The Loner Girl In London

The Loner Girl in London is volume 4 of the series On Being, a self-referential, metaphysical case history where the author J. Guzmán psychoanalyzes her own consciousness throughout Time, uses tools like astrology to facilitate the investigation, and documents the entire process. On Being is a life-long, narrative, archival data set of her life in the form of diaries, whose purpose is to assist astrologers and other researchers in the detailed demonstration of how their respective theories, methods, techniques, and practices function in a real life. In volume 4, the protagonist Ana, who is the author J., travels to London to study abroad and travels solo around Europe for three months after she finishes school. Her experiences could be categorized archetypally into the energy of Neptune squaring her natal Mars, a transit lasting for the entirety of her travels. Her struggles involve persistent and intense anxiety and lethargy, a lack of appropriate boundaries regarding sex, a self-sabotaging overindulgence in alcohol and sugar, an emphasis on stream of consciousness poetry, and an overwhelming confusion and lack of clarity regarding her ambitions and the point of her life.

The Loner Girl en Sudamérica is volume 6 – and the first bilingual book – in the series On Being, a psychological, self-referential, metaphysical, astrological, diary case history. OB is a first-person, self-reflective narrative serving as a qualitative, longitudinal research project investigating what it means to be, using tools like astrology to explore human consciousness. Volume 6 documents the protagonist Ana’s year 2014, when she travels to South America and learns Spanish as a 23-year-old, visitando varias ciudades en Uruguay, Argentina y Chile, y conociendo a la gente y las culturas diversas mientras luchaba con aprender el idioma. As On Being is the written evolution of Ana’s consciousness throughout time in the form of personal, intimate diaries, and she was immersed in the Spanish language for the entire year of 2014, it follows that she would begin writing in Spanish. Thus this book is full of code-switching and linguistic experimentation that mixes English and Spanish. If you don’t speak Spanish and/or have no interest in reading/learning it, ¡este libro no es para vos!

Both devastating and funny, The Lonely Londoners is an unforgettable account of immigrant experience - and one of the great twentieth-century London novels At Waterloo Station, hopeful new arrivals from the West Indies step off the boat train, ready to start afresh in 1950s London. There, homesick Moses Aloetta, who has already lived in the city for years, meets Henry 'Sir Galahad' Oliver and shows him the ropes. In this strange, cold and foggy city where the natives can be less than friendly at the sight of a black face, has Galahad met his Waterloo? But the irrepressible newcomer cannot be cast down. He and all the other lonely new Londoners - from shiftless Cap to Tolroy, whose family has descended on him from Jamaica - must try to create a new life for themselves. As pessimistic 'old veteran' Moses watches their attempts, they gradually learn to survive and come to love the heady excitements of London. This Penguin Modern Classics edition includes an introduction by Susheila Nasta. 'His Lonely Londoners has acquired a classics status since it appeared in 1956 as the definitive novel about London's West Indians' Financial Times 'The unforgettable picaresque ... a vernacular comedy of pathos' Guardian

Faso, ¿tenés? is volume 7 of the series On Being, and the second bilingual book of the series. It spans year two of the protagonist Ana’s adventures in South America and her trip back home to the States. On Being is a psychological, metaphysical, self-referential, astrological, diary case history, serving as a qualitative, longitudinal research project investigating what it means to be. Basically, I, J. Guzmán (as the protagonist Ana) psychoanalyze myself throughout Time, document meticulously everything that happens to me and how I feel about it, and connect it to astrological theories and timing techniques. If astrology truly works, if it can be considered a legitimate system with rules and internal coherence, you’d have to see it working in relation to somebody’s real-life, autobiographical narrative. I named this volume Faso, ¿tenés? porque por el año entero estaba buscando faso, y la mayoría del tiempo solo pude encontrar el paraguayo de mierda que me daba un dolor de cabeza. Más que una persona me dijo que la gente hace pis en las plantas en la creación del paraguayo, e incluso agregan cosas aún peores. I was so immersed in that almost-drug-addiction vibe, where all you can think about is how much you want to smoke. I wouldn’t necessarily consider an addiction to marijuana a legitimate addiction, at least in my own case, sino un deseo fuerte de fumar, una fijación intensa. ¡Quería quemar tanto! Quería estar volada para poder analizar mi conciencia de forma diferente, pero es re difícil encontrar flores reales en sudamérica, a menos que conozcas a las personas correctas. It was all I could think about. ¡Ya! Eso es todo. Now you can open the book.

London will do for you for now... And I will do for London. London, 1956. Newly arrived from Trinidad, Henry 'Sir Galahad' Oliver is impatient to start his new life. Carrying just pyjamas and a toothbrush, he bursts through Moses Aloetta's door only to find Moses and his friends already deflated by city life. Will the London fog dampen Galahad's dreams? Or will these Lonely Londoners make a home in a city that sees them as a threat? In the first stage adaptation of Sam Selvon's iconic novel about the Windrush Generation, Roy Williams sweeps us back in time to shine a new light on London, friendship, and what we call home. This edition of The Lonely Londoners is published to coincide with the world premiere at London's Jermyn Street Theatre in February 2024.

First published serially in the Yiddish daily newspaper di Varhayt in 1916–18, Diary of a Lonely Girl, or The Battle against Free Love is a novel of intimate feelings and scandalous behaviors, shot through with a dark humor. From the perch of a diarist writing in first person about her own love life, Miriam Karpilove’s novel offers a snarky, melodramatic criticism of radical leftist immigrant youth culture in early twentieth-century New York City. Squeezed between men who use their freethinking ideals to pressure her to be sexually available and nosy landladies who require her to maintain her respectability, the narrator expresses frustration at her vulnerable circumstances with wry irreverence. The novel boldly explores issues of consent, body autonomy, women’s empowerment and disempowerment around sexuality, courtship, and politics. Karpilove immigrated to the United States from a small town near Minsk in 1905 and went on to become one of the most prolific and widely published women writers of prose in Yiddish. Kirzane’s skillful translation gives English readers long-overdue access to Karpilove’s original and provocative voice.

Moonbeam Children's Book Awards - Silver Medal Winner Nautilus Silver Book Award Winner Purple Dragonfly Book Awards - First Place "Never be ashamed of being different: it is this difference that makes you extraordinary and unique." This essential go-to guide gives you all the advice and tools you'll need to help you flourish and achieve what you want in life. From the answers to everyday questions such as 'Am I using appropriate body language?' and 'Did I say the wrong thing?', through to discussing the importance of understanding your emotions, looking after your physical and mental health and coping with anxiety and sensory overloads, award-winning neurodiversity campaigner Siena Castellon uses her own experiences to provide you with the skills to overcome any challenge. With practical tips on friendships, dating, body image, consent and appearance, as well as how to survive school and bullying, The Spectrum Girl's Survival Guide gives you the power to embrace who you are, reminding you that even during the toughest of teen moments, you are never alone.

There is something weird and eerie going on in the oneiric Iranian ghost-town Bad City. A mysterious female vampire, clad in a long-black veil, imbued with occult and erotic power, has newly arrived in town and is summarily dispensing with its unsavory characters. Through a chance encounter in a night of luminal darkness, an eternally dark romance begins – baptized in love’s blood. Shot in dazzling anamorphic black and white cinematography and accompanied with an intoxicating and mesmeric soundtrack, Ana Lily Amirpour’s debut feature film A Girl Walks Home Alone At Night (2014), was an instant popular and critical success. Dubbed ‘the first Iranian vampire western’ the genre-bending film is a pastiche of genres such as vampire cinema, gothic and horror films, spaghetti westerns, graphic novels, and Iranian cinema; yet the film stands as a new vampire fairy-tale with a unique style all its own. The first full-length study dedicated to the film since its release, this book in the Devil’s Advocate series provides a unique approach to the film situated within three theoretical coordinates: the vampire genre, psychoanalytic (film) theory and German Idealism.