more experienced student of linguistics, this book delivers an engaging and often witty summary of how we define what poetry is.

In recent years philosophers have produced important books on nearly all the major arts: the novel and painting, music and theatre, dance and architecture, conceptual art and even gardening. Poetry is the sole exception. This is an astonishing omission, one this collection of original essays will correct. If contemporary philosophy still regards metaphors such as 'Juliet is the sun' as a serious problem, one has an acute sense of how prepared it is to make philosophical and aesthetic sense of poems such W. B. Yeats's 'The Second Coming', Sylvia Plath's 'Daddy', or Paul Celan's 'Todesfuge'. The Philosophy of Poetry brings together philosophers of art, language, and mind to expose and address the array of problems poetry raises for philosophy. In doing so it lays the foundation for a proper philosophy of poetry, setting out the various puzzles and paradoxes that future work in the field will have to address. Given its breadth of approach, the volume is relevant not only to aesthetics but to all areas of philosophy concerned with meaning, truth, and the communicative and expressive powers of language more generally. Poetry is the last unexplored frontier in contemporary analytic aesthetics, and this volume offers a powerful demonstration of how central poetry should be to philosophy.

A collection of public domain poems and images to celebrate the practice of poetry teatime with children.

This impressive debut has established Hera Lindsay Bird as a good girl with many beneficial thoughts and feelings. With themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is, juxtaposing many classical and modern breezes. Bird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog or a bejewelled Christmas sleigh, gliding triumphantly through the contemporary aesthetic desert. This is at once an intelligent and compelling fantasy of tenderness, heartbreaking and charged with trees without once sacrificing the forest.