The Magical Play Of Illusion

The Dalai Lama’s teacher's autobiography offers glimpses into the young Dalai Lama's spiritual upbringing and his escape from Tibet. Trijang Rinpoche was born to an aristocratic Tibetan family in 1901 and quickly recognized as the reincarnation of a very important high lama. Eventually appointed a mentor to the young Fourteenth Dalai Lama, Trijang became one of his most trusted confidants. His status gave him a front-row seat to many of the momentous historical events that befell Tibet. Rinpoche observes the workings of Tibetan high society and politics with an unvarnished frankness, including inside details of encounters between the Dalai Lama and Mao Tse Tung, Jawarlal Nehru, Pope John Paul II, and Indira Gandhi. Most widely known as a yogi with deep and profound, lifelong religious training, Trijang was also a statesman, a preserver of culture, a poet, writer, and artist. His autobiography is a beautifully written tour-de-force account of Tibetan life in the twentieth century, including intimate details about the upbringing of the Dalai Lama.

Arising from neo-stoic interpretations of prudence, Alarcon's identification of the successful manipulation of illusion as a moral art serves as a defence of the comedia and offers an alternative to the supposed moral irresponsibility of Lope de Vega."--Jacket.

“Donald Crafton, our lively guide, shows us around a Tooniverse populated by performers, not just images, who engage us in all the ways their flesh-and-blood counterparts do, and then some. Taking classical animation as his terrain, Crafton nevertheless pushes ongoing discussions of performance, liveness, and corporeality in the directions in which they need to go if they are to help us describe and navigate our increasingly virtual worlds.” Philip Auslander, author of Liveness: Performance in a Mediatized Culture "Every once in a while a book comes along that marks a transformational point in its discipline. Such a book is Donald Crafton's Shadow of a Mouse. Crafton skillfully draws together theoretical sources, animation history, technological development, and social analysis, deftly weaving together thinkers from Disney to Deleuze and Sito to Stanislavsky. The result is a substantial rethinking of animation that will reshape traditional approaches to the medium. Crafton's magisterial grasp of theory and history is livened by a true fan's passion for the subject and a keen sense of humor. Shadow of a Mouse is a must-read for anyone with an interest in performance, embodiment, popular culture, race, or reception." Mark Langer, Associate Professor of Film Studies, Carleton University

This book explores stage conjuring during its “golden age,” from about 1860 to 1910. This study provides close readings highlighting four paradigmatic illusions of the time that stand in for different kinds of illusions typical of stage magic in the “golden age” and analyses them within their cultural and media-historical context: “Pepper’s Ghost,” the archetypical mirror illusion; “The Vanishing Lady,” staging a teleportation in a time of a dizzying acceleration of transport; “the levitation,” simulating weightlessness with the help of an extended steel machinery; and “The Second Sight,” a mind-reading illusion using up-to-date communication technologies. These close readings are completed by writings focusing on visual media and expanding the scope backwards and forwards in time, roughly to 1800 and to 2000. This exploration will be of great interest to students and scholars in theatre and performance studies.

More than 30 images and activities in this visually stunning, elaborate pop-up book challenge readers to take a second look at the optical illusions that surround them Seeing is not always believing, and this book will challenge whether readers should believe their eyes. It contains all sorts of optical illusions including shadow play, magic mirrors, kaleidoscopes, visual vibrations, and more. Readers will be able to make patterns flicker, spin, and constantly change shape; create absurd faces in the funhouse mirrors; see beautiful abstract images through the kaleidoscope; and pull tabs and open flaps to reveal magical surprises. Plus, the book features a drawer full of additional pieces to create yet more illusions again and again.

The first authoritative biography of the Dalai Lama--a story by turns inspiring and shocking--from an acclaimed Tibetan scholar with exceptional access to his subject. The Dalai Lama's message of peace and compassion resonates with people of all faiths and none. Yet, for all his worldwide fame, he remains personally elusive. At last Alexander Norman--acclaimed Oxford-trained scholar of the history of Tibet--delivers the definitive, unique, unforgettable biography. The Dalai Lama recounts an astonishing odyssey from isolated Tibetan village to worldwide standing as spiritual and political leader of one of the world's most profound and complex cultural traditions. Norman reveals that, while the Dalai Lama has never been comfortable with his political position, he has been a canny player--at one time CIA-backed--who has maneuvered amidst pervasive violence, including placing himself at the center of a dangerous Buddhist schism. Yet even more surprising than the political, Norman convinces, is the Dalai Lama's astonishing spiritual practice, rooted in magic, vision, and prophecy--details of which are illuminated in this book for the first time. A revelatory life story of one of today's most radical, charismatic, and beloved world leaders.

The Dalai Lama tells the life story of his remarkable teacher, Ling Rinpoché, who remained a powerful anchor for him from childhood and into his emergence as a global spiritual leader. The Sixth Ling Rinpoché (1903–83) was a towering figure in Tibetan Buddhism. Combining great learning with great humility, he was ordained by the Thirteenth Dalai Lama and went on to serve as the the head of the Geluk tradition and as the senior tutor to the present Dalai Lama. In temperament and wisdom, he had a profound influence on the Dalai Lama’s spiritual development, and he became a steadying presence for His Holiness during the chaotic changes that defined the Tibetan experience of the twentieth century, with the invasion of their county by Communist forces and the subsequent rebuilding of their culture in India. Ling Rinpoché’s extensive travels among exiled communities abroad and across India bouyed the spirits of the Tibetan diaspora, and the training and activities of this consummate Buddhist master, here told by the Dalai Lama in the traditional Tibetan style, will inspire and amaze. Over one hundred archival photos bring the text to life.

This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.

Exploring Race, Ethnicity, Gender, and Sexuality in Four Spanish Plays explores society’s influence on identity in Spanish theatrical works and discusses parallels to these works in contemporary popular culture. The Spanish plays El retablo de las maravillas (The Marvelous Puppet Show) by Miguel de Cervantes Saavedra (1615); Virtudes vencen señales (Virtues Overcome Signs) by Vélez de Guevara (1620); El público (The Audience) by Federico García Lorca (1929); and La llamada de Lauren (Lauren’s Call) by Paloma Pedrero (1985) all deal with characters in the midst of a crisis of identity. Using an eclectic approach, supported by contemporary theories of race, ethnicity, gender, and sexuality, Beth Bernstein analyzes the four plays in terms of identity and shows how society imposes the construction of identity. As the characters reach to define themselves, internal and external pressures guide them in interpreting acceptable behavior. This book offers a close reading of the psychological struggle of the characters, driven by society to cover their differences with a symbolic mask which, if donned, will eventually devour their true identity.

This book explores the sense in which the uncanny may be a distinctively modern experience, the way these unnerving feelings and unsettling encounters disturb the rational presumptions of the modern world view and the security of modern self-identity, just as the latter may themselves be implicated in the production of these experiences as uncanny.