The Making Of A Nation In The Balkans

"The book contains a presentation and critical consideration of the ideas of historians on the major problems, processes, events, and personalities of the era of the Bulgarian (national) Revival. It is dominated by the effort to understand how the Bulgarian Revival has been conceived of and imagined while keeping a certain distance from the various views presented, whether critical, ironic, or simply that inherent in the presentation of another person's view."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The nineteenth century was the epoch of nation building for the Bulgarians under Ottoman rule. In this book, comparisons and analogies are made between the Bulgarian Revival and other regions, epochs, ideological trends, and events. These latter are taken from two major areas—Western Europe ("Renaissance," "Enlightenment," "Romanticism," the French Revolution, and national liberation movements), and Russia (the "agrarian question," "populism" and "utopian socialism," "revolutionary democrats," and the Russian Revolution of 1905). Historical facts about the Revival were instrumentalized for political purposes, such as the fostering of national and state loyalties through the reproduction of identities, or, directly, as the legitimating/contesting of a current political regime under the guise of disputes over historical legacy. Ideological mobilization took place in the form of nationalism, right-wing authoritarianism (shading into fascism), and communism. The author sets in relief some of the mechanisms and logic of the two grand narratives under the sign of nationalism, and of Marxism.

Anthems are symbolic means through which nations present themselves to the world. Accordingly, creating seven new nation states out of the bones of Yugoslavia required new anthems. Why did these new states opt for century-old national songs or, failing this, for the anthems without words? What are the images and symbols that each of these states chose as their 'national signatures' and how were these chosen? This book explores a variety of images of nationhood (or the absence of them) in the lyrics of the official anthems and of competing national songs and traces their historical trajectory from the time of their conception to their legal entrenchment. This is the first full-length study into the symbolic representations of nationhood in the recently created nation states of the Balkans."

Examines the origins of political violence in the Balkans since the 19th century, while treating the region as an integral part of modern European history, reminding us that political violence and ethnic cleansing are hardly unique to this region.

'Live, live the spirit of the Slavs' (1834) : 'Hey Slavs' from 1942 to 2006 -- Loving one's homeland : Croatia 1835 -- A toast to a cosmopolitan nation : Slovenia 1844 -- Praying for one's people : Serbia 1872 -- A love of mountains and mothers : Montenegro 1836(?) -- A fight for rights : Macedonia 1941 -- To sing or not to sing? Anthems and anti-anthems : Bosnia and Herzegovina 1995/99 -- Wishing to be one with Europe : Kosobo 2008 -- Epilogue : what do these anthems tell us?.

This highly readable and thoroughly researched volume offers an excellent account of the development of seven Balkan peoples during the nineteenth and the first part of the twentieth centuries. Professors Charles and Barbara Jelavich have brought their rich knowledge of the Albanians, Bulgarians, Croatians, Greeks, Romanians, Serbians, and Slovenes to bear on every aspect of the area’s history--political, diplomatic, economic, social and cultural. It took more than a century after the first Balkan uprising, that of the Serbians in 1804, for the Balkan people to free themselves from Ottoman and Habsburg rule. The Serbians and the Greeks were the first to do so; the Albanians, the Croatians, and the Slovenes the last. For each people the national revival took its own form and independence was achieved in its own way. The authors explore the contrasts and similarities among the peoples, within the context of the Ottoman Empire and Europe.

With more than 25 years since the collapse of communism, the end of the wars and billions of dollars in aid, the Balkans are still characterized by corruption, state capture, and decidedly unmodern states that are often either weak or authoritarian. Taking the contemporary Balkans as a starting point, Making and Remaking the Balkans studies the region's history combined with observations based on more than twenty years of field experience. Primarily concerned with current issues in the Balkans since 1989, this book explains why the region has endured such a prolonged and fraught transition to democracy and eventual membership in the European Union. The young and educated have largely left. Governmental crisis and economic stagnation is the norm and much-needed regional cooperation has been suppressed by renewed nationalism. Wars on corruption have proved to be largely rhetorical. Making and Remaking the Balkans offers a systematic study of the issues the entire region faces as it struggles to complete the European integration process at a time when the European Union faces bigger problems elsewhere.

Throughout history, the Balkans have been a crossroads, a zone of endless military, cultural and economic mixing and clashing between Europe and Asia, Christianity and Islam, Catholicism and Orthodoxy. Subject to violent shifts of borders, rulers and belief systems at the hands of the world's great empires--from the Byzantine to the Habsburg and Ottoman--the Balkans are often called Europe's tinderbox and a seething cauldron of ethnic and religious resentments. Much has been made of the Balkans' deeply rooted enmities. The recent destruction of the former Yugoslavia was widely ascribed to millennial hatreds frozen by the Cold War and unleashed with the fall of communism. In this brilliant account, acclaimed historian Mark Mazower argues that such a view is a dangerously unbalanced fantasy. A landmark reassessment, The Balkans rescues the region's history from the various ideological camps that have held it hostage for their own ends, not least the need to justify nonintervention. The heart of the book deals with events from the emergence of the nation-state onward. With searing eloquence, Mazower demonstrates that of all the gifts bequeathed to the region by modernity, the most dubious has been the ideological weapon of romantic nationalism that has been used again and again by the power hungry as an acid to dissolve the bonds of centuries of peaceful coexistence. The Balkans is a magnificent depiction of a vitally important region, its history and its prospects.

This is a contemporary 20th century history of the Balkans, and the volatile political situation that helped spark World War I.