The Louvre Murder Club

The Louvre Murder Club investigates and interprets a choice of some thirty artworks by applying the principles of criminology and art history for a unique "criminartistic" analysis. All come from very different styles and periods. But all – from ancient Greek amphorae to nineteenth-century French paintings, from canvases by Rubens to those by Delacroix, David or Ingres – have one thing in common : they depict mythological or historical murders, their protagonists and their stories. Each work will be treated as a crime scene and will lead to a fascinating investigation inspired by the principles of legal and forensic teams. Into what category does the murder fall ? What are the factual and historical issues ? Who are the victims ? What portrait can be drawn of the guilty ? What is their profile, their background, their motive ? Bringing the truth to light will depend on the unexpected answers given to these questions.

Welcome to the Louvre, a universe where on canvas, in marble or clay – in every nook of the museum – murder is present... The Louvre Murder Club investigates and interprets a choice of some thirty artworks by applying the principles of criminology and art history for a unique "criminartistic' analysis. All come from very different styles and periods. But all – from ancient Greek amphorae to nineteenth-century French paintings, from canvases by Rubens to those by Delacroix, David or Ingres – have one thing in common: they depict mythological or historical murders, their protagonists and their stories. Each work will be treated as a crime scene and will lead to a fascinating investigation inspired by the principles of legal and forensic teams. Into what category does the murder fall? What are the factual and historical issues? Who are the victims? What portrait can be drawn of the guilty? What is their profile, their background, their motive? Bringing the truth to light will depend on the unexpected answers given to these questions.

Welcome to the Orsay, a former train station turned into a sumptuous museum. It is from here that Christos Markogiannakis invites you to embark on a very special journey–;a journey through history and mythology, crossing paths with mass murderers, stalkers, cursed families, cannibals and serial killers. Murder is present on every floor, in every corner, exposing itself through numerous masterpieces as a gruesome form of art! Applying the principles of criminology and art history, The Orsay Murder Club investigates and interprets a choice of some 30 works of art through a "criminartistic' lens. Created by prestigious artists such as Moreau, Cézanne, Carpeaux and Rodin, they all have a thing in common: they represent murder. Each work will be treated as a crime scene and will lead to a fascinating investigation inspired by the principles of legal and forensic experts. Into what category does the murder fall? What are the factual and historical issues? Who are the victims? What portrait can be drawn of the perpetrator(s)? What is their profile, their background, their motive? Reaching our final destination–;the truth–;will depend on the often unexpected answers found for these questions.

(new editor)A lovely morning in the Louvre... What could possibly go wrong? For Ava Sext, a transplanted Londoner who sells books from an outdoor stand that overlooks the Seine River, a visit to the Louvre ends with the murder of an artist who left her a clue to his death before he died. With the help of her fellow bookseller, Henri DeAth, a former notary in a country where notaries are a powerful caste who not only know where the bodies are buried but probably helped bury them, Ava investigates a group of artists and discovers the existence of a mythical painting that someone is willing to kill for and that includes killing her. Death on the Louvre is a cozy mystery set in Paris, a city where food, crime and wine make life worth living... along with a few books and Mercury, the cat.

Paris, 1899. Abigail Wilson has received an invitation from Professor Alphonse Flamand, a prominent French Professor of Archaeology, to join him on a dig in Egypt. Overjoyed to be presented with such an opportunity, Abigail and her husband, Daniel, travel to Paris to meet the Professor at his office in the Louvre to discuss plans. However, when Abigail goes to the appointment, she finds Flamand dead with a knife in his chest. In a whirl of confusion and despite her pleas of innocence, Abigail is arrested. Determined to prove that she has been framed for Flamand's brutal murder, Daniel and Abigail, the Museum Detectives, will delve far into the shadowy corners of the City of Light for the truth.

A medical missionary in post-WWII Paris is out to solve the murder of a nightclub singer in this 1955 mystery by the author of The Devil in the Bush. Paris at the height of its post-War chic is a far cry from the African backwaters that Hoop Taliaferro has been calling home. But with his American charm and American dollars, he fits in anywhere. He especially fits in at the Flea Club, a naughty nightclub for people who have pretty tame ideas of naughty. The real draw is Nicole, a third-rate chanteuse singing sad songs for the bored expats holding up the bar. When someone silences the music, it falls to Hoop to put things right. Sleuthing’s not really Hoop’s line. He runs more to clever quips and nicely ironed khakis. But he is saved, once again, by the timely arrival of the redoubtable Dr. Mary Finney. Stomping through the City of Light in her sensible shoes, Mary is everything Nicole wasn’t—including one step ahead of her killer.

ONE OF PEOPLE MAGAZINE'S BEST BOOKS OF SUMMER! "Unstoppable what-happens-next momentum."—Michael Connelly, #1 New York Times bestselling author "A deliciously tense read."—Ruth Ware, #1 New York Times bestselling author From award-winning crime writer and celebrated artist Jonathan Santlofer comes an enthralling tale about the 1911 theft of the Mona Lisa from the Louvre, the forgeries that appeared in its wake, and the present-day underbelly of the art world. August, 1911: The Mona Lisa is stolen by Vincent Peruggia. Exactly what happens in the two years before its recovery is a mystery. Many replicas of the Mona Lisa exist, and more than one historian has wondered if the painting now returned to the Louvre is a fake, switched in 1911. Present day: Art professor Luke Perrone digs for the truth behind his most famous ancestor: Peruggia. His search attracts an Interpol detective with something to prove and an unfamiliar but curiously helpful woman. Soon, Luke tumbles deep into the world of art and forgery, a land of obsession and danger. The Last Mona Lisa is a suspenseful and seductive tale, perfect for fans of the Netflix documentaries This Is A Robbery and Made You Look and readers obsessed with the world of art heists and forgeries.

What happens when you mix a Parisian street orphan, a hot-tempered Spanish forger, a beautiful American pickpocket, an unloved wife, and one priceless painting? Charming Eduardo de Valfierno leads a comfortable life in Argentina, skillfully duping the nouveau riche with his unique brand of fraud. He offers them theft of priceless art, delivering instead impeccable forgeries. When an unexpected encounter with the enchanting Mrs. Hart pushes him into unfamiliar territory, he returns to the city he once loved but had to abandon–Paris. There, he must assemble his team for their greatest and most audacious heist yet: the Mona Lisa. This riveting narrative takes you deep into the heart of early 20th century Paris, its art world, and the legendary Louvre Museum. As the plot thickens with a team member disappearing and Mr. Hart's shadow looming in Paris, the crew must navigate unforeseen challenges and their own vulnerabilities to stay ahead. Inspired by the real-life theft of the Mona Lisa in 1911, Stealing Mona Lisa captures the imagination with a blend of historical truth, mystery, and heart-stopping suspense that will leave you guessing till the very end.