The Louvre Museum French Furniture Louis Xiv And Louis Xv Periods Classic Reprint

Excerpt from The Louvre Museum: French Furniture; Louis XIV and Louis XV Periods The gilt Console and Bracket-table of plates 7 and 8 were executed towards the year 1715 for the Chateau of Bercy. The larger one was much injured at the time of the Revolution a cartouche bearing arms and a crown has been wrenched away. The smaller console was formerly inserted in one of the Wainscots of the Chateau of Bercy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from French Furniture Under Louis XIV One or two of these inventories, which convey so rich an impression of vivid reality, will allow us to penetrate into the homes of this middle class of the seventeenth century. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from French Furniture Under Louis XVI and the Empire Small towns, went on quietly with Louis XVI styles, which were often simply Louis XV hardly modified at all, and they continued this up to the moment when industrial production on a large scale, centralised and carried out by machinery, shut, one by one for ever, the little workshops from which throughout two centuries so much simple beauty had issued to spread its boon among the dwellings of the unpretentious. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from French Furniture Under Louis XV Many people are inclined to see in the Louis XV Style only a very sumptuous and profusely ornamented elegance more in keeping with the pleasures of roues than with the simple family life of sober business folks like the majority of us. True, it is the perfect expression of a frivolous and voluptuous period marked by a passion for pleasure - all pleasure, from the most delicate intellectual and social delights to unalloyed debauchery - a period in which moderation was by no means a ruling virtue. No seat could be more suggestive of love and idleness than a sofa of 1750, nor could any furniture display more florid magnificence than some of the commodes Charles Cressent loaded with ormolu decoration, or some of Philippe Caffieri's elaborate bureaux. In fact, we may sum the matter up by admitting that such works, in spite of the incomparable beauty of the chasing, evoke a financier rolling in wealth rather than a gentleman of noble race. If we consider form alone, we may think the inexhaustible caprices of Rococo wearisome, and its horror of straight lines and symmetry exaggerated. We may legitimately dislike its perpetual convexities and undulations, which sometimes degenerate into very disagreeable excrescences. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"Over two hundred and fifty masterpieces from one of the most magnificent eras in the decorative arts are featured in this book, ranging from the splendors of courtly art under Louis XIV to the dazzling creations inspired first by Madame de Pompadour under Louis XV and then by Queen Marie-Antoinette under Louis XVI. A broad perspective on interior decoration, luxury goods, and the art market is offered through lavish furniture by the likes of André-Charles Boulle and Charles Cressent durine, the Régence, through extravagant dinner services, and through the magnificent porcelain and tapestries produced by the royal manufactories, constituting a 'moment of perfection in French art' that lasted until the Revolution. The Louvre's new rooms devoted to seventeenth- and eighteenth-century decorative arts opened in May 2014. Some two thousand items are displayed in nearly twenty thousand square feet of exhibition space, representing one of the world's finest collections of furnishings and objets d'art from the reign of Louis XIV, through that of Louis XVI. The new galleries are organized chronologically and are punctuated by spectacular period rooms that recreate the magnificent wood-paneled interiors of lavish residences and princely palaces in eighteenth-century Paris. These reconstitutions of a bygone period provide the setting for truly remarkable objets d'art from the Louvre's Department or Decorative Arts--now placed in their original intellectual and material context, these items recreate a vanished atmosphere and reveal their full meaning as well as their full beauty."--Page [4] of cover.

Excerpt from French Furniture Under Louis XIV The Louis XIV style is one that chance has endowed with a splendid name, Louis Ouatorze. . . . Those sonorous, sumptuous syllables, as rich as the gold of the Gallery of Mirrors at Versailles, are they not in themselves completely expressive ? If the Louis XV style was to express a whole society of voluptuous refinement, the Louis XIV style is verily the style of the King. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.