The Mabinogi And Other Medieval Welsh Tales

The four stories that make up the Mabinogi, along with three additional tales from the same tradition, form this collection and compose the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. This landmark edition translated by Patrick K. Ford is a literary achievement of the highest order.

The four stories that make up the Mabinogi, along with three additional tales from the same tradition, form this collection and compose the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. This landmark edition translated by Patrick K. Ford is a literary achievement of the highest order.

The title Mabinogi refers to the first four stories in this collection of tales from Welsh tradition. They are best known as the "Four Branches of the Mabinogi," and comprise the tales of Pwyll, Branwen, Manawydan, and Math. The remaining stories also spring from the same tree, and together they form a collection that comprises the core of the ancient Welsh mythological cycle. They are also among the best the medieval Celtic literature has to offer.

"Tales of giants and heroes, of beautiful maidens, of the Emperor of Rome and the Emperor Arthur, of legendary history and historical legend, all told with the skill of long-trained storytellers and sensitive touch of polished writers. Such are the four tales translated here: How Culhwch got Olwen, perhaps the oldest but certainly, by far, the most exuberant of Arthurian tales, the finely crafted Dream of Maxen Wledig, Emperor of Rome, who fell in love in his sleep, the folkloric triad of The Story of Lludd and Llefelys, with its link to the legends of Merlin, and the exceedingly colourful Dream of Rhonabwy.'" This is how John K. Bollard introduces his new translation of those four native Welsh tales found in the same two medieval manuscripts as the great classic The Mabinogi. The text is beautifully illustrated by Anthony Griffiths's photographs of the locations and landscapes evoked by and specifically named in the text, reminding us of the timelessness and beauty of the stories and land they inhabit.

'Here at the turn of the leaf a horseman is riding through the space between one world and another . . .' The Mabinogi is the Welsh national epic, a collection of prose tales of war and enchantment, adventure and romance, which have long fascinated readers all over the world. Matthew Francis's retelling of the first four stories (the Four Branches of the Mabinogi) is the first to situate it in poetry and captures the magic and strangeness of this medieval Celtic world: a baby is kidnapped by a monstrous claw, a giant wades across the Irish Sea to do battle, a wizard makes a woman out of flowers, only to find she is less biddable than he expected. Permeating the whole sequence is a delight in the power of the imagination to transform human experience into works of tragedy, comedy and wonder. The Mabinogi is an important contribution to the storytelling of the British Isles. 'I have waited a life for this book: our ancient British tales re-told, in English, by a poet, as they were in their original Welsh. This is more than translation. It picks up the harp and sings.' Gillian Clarke

Culture in Practice collects the academic and political writings from the 1960sthrough the 1990s of anthropologist Marshall Sahlins. More than a compilation, Culture in Practiceunfolds as an intellectual autobiography. The book opens with Sahlins's early general studies ofculture, economy, and human nature. It then moves to his reportage and reflections on the war inVietnam and the antiwar movement, the event that most strongly affected his thinking about culturalspecificity. Finally, it offers his more historical and globally aware works on indigenous peoples,especially those of the Pacific islands.Sahlins exposes the cultural specificity of the West,developing a critical account of the distinctive ways that we act in and understand the world. Thebook includes a play/review of Robert Ardrey's sociobiology, essays on "native" consumption patternsof food and clothes in America and the West, explorations of how two thousand years of Westerncosmology affect our understanding of others, and ethnohistorical accounts of how cultural orders ofEuropeans and Pacific islanders structured the historical experiences of both. Throughout, Sahlinsoffers his own way of thinking about the anthropological project. To transcend critically our nativecategories in order to understand how other peoples have historically constructed their modes ofexistence--even now, in the era of globalization--is the great challenge of contemporaryanthropology.

The 11 tales of the Mabinogion combine Celtic mythology and Arthurian romance. This new translation recreates the storytelling world of medieval Wales and re-invests the tales with the power of performance.

Oxford Children's Myths and Legends bring you the greatest stories ever told, from around the world and long ago. Heroes and villains, witches and wizards, warriors and royalty - there's something here for everyone. Stories from Wales is filled with spell-binding tales of love, loyalty, greed and jealousy come from the mountains and valleys of Wales. From Pwyll, the prince of Dyfed, to Arthur's court, they tell of a world where peasants and kings live alongside the folk of the faery, and where reality and enchantment intertwine. One of four collections being published to launch the Oxford Children's Myths and Legends series - other titles are Stories from Scotland, Stories from Ireland and Stories from England

A retelling of the Four Branches of the Mabinogi for children by Gwyn Thomas.