The Man Who Killed

***Please note: This ebook edition does not contain the photos found in the print edition.*** A true story of mass murder in a Chicago suburb. Successful businessman, community benefactor, good friend and neighbor-- and perverted mass murderer. Over a period of three years, John Wayne Gacy, Jr. sexually tortured and murdered 33 boys. His friends and neighbors in his unassuming Illinois community never suspected a thing. Gacy was a Jekyll-and-Hyde figure, leading an outwardly normal life, but secretly brutalizing dozens of young men in a hidden lair, and concealing their bodies under the floorboards of his suburban home. Through extensive personal interviews with those who knew Gacy, veteran true-crime scribe Clifford L. Linedecker takes us on a shocking ride through Gacy's life, delving deep into the man's troubled past, recounting his appalling series of murders, and recreating the drama of his trial-- which resulted in his execution by lethal injection in 1994. Gruesome and horrifying, The Man Who Killed Boys reveals stark terror set amid the daily lives of an ordinary community.

On 6 September 1966, inside the House of Assembly in Cape Town, Dimitri Tsafendas fatally stabbed Hendrik Verwoerd, South Africa’s Prime Minister and so-called “architect of apartheid.” Tsafendas was immediately arrested, and before the authorities had even questioned him, they declared him a madman without any political motive for the killing. In the Cape Supreme Court, Tsafendas was found unfit to stand trial on the grounds that he suffered from schizophrenia and that he had no political motive for killing Verwoerd. Tsafendas spent the next 28 years in prison, making him the longest-serving prisoner in South African history. For most of his incarceration, he was subjected to cruel and inhumane treatment by the prison authorities. This new updated edition contains all the developments regarding the Tsafendas case after the publication of the book's first edition.

"We appreciate Roger Stone, he is one tough cookie." - President Trump The sensational New York Times bestseller, now in paperback. Find out how and why LBJ had JFK assassinated. The Man Who Killed Kennedy: The Case Against LBJ hit the New York Times bestseller list the week of the 50th Anniversary of the assassination of President John F. Kennedy. Consummate political insider Roger Stone makes a compelling case that Lyndon Baines Johnson had the motive, means, and opportunity to orchestrate the murder of JFK. Stone maps out the case that LBJ blackmailed his way on the ticket in 1960 and was being dumped in 1964 to face prosecution for corruption at the hands of his nemesis attorney Robert Kennedy. Stone uses fingerprint evidence and testimony to prove JFK was shot by a long-time LBJ hit man—not Lee Harvey Oswald. President Johnson would use power from his personal connections in Texas, from the criminal underworld, and from the United States government to escape an untimely end in politics and to seize even greater power. President Johnson, the thirty-sixth president of the United States, was the driving force behind a conspiracy to murder President Kennedy on November 22, 1963. In The Man Who Killed Kennedy, you will find out how and why he did it. Legendary political operative and strategist Roger Stone has gathered documents and uses his firsthand knowledge to construct the ultimate tome to prove that LBJ was not only involved in JFK’s assassination, but was in fact the mastermind. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Mick "Brew" Axbrewder was once a great P.I. That was before he accidentally shot and killed a cop who happened to be his own brother. Now when his niece disappears, Brew must confront his own worst enemy--himself.

Arthur Brownjohn has never quite got anything right. Take the murder of his wife – a bungled, inferior affair despite his having consulting all the experts in the field of killings, executions and dastardly deeds. Resolving never to repeat the same mistakes, he enlists the help of Major Easonby Mellon – a man who really knows what he’s doing...

A former policeman, now a Major in the Spanish Republican Army, is sent to Madrid to investigate the circumstances in which the legendary anarchist was killed. In his search for the truth he interviews the key witnesses and uncovers a number of contradictory accounts. Nobody tells the same story in quite the same way, but as an experienced police officer, he knows it is not inconceivable that they are all telling the truth. But it is also possible that some of them are lying, that some are trying to hide what they know, and more sinisterly, that some may be seeking to sabotage his investigation for darker political ends. Making imaginative and ingenious use of the detective novel as a literary device, de Paz explores various hypotheses and scenarios that could at least provide us, 70 years on, with believable explanations about the chain of events leading to the death of a truly remarkable man. Also includes numerous photographs of the man, and his funeral, and a lengthy afterword by Stuart Christie, putting his life, times, and untimely death, into the context of Spanish Anarchism, the social revolution, and civil war. Quite superb, all around!

This controversial, critically acclaimed new play is based on the life and death of Dr. Max Gerson, one of the fathers of natural healing. "Luke Yankee's THE MAN WHO KILLED THE CURE is a vital and dynamic fact-based play about the times we live in and a timeless investigation of the hypocrisy that poisons the world of modern medicine. It's controversial in the best way because it will keep the viewer talking. It has facts that add up to real tension and palpable drama in the conflict between two German-born doctors that spans a timeline from Nazi Germany to postwar New York during the advent of drug-free alternatives to Big Pharma, and carefully dramatized characters that will unquestionably lure great and adventurous actors to the stage for generations to come. The background intrigues that develop--between one dedicated man of science who survived the Nazis to save the lives of others with a cure for cancer while his former best friend, colleague and new adversary gets rich trying to stop him--will keep audiences riveted while they debate the moral consequences. Sweeping away the mist of hypocrisy running rampant today behind the closed doors of the drug industry, the American Medical Association and the private offices of expensive oncologists who deal the cards in matters of life and death, THE MAN WHO KILLED THE CURE is a play unlike any other. It must be seen, and as often as possible. Mr. Yankee has left me shocked and cheering. Best of all, he has done what most playwrights too often forget to do--he has written a galvanizing work for the theatre that makes you think!" -- Rex Reed, syndicated columnistInspired by a true story, THE MAN WHO KILLED THE CURE does for the world of medicine what AMADEUS did for the world of music, redefining the nature of genius and what it truly means to be a success. More importantly, it exposes the hypocrisy in the medical industry with shocking facts and authentic testimony about the multibillion-dollar cancer business and how it has suppressed alternative therapies for more than fifty years. Luke Yankee's other plays include THE LAST LIFEBOAT, A PLACE AT FOREST LAWN (both published by Dramatists Play Service), THE JESUS HICKEY (originally produced in Los Angeles, starring Harry Hamlin) and his one-man show, DIVA DISH, which he has toured internationally. His critically acclaimed memoir, JUST OUTSIDE THE SPOTLIGHT is published by Random House, with a forward by Mary Tyler Moore. He has also written numerous television scripts and screenplays.

John Price’s Man Killed by Pheasant is a loving ode to the prairies of the Midwest, to west central Iowa, and to family connections that stretch from his Swedish ancestors to his parents to his wife and children. Throughout he embraces “the opportunity, as always, to settle, to remember, and be ready.” This quest sounds more portentous than it is once enriched with Price’s gentle humor and endearing empathy. Sharing stories of home, secrets of landscape, and binding ties to both, he weaves history and memory to create permanent kinships for himself and for his readers.

As thoroughly examined as the Civil War and the assassination of Abraham Lincoln by John Wilkes Booth have been, virtually no attention has been paid to the life of the Union cavalryman who killed Booth, an odd character named Boston Corbett. The killing of Booth made Corbett an instant celebrity who became the object of fascination and of derision. Corbett was an English immigrant, a hatter by trade, who was likely poisoned by mercury. A devout Christian, he castrated himself so that his sexual urges would not distract him from serving God, which he did as a street evangelist and preacher. He was one of the first volunteers to join the US Army in the first days of the Civil War, a path that would in time land him in the notorious Andersonville prison camp. Eventually released in a prisoner exchange, he would end up in the squadron that cornered Booth in Virginia. The Madman and the Assassin is the first full-length biography of Boston Corbett, a man who was something of a prototypical modern American, thrust into the spotlight during a national news event. His story also encompasses tragedy—his wife died when he was young, and he struggled with poverty and his own mental health—as it weaves through some of the biggest events in nineteenth century America. Scott Martelle is a professional journalist and the author of The Admiral and the Ambassador, and Detroit: A Biography, and is an editorial writer for the Los Angeles Times.

The story of Martiniano, The Man Who Killed the Deer, is a timeless story of Pueblo Indian sin and redemption, and of the conflict between Indian and white laws; written with a poetically charged beauty of style, a purity of conception, and a thorough understanding of Native American values.