The Lover Of A Subversive Is Also A Subversive

Essays from a nationally acclaimed Latino poet

Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.

By Amos Vogel. Foreword by Scott MacDonald.

These subversive sonnets overhaul the traditional sonnet form to address a range of subjects, from the tenderness of love to the terror of rape, punishment, torture, and murder. Mordecai has an unfailing ear for voices, for the music that sings and laughs and laments the stories of family, clan, and tribe. This is Pamela Mordecai's fifth collection of poetry.

“One should either wear a work of art, or be a work of art,” Oscar Wilde once declared. In The Invention of Oscar Wilde, Nicholas Frankel explores Wilde’s self-creation as a “work of art” and a carefully constructed cultural icon. Frankel takes readers on a journey through Wilde’s inventive, provocative life, from his Irish origins—and their public erasure—through his challenges to traditional concepts of masculinity and male sexuality, his marriage and his affairs with young men, including his great love Lord Alfred Douglas, to his criminal conviction and final years of exile in France. Along the way, Frankel takes a deep look at Wilde’s writings, paradoxical wit, and intellectual convictions.

An anthology of poems-- from women poets-- that address stereotypes and expectations women have faced from the time of Eve to today's political climate. There are poems by and about women refusing to be "nice girls;" women embracing their inner bitch when the situation demands it; women being strong, sexy, strident, super-smart and stupendous. And most of all, women who want to encourage little girls to keep dreaming. -- adapted from back cover and amazon.com.

Learn to leverage privilege. Privilege is a social consequence of our unwillingness to reckon with and turn from sin. But properly stewarded, it can help us see and participate in God's inbreaking kingdom. Scripture repeatedly affirms that privilege is real and declares that, rather than exploiting it for selfish gain or feeling immobilized by it, Christians have a responsibility to leverage it. Subversive Witness asks us to grapple with privilege, indifference, and systemic sin in new ways by using biblical examples to reveal the complex nature of privilege and Christians' responsibility in stewarding it well. Dominique DuBois Gilliard highlights several people in the Bible who understood this kingdom call. Through their stories, you will discover how to leverage privilege to: Resist Sin Stand in Solidarity with the Oppressed Birth Liberation Create Systemic Change Proclaim the Good News Generate Social Transformation By embodying Scripture's subversive call to leverage--and at times forsake--privilege, readers will learn to love their neighbors sacrificially, enact systemic change, and grow more Christlike as citizens of God's kingdom.

Fiction. Asian & Asian American Studies. Women's Studies. In this hybrid novella of trauma and survival, Anna Maria Hong re-imagines and extends the tale of Hansel and Gretel, breaking its received patterns of abandonment and abuse to set G. to wander a world racialized and gendered by power dynamics at every turn. Survivor, artist, hero, G.'s decisive action at the Witch's oven becomes the kernel of a new identity, independent and resilient, capable of transforming cruel stories into a cunning, masterful feminist bildungsroman. "In H & G, Anna Maria Hong brilliantly re-visions the 'Hansel and Gretel' fairytale for the post-post-modern 21st century. Or explodes it, producing a text brimming with biting wit, feminist insight, psychological incisiveness, and a hybrid narrative daring that turns genre on its head. G., a 'Korean American fraülein' who is 'sick of the high road' is willing to tear the whole fantasy edifice of our illusions down as she journeys toward deeper truths, and thankfully, she and H. take us along for their sometimes-frightening, always enlightening rides." --John Keene

"A dauntingly ambitious, obsessively researched" (Los Angeles Times) global history of music that reveals how songs have shifted societies and sparked revolutions. Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, Ted Gioia reclaims the story of music for the riffraff, insurgents, and provocateurs. Gioia tells a four-thousand-year history of music as a global source of power, change, and upheaval. He shows how outcasts, immigrants, slaves, and others at the margins of society have repeatedly served as trailblazers of musical expression, reinventing our most cherished songs from ancient times all the way to the jazz, reggae, and hip-hop sounds of the current day. Music: A Subversive History is essential reading for anyone interested in the meaning of music, from Sappho to the Sex Pistols to Spotify.