The Madwomans Underclothes

Always strong and fearless, Germaine Greer strikes right at the heart of the matter--be it John F. Kennedy and vaginal deodorants, rape and artificial insemination, cosmetic surgery, the death of Jimi Hendrix, or the famine in Ethiopia. This collection represents a mosaic of essays, long and short, some of which are appearing for the first time in print and all of which chafe the conventional and are bristling with argument. From the youthful liveliness of her sixties pieces, which "got up everybody's nose," to the depth and complexity of her later work, The Madwoman's Underclothes is a reflection both of an era and of the changing ideas and styles of Germaine Greer: "The essays on Brazil, Cuba, and Ethiopia represent my coming of age. Something like a coherent system of values is beginning to emerge after my years of wandering, although I have certainly not arrived at a set of articles of faith, and never will, I hope." Greer's opinions on social, political, and sexual trends and mores are tendered in her unique fashion--outspoken, with rapier wit and no tolerance for narrow-mindedness. But as explosive, angry, and often funny as these essays are, they also reveal tenderness and sadness and that emotion that underlies all of Greer's work--passionate commitment.

This work ranges across the history of the electric guitar by focusing on key performers such as Charlie Christian, Chet Atkins, Muddy Waters, Chuck Berry, Jimi Hendrix & Led Zeppelin, who have shaped the use & meaning of the instrument.

Germaine Greer is one of the most enduring and influential figures of the second wave of the women’s movement. The Female Eunuch (1970) is one of second-wave feminism’s most widely recognised publications and its author has come to embody and indeed expand our understanding of second-wave feminism in a way that few others have. Yet, while Greer’s public visibility never seems to wane, her writings and her politics have failed to attract the kind of sustained critical engagement they warrant. This volume represents the first collection of essays to examine Greer, her politics, her writing, and her status as a feminist celebrity. The essays in this collection cover The Female Eunuch (1970), Greer’s public rivalry with Arianna Stassinopoulos, her time in America, her ideas and politics, and her styling as feminist fashion icon. Many essays include new insights drawn from previously unseen material in the recently launched Germaine Greer Archive at the University of Melbourne, Australia. This book was originally published as a Special Issue of Australian Feminist Studies.

This book is a unique study of the historical, theoretical, and cultural interpretations of ‘madness’ including interviews with those who have experiences of ‘madness’. It takes a transdisciplinary approach, employing historical, psychological, and sociological perspectives through an intersectional lens. This work explains how the prioritization of thinking over feeling in Western thought means the transrational imagination has frequently been negated in tackling mental health with detrimental results. This book, therefore, examines creative media, especially film, as a transrational form of human expression for healing and wellbeing, along with television, theatre, social media, music, and computer games. ‘Madness’ with regards to gender, sexuality, adolescence, and class in media and film is interrogated, as well as ‘madness’ and race through a focus on colonialism, post-colonialism, and psychiatry. It analyses group psychosis, including celebrity culture, and the ‘madness’ of leaders and gurus. This book challenges the lasting influence of the Age of Reason by furthering our understanding of the value of transrationality and the diverse ways of being human.

The New Penguin Dictionary of Modern Quotations contains over 8,000 quotations from 1914 to the present. As much a companion to the modern age as it is an entertaining and useful reference tool, it takes the reader on a tour of the wit and wisdom of the great and the good, from Margot Asquith to Monica Lewinsky, from George V to Boutros Boutros-Galli and Jonathan Aitken to Frank Zappa.

Is heterosexual sex inherently damaging to women? Is it possible for women to enjoy sensuality and pleasure with men that does not increase male power? Lynne Segal's unflinching examination of feminist thinking on sexuality over the past twenty-five years tackles these questions head on. Only two decades ago, politically aware women often declared themselves both sexual liberationists and feminists - their right to sexual fulfillment symbolized their right to selfhood. However, the most positive women's writing on female sexuality in recent years has come primarily from the lesbian community. Segal addresses the silence of heterosexual feminists on questions of sex and love and notes the shift toward sexual conservatism. She looks at the trends that followed Sixties radicalism: sex as a subversive activity, the "liberated orgasm," sex advice literature, gender uncertainties, Queer politics, antipornography campaigns, and the rise of the moral right.

Behind the Screens sheds light on the fundamental aspects of basic nursing that have previously been hidden, or taken for granted. The essence of these practices has not been regarded as formal knowledge, partly because there has been no formal language to describe them. Experienced and beginning practitioners will identify with many aspects of this discussion. Professor Jocalyn Lawler argues that the body is a problem in our society, and she examines the intellectual background to the problem. She describes the pattern of relationships between the theoretical concepts of the body, body care, privacy, dirty work, women's work and sexuality. The invisibility of nursing is linked with these concepts and with the lack of an academic discourse on the body as a whole. Drawing on the words of nurses themselves, Lawler describes how they deal with the problem of the body. From the interviews, she articulates the complexity and sophistication at the heart of the way nurses manage the bodies of others. And she coins a term, somology, that provides nursing with a language to describe the crucial social components of skilled nursing care. Readable and important, Behind the Screens adds to knowledge about knowledge and to knowledge about nursing. The work was first published in 1991. It has since been translated into Norwegian as Bak skjermbrettene: sykepleie, og kroppslige problemer, and French as La Face Cachée des Soins: Soins au corps, intimité et pratique.