The Long Afterlife Of Nikkei Wartime Incarceration

The Long Afterlife of Nikkei Wartime Incarceration reexamines the history of imprisonment of U.S. and Canadian citizens of Japanese descent during World War II. Karen M. Inouye explores how historical events can linger in individual and collective memory and then crystallize in powerful moments of political engagement. Drawing on interviews and untapped archival materials—regarding politicians Norman Mineta and Warren Furutani, sociologist Tamotsu Shibutani, and Canadian activists Art Miki and Mary Kitagawa, among others—Inouye considers the experiences of former wartime prisoners and their on-going involvement in large-scale educational and legislative efforts. While many consider wartime imprisonment an isolated historical moment, Inouye shows how imprisonment and the suspension of rights have continued to impact political discourse and public policies in both the United States and Canada long after their supposed political and legal reversal. In particular, she attends to how activist groups can use the persistence of memory to engage empathetically with people across often profound cultural and political divides. This book addresses the mechanisms by which injustice can transform both its victims and its perpetrators, detailing the dangers of suspending rights during times of crisis as well as the opportunities for more empathetic agency.

An anthology of poetry on Nikkei incarceration, written by descendants of the WWII prisons and camps A tribute to the 150,000 people harmed by the United States and Canada during WWII, this anthology is the first of its kind. Its poets express a range of experiences and perspectives from the afterlife of this historical yet enduring injustice through poetry. With a foreword by acclaimed poet, activist, and concentration camp survivor, Mitsuye Yamada, and an introduction by the editors, Brynn Saito and Brandon Shimoda, Descendants explores intergenerational trauma as the contributors, all descendants themselves, sift through an intimate record of wartime incarceration. Contributors to this anthology include poets of Japanese American, Japanese Canadian, Okinawan American, Okinawan Canadian, Japanese Hawaiian, Alaska Native/Tlingit, mixed race Nikkei, and Japanese descent. These poems inhabit and retell the story of incarceration and its many legacies, through a diversity of modes and themes, creating a kaleidoscopic whole exploring anti-Asian racism, assimilation, loyalty, resistance, and redemption. The anthology illuminates individual perspectives and reveals collective experience. It insists upon the imperative of poetry in the processes of solidarity and transgenerational healing.

An anthology of poetry on Nikkei incarceration, written by descendants of the WWII prisons and camps A tribute to the 150,000 people harmed by the United States and Canada during WWII, this anthology is the first of its kind. Its poets express a range of experiences and perspectives from the afterlife of this historical yet enduring injustice through poetry. With a foreword by acclaimed poet, activist, and concentration camp survivor, Mitsuye Yamada, and an introduction by the editors, Brynn Saito and Brandon Shimoda, Descendants explores intergenerational trauma as the contributors, all descendants themselves, sift through an intimate record of wartime incarceration. Contributors to this anthology include poets of Japanese American, Japanese Canadian, Okinawan American, Okinawan Canadian, Japanese Hawaiian, Alaska Native/Tlingit, mixed race Nikkei, and Japanese descent. These poems inhabit and retell the story of incarceration and its many legacies, through a diversity of modes and themes, creating a kaleidoscopic whole exploring anti-Asian racism, assimilation, loyalty, resistance, and redemption. The anthology illuminates individual perspectives and reveals collective experience. It insists upon the imperative of poetry in the processes of solidarity and transgenerational healing.

Three voices. Three acts of defiance. One mass injustice. The story of camp as you’ve never seen it before. Japanese Americans complied when evicted from their homes in World War II -- but many refused to submit to imprisonment in American concentration camps without a fight. In this groundbreaking graphic novel, meet JIM AKUTSU, the inspiration for John Okada’s No-No Boy, who refuses to be drafted from the camp at Minidoka when classified as a non-citizen, an enemy alien; HIROSHI KASHIWAGI, who resists government pressure to sign a loyalty oath at Tule Lake, but yields to family pressure to renounce his U.S. citizenship; and MITSUYE ENDO, a reluctant recruit to a lawsuit contesting her imprisonment, who refuses a chance to leave the camp at Topaz so that her case could reach the U.S. Supreme Court. Based upon painstaking research, We Hereby Refuse presents an original vision of America’s past with disturbing links to the American present.

Wars are fought on the home front as well as the battlefront. Spouses, family, friends, and communities are called upon to sacrifice and persevere in the face of a changed reality. Hoosiers on the Home Front explores the lives and experiences of ordinary Hoosiers from around Indiana who were left to fight at home during wartimes. Drawn from the rich holdings of the Indiana Magazine of History, a journal of state and midwestern history published since 1905, this collection includes original diaries, letters and memoirs, and research essays—all focused on Hoosiers on the home front of the Civil War through the Vietnam War. Readers will meet, among others, Joshua Jones of the 19th Indiana Volunteer Regiment and his wife, Celia; Attia Porter, a young resident of Corydon, Indiana, writing to her cousin about Morgan's Raid; Civil War and World War I veterans who came into conflict over the Indianapolis 500 and Memorial Day observances; Virginia Mayberry, a wife and mother on the World War II home front; and university students and professors—including antiwar activist Howard Zinn and conservative writer R. Emmett Tyrrell Jr.—clashing over the Vietnam War. Hoosiers on the Home Front offers a compelling glimpse of how war impacts everyone, even those who never saw the front line.

At last a history of Australia in its dynamic global context. In the late nineteenth and early twentieth centuries, in response to the mobilisation and mobility of colonial and coloured peoples around the world, self-styled 'white men's countries' in South Africa, North America and Australasia worked in solidarity to exclude those peoples they defined as not-white--including Africans, Chinese, Indians, Japanese and Pacific Islanders. Their policies provoked in turn a long international struggle for racial equality. Through a rich cast of characters that includes Alfred Deakin, WEB Du Bois, Mahatma Gandhi, Lowe Kong Meng, Tokutomi Soho, Jan Smuts and Theodore Roosevelt, leading Australian historians Marilyn Lake and Henry Reynolds tell a gripping story about the circulation of emotions and ideas, books and people in which Australia emerged as a pace-setter in the modern global politics of whiteness. The legacy of the White Australia policy still cases a shadow over relations with the peoples of Africa and Asia, but campaigns for racial equality have created new possibilities for a more just future. Remarkable for the breadth of its research and its engaging narrative, Drawing the Global Colour Line offers a new perspective on the history of human rights and provides compelling and original insight into the international political movements that shaped the twentieth century.

Rescuing the Crimean War from the shadows, Lara Kriegel demonstrates the centrality of a Victorian war to the making of modern Britain.

Transposed Memory explores the visual culture of national recollection in modern and contemporary East Asia by emphasizing memories that are under the continuous process of construction, reinforcement, alteration, resistance, and contestation. Expanding the discussion of memory into visual culture by exploring various visual sites of recollection, and the diverse ways commemoration is represented in visual, cultural, and material forms, this book produces cross-cultural and interdisciplinary conversations on memory and site by bringing together international scholars from the fields of art history, history, architecture, and theater and dance, examining intercultural relationships in East Asia through geopolitical conditions and visual culture. With contributions of Rika Iezumi Hiro, Ruo Jia, Burglind Jungmann, Hong Kal, Stephen McDowall, Alison J. Miller, Jessica Nakamura, Eunyoung Park, Travis Seifman, and Linh D. Vu.

The civil rights revolutions of the 1950s and 1960s transformed the literature on Reconstruction in America by emphasizing the social history of emancipation and the hopefulness that reunification would bring equality. Much of this revisionist work served to counter and correct the racist and pro-Confederate accounts of Reconstruction written in the early twentieth century. While there have been modern scholarly revisions of individual states, most are decades old, and Michael W. Fitzgerald’s Reconstruction in Alabama is the first comprehensive reinterpretation of that state’s history in over a century. Fitzgerald’s work not only revises the existing troubling histories of the era, it also offers a compelling and innovative new look at the process of rebuilding Alabama following the war. Attending to an array of issues largely ignored until now, Fitzgerald’s history begins by analyzing the differences over slavery, secession, and war that divided Alabama’s whites, mostly along the lines of region and class. He examines the economic and political implications of defeat, focusing particularly on how freed slaves and their former masters mediated the postwar landscape. For a time, he suggests, whites and freedpeople coexisted mostly peaceably in some parts of the state under the Reconstruction government, as a recovering cotton economy bathed the plantation belt in profit. Later, when charting the rise and fall of the Republican Party, Fitzgerald shows that Alabama's new Republican government implemented an ambitious program of railroad subsidy, characterized by substantial corruption that eventually bankrupted the state and helped end Republican rule. He shows, however, that the state’s freedpeople and their preferred leaders were not the major players in this arena: they had other issues that mattered to them far more, like public education, civil rights, voting rights, and resisting the Klan’s terrorist violence. After Reconstruction ended, Fitzgerald suggests that white collective memory of the era fixated on black voting, big government, high taxes, and corruption, all of which buttressed the Jim Crow order in the state. This misguided understanding of the past encouraged Alabama's intransigence during the later civil rights era. Despite the power of faulty interpretations that united segregationists, Fitzgerald demonstrates that it was class and regional divisions over economic policy, as much as racial tension, that shaped the complex reality of Reconstruction in Alabama.

Diversity in the United States: A Cultural History of the Past Century is a cultural history of diversity in the United States over the past 100 years. Diversity—defined here as Americans of different racial, ethnic, and religious backgrounds—is currently very much in the national conversation. The book explores diversity in a historical context, bringing a much-needed perspective on what is a passionate theme in contemporary American society. Told chronologically and divided into five 20-year eras, the book sheds new light on the important role that diversity has played in our national identity. The subject is parsed through the voices of intellectuals and journalists who have weighed in on its many different dimensions. The primary argument of the work is that the concept of diversity has functioned as a key site of both congruence and division in the United States for the past 100 years, providing a sense of who we are as a people while at the same time exposing inequities based on race, ethnicity, and religion. Both an academic audience and the many readers of nonfiction will find the book to be a valuable and insightful resource.