The Lonely Trail And Other Stories

This is a collection of short stories by American author B. M. Bower. Bertha Muzzy Sinclair or Sinclair-Cowan (1871 - 1940), more commonly known as B. M. Bower, was an American author famous for her novels, short stories, and screenplays set in the American Old West. Other notable works by this author include: "Casey Ryan", (1921), "The Long Loop" (1931), and "Chip of the Flying U" (1906). Contents include: "A History of Western Fiction", "B. M. Bower", "The Lonesome Trail", "First Aid to Cupid", "When the Cook Fell Ill", "The Lamb", "The Spirit of the Range", "The Reveler", and "The Unheavenly Twins". This volume is highly recommended for all lovers of Western literature and constitutes a must-have for fans of Bower's wonderful work. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction and biography of the author.

For half a century, beginning in the early 1960s, Vaughn Short walked, horse-packed, and floated the canyons and mesas of the Southwest. Along the way, stories and poems grew in his mind. Around evening campfires, he shared these pearls with those lucky enough to be in his company. Vaughn Short was our Robert Service, the Poet Lauriat of canyon country. Although Vaughn has moved on, his books of poetry connect us to an earlier time before passage through these areas became common.

A man is very much like a horse. Once thoroughly frightened by something he meets on the road he will invariably shy at the same place afterwards until a wisely firm master leads him perforce to the spot and proves beyond all doubt that the danger is of his own imagining; after which he will throw up his head and deny that he ever was afraid and be quite amusingly sincere in the denial.

Bertha Muzzy Born Bertha Muzzy in Otter Tail County, Minnesota, to Washington Muzzy and Eunice Miner Muzzy, Bower moved with her family to a dryland homestead near Great Falls, Montana, in 1889. That fall, just before her eighteenth birthday, she began teaching school in nearby Milligan Valley. The school was a small, hastily converted log outbuilding, and she taught twelve pupils. Her experiences as a teacher informed the characters of schoolma'ams who appear frequently in her in the writings, notably in The North Wind Do Blow (1937), in which a young, eastern-born schoolma'am teaches her first term in central Montana. After one term as a schoolteacher, Bower returned to her family's homesteaOn December 21, 1890, Bower shocked her family by eloping with her first husband, Clayton J. Bower. Their marriage was unhappy. The newlyweds lived first with the Muzzy family, moving later to Great Falls and then to Big Sandy, Montana, in 1898. Her experiences in Big Sandy gave her intimate knowledge of cowboy life on the open range. Bower gave birth to three children during her marriage to Clayton: Bertha Grace in 1891, Harold Clayton in 1893, and Roy Noel in 1896. Eventually, Clayton moved the family to a lonely hayfield cabin, which Bower nicknamed "Bleak Cabin," about a mile out of Big Sandy. To help with rent, the Bowers accepted a boarder named Bill Sinclair. Sinclair, aged twenty-two, was nine years younger than Bower, but nevertheless a partnership began between them. Bower lent books to Sinclair and tutored him in writing while he helped her understand the finer points of cowpunching and critiqued the Western

A masterful collection of short stories exposing the seamy undercurrents of small-town American life from Charles Jackson, celebrated author of The Lost Weekend. A selection of Jackson’s finest tales, The Sunnier Side and Other Stories explores the trials of adolescence in America during the tumultuous years of the early twentieth century. Set in the town of Arcadia in upstate New York, the stories in this collection address the unspoken issues—homosexuality, masturbation, alcoholism, to name a few—lurking just beneath the surface of the small-town ideal. The Sunnier Side showcases Jackson at the height of his storytelling powers, reaffirming his reputation as a boundary-pushing, irreverent writer years ahead of his time.

Description and travel, history, hunting stories, homes and haunts.

A collection of Western short stories by Owen Wister. THE JIMMYJOHN BOSS (excerpt) One day at Nampa, which is in Idaho, a ruddy old massive jovial man stood by the Silver City stage, patting his beard with his left hand, and with his right the shoulder of a boy who stood beside him. He had come with the boy on the branch train from Boise, because he was a careful German and liked to say everything twice-twice at least when it was a matter of business. This was a matter of very particular business, and the German had repeated himself for nineteen miles. Presently the east-bound on the main line would arrive from Portland; then the Silver City stage would take the boy south on his new mission, and the man would journey by the branch train back to Boise. From Boise no one could say where he might not go, west or east. He was a great and pervasive cattle man in Oregon, California, and other places. Vogel and Lex-even to-day you may hear the two ranch partners spoken of...

The Colorado River Plateau is home to two of the best-known landscapes in the world: Rainbow Bridge in southern Utah and Monument Valley on the Utah-Arizona border. Twentieth-century popular culture made these places icons of the American West, and advertising continues to exploit their significance today. In Rainbow Bridge to Monument Valley, Thomas J. Harvey artfully tells how Navajos and Anglo-Americans created fabrics of meaning out of this stunning desert landscape, space that western novelist Zane Grey called “the storehouse of unlived years,” where a rugged, more authentic life beckoned. Harvey explores the different ways in which the two societies imbued the landscape with deep cultural significance. Navajos long ago incorporated Rainbow Bridge into the complex origin story that embodies their religion and worldview. In the early 1900s, archaeologists crossed paths with Grey in the Rainbow Bridge area. Grey, credited with making the modern western novel popular, sought freedom from the contemporary world and reimagined the landscape for his own purposes. In the process, Harvey shows, Grey erased most of the Navajo inhabitants. This view of the landscape culminated in filmmaker John Ford’s use of Monument Valley as the setting for his epic mid-twentieth-century Westerns. Harvey extends the story into the late twentieth century when environmentalists sought to set aside Rainbow Bridge as a symbolic remnant of nature untainted by modernization. Tourists continue to flock to Monument Valley and Rainbow Bridge, as they have for a century, but the landscapes are most familiar today because of their appearances in advertising. Monument Valley has been used to sell perfume, beer, and sport utility vehicles. Encompassing the history of the Navajo, archaeology, literature, film, environmentalism, and tourism, Rainbow Bridge to Monument Valley explores how these rock formations, Navajo sacred spaces still, have become embedded in the modern identity of the American West—and of the nation itself.