The Maybrick Case

Mrs Maybrick was tried at the Liverpool assizes, 1889, for the murder of her husband, James Maybrick.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Florence Maybrick was a 19-year-old Alabama belle when she married cotton-broker James Maybrick in 1881. She was convicted of his murder in 1889 after arsenic was found in his corpse. However, it was never established whether she administered the poison, or whether Maybrick himself, a hypochondriac who used arsenic and other tonics, took the fatal dose. Her death sentence was commuted to imprisonment and she served 15 years before her reprieve in 1903. This 'bloody history' tells the compelling tale of a ruined marriage and its infidelities, examining the murder, trial and controversy through Home Office files held at the National Archives and features new photographs of Mrs. Maybrick. It concludes with a bizarre twist: James Maybrick became a Jack the Ripper suspect in 1992.

In 1889, Liverpool cotton merchant James Maybrick died of poisoning, and his wife Florence was accused of his murder. This sensational case gripped the nation and shed light on the Victorian era's attitudes towards sex, marriage, and crime. This book provides a detailed analysis of the legal proceedings in the Maybrick case, examining the evidence, witness testimonies, and social context surrounding the case. True crime enthusiasts and legal scholars alike will find this a compelling read. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Florence Elizabeth Chandler Maybrick was tried at the Liverpool assizes, 1889, for the murder of her husband, James Maybrick.

Mrs. Maybrick'S Own Story: My Fifteen Lost Years by Chandler Maybrick, first published in 1905, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

For over a hundred years, the mystery of Jack the Ripper has been a source of unparalleled fascination and horror, spawning an army of obsessive theorists and endless volumes purporting to finally reveal the identity of the brutal murderer who terrorized Victorian England. But what if there was never really any mystery at all? What if the Ripper was always hiding in plain sight, deliberately leaving a trail of clues to his identity for anyone who cared to look, while cynically mocking those who were supposedly attempting to bring him to justice? In They All Love Jack, the award-winning film director and screenwriter Bruce Robinson exposes the cover-up that enabled one of history's most notorious serial killers to remain at large. More than twelve years in the writing, this is no mere radical reinterpretation of the Jack the Ripper legend and an enthralling hunt for the killer. A literary high-wire act reminiscent of Tom Wolfe or Hunter S. Thompson, it is an expressionistic journey through the cesspools of late-Victorian society, a phantasmagoria of highly placed villains, hypocrites, and institutionalized corruption. Polemic forensic investigation and panoramic portrait of an age, underpinned by deep scholarship and delivered in Robinson's inimitably vivid and scabrous prose, They All Love Jack is an absolutely riveting and unique book, demolishing the theories of generations of self-appointed experts—the so-called Ripperologists—to make clear, at last, who really did it; and, more important, how he managed to get away with it for so long.