The Pathetic and Interesting History of George Barnwell, the London 'prentice

The Pathetic and Interesting History of George Barnwell, the London 'prentice
Author: Sarah Scudgell Wilkinson
Publisher:
Total Pages: 42
Release: 1804
Genre: Apprentices
ISBN:


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An abridgement by Sarah Wilkinson of T.S. Surr's novel, George Barnwell (1798), which was based on George Lillo's play, The London Merchant (1731), which was based on the old ballad of George Barnwell (early 17th century).

An Account of the Melancholy Wreck of the Rothsay Castle Steam Packet, on Dutchman's Bank, Near Puffin Island, North Wales, on Wednesday Night, August 17th, 1831 (on Her Passage from Liverpool, to Beaumaris and Bangor) Also, Narratives from the Verbal Statements of Two of the Survivors and Authentic Particulars of this Dreadful Catastrophe, as Far as They Have Been Ascertained

An Account of the Melancholy Wreck of the Rothsay Castle Steam Packet, on Dutchman's Bank, Near Puffin Island, North Wales, on Wednesday Night, August 17th, 1831 (on Her Passage from Liverpool, to Beaumaris and Bangor) Also, Narratives from the Verbal Statements of Two of the Survivors and Authentic Particulars of this Dreadful Catastrophe, as Far as They Have Been Ascertained
Author:
Publisher:
Total Pages: 328
Release: 1831
Genre:
ISBN:


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Transformations of a Genre

Transformations of a Genre
Author: Ralph Cohen
Publisher: Springer Nature
Total Pages: 263
Release: 2022-01-02
Genre: Literary Criticism
ISBN: 3030896684


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The aim of this book is to orchestrate “a generic reconstitution of literary studies” based on a comprehensive theory of genre and generic transformation. Taking “An Excellent Ballad of George Barnwel,” a seventeenth-century broadside of sex and greed, Ralph Cohen analyzes the generic transformations—including Addison’s ballad criticism in The Spectator, The London Merchant, Percy’s ballad editing in Reliques, and Barnwell. A Novel—in which this particular ballad exhibits remarkable continuity over the next four centuries, culminating with his personal re-formation; what was considered non-literary criticism becomes literary. This unique literary history reconceives narrative as a component of genre rather than a genre itself, demonstrates the ineluctably mixed nature of genres and the literary nature of our humanness, and analyzes the shifting generic contexts for interpretation and gender relations. Incorporating theory consciousness into the literary genre he is regenerating, Cohen offers a brilliant example of how future literary histories might be written.