The Maneige Royal

A translation of one of the most important books ever written about the art of horsemanship.Antoine de Pluvinel (1555-1620), a French nobleman whose wider roles included those of chamberlain and ambassador to The Netherlands, was, from a young age, a pupil of Pignatelli in Italy. Shortly after his return to Paris, he opened an academy for the broad-based education of young gentlemen of noble birth, at which equitation was just one of a number of subjects taught. His most famous pupil was the young Louis XIII. The book shows the instruction of the young Louis XIII (1601-43) who was crowned in 1610 under the regency of his mother and reigned from 1617 onward. The text and illustrations explain Pluvinel’s principles of training horses in the form of a dialogue with the king, interspersed with commentaries by M. le Grand and other distinguished authorities. Pluvinel’s book was groundbreaking in its advocacy of humane training methods, a departure from the harsher practices commonplace at the time.

The union of the two royal houses - the Habsburgs and the Bourbons - in the early seventeenth century illustrates the extent to which marriage was a tool of government in Renaissance Europe, and festivals a manifestation of power and cultural superiority. With contributions from scholars representing a range of disciplines, this volume provides an all-round view of the sequence of festivals and events surrounding the dynastic marriages which were agreed upon in 1612 but not celebrated until 1615 owing to the constant interruption of festivities by protestant uprisings. The occasion inspired an extraordinary range of records from exchanges of political pamphlets, descriptions of festivities, visual materials, the music of songs and ballets, and the impressions of witnesses and participants. The study of these remarkable sources shows how a team of scholars from diverse disciplines can bring into focus again the creative genius of artists: painters, architects and costume designers, musicians and poets, experts in equestrianism, in pyrotechnics, and in the use of symbolic languages. Their artistic efforts were staged against a background of intense political diplomacy and continuing civil strife; and yet, the determination of Marie de Médicis and her advisers and of the Duke of Lerma brought to a triumphant conclusion negotiations and spectacular commemorations whose legacy was to inform festival art throughout European courts for decades. In addition to printed and manuscript sources, the volume identifies ways of giving future researchers access to festival texts and studies through digitization, making the book both an in-depth analysis of a particular occasion and a blueprint for future engagement with digital festival resources.

New things are forgotten old things - this rediscovery of the past is especially important in horsemanship and equestrian sports. Despite advances in sciences and technology, the physiologies and psychologies of the two principal agents, the equid and the human, have undergone relatively few changes since horse domestication. The studies collected in this volume outline such essential and recurring challenges in equestrianism as gender issues, equine identification, the use of hyperflexion and groundwork in training, as well as many others, from prehistory to this day.

In spite of the importance of horses to Western society until comparatively recent times, scholars have paid very little attention to them. This volume helps to redress the balance, emphasizing their iconic appeal as well as their utilitarian functions.

After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Realism and Role-Play draws on literature, social history, and affect theory in order to understand the way that figuration performed social positions.

Emma Hagström Molin uncovers the history of a most peculiar heritage: seventeenth-century plunder in the form of archival documents, manuscripts and books preserved in Swedish archives and libraries.

From Pegasus to Black Beauty, horses have held a unique place in human society and imagination. Elaine Walker tackles the long and multifaceted history of a creature valued for both beauty and usefulness. Spanning the world from the wild steppes of Mongolia to the American plains, Horse chronicles the rich and complex natural history of the animal, from wild feral horses to the domesticated species that once played a central role in daily life as a means of transportation, an instrument of war, and a source of labour. Elaine Walker charts how the long-standing connection between people and horses is reflected in cultures around the world and the implications for both human and animal of such close interaction. She also traces the centrality of the horse in art, entertainment and literature, from the rich global traditions of horse-racing and equestrianism to literary classics such as Follyfoot. Ultimately, Walker contends, the continuing role of the horse in the modern world reveals telling changes in human society.