The Little Book Of Vargas

This pocket-sized collection of leggy lovelies assembles the most popular wartime pin-ups from WWII's favorite artist, Alberto Vargas. These vintage images, rendered delicately in watercolor and airbrush, depict elegantly dressed, semi-nude to naked beauties--the ladies that inspired and comforted American men far from home.

Beloved former ABC 20/20 anchor Elizabeth Vargas reveals her alcohol addiction and anxiety disorder in a shockingly honest and emotional memoir. Winner of the Books for a Better Life Award in the First Book category Instant New York Times and USA Today Bestseller From the moment she uttered the brave and honest words, "I am an alcoholic," to interviewer George Stephanopoulos, Elizabeth Vargas began writing her story, as her experiences were still raw. Now, in BETWEEN BREATHS, Vargas discusses her accounts of growing up with anxiety--which began suddenly at the age of six when her father served in Vietnam--and how she dealt with this anxiety as she came of age, eventually turning to alcohol for a release from her painful reality. The now-A&E Network reporter reveals how she found herself living in denial about the extent of her addiction, and how she kept her dependency a secret for so long. She addresses her time in rehab, her first year of sobriety, and the guilt she felt as a working mother who could never find the right balance between a career and parenting. Honest and hopeful, BETWEEN BREATHS is an inspiring read.

The pin-up girls painted in the 1940s and 1950s by Alberto Vargas are fiercely fought over by collectors. This work features a collection of Vargas paintings and drawings. It has the famous 'Varga Girls' from Playboy, as well as early works from the 1920s, watercolours rendered for Esquire, the legacy nudes, and more.

This book examines the life, times, and legacy of Getúlio Vargas, Brazil's dictator and president during most of the period from 1930 to 1954. Levine's chief concern is how Vargas' legacy influenced Brazil, and to what extent his social legislation affected people's lives. Vargas ignored individual rights, working for state-regulated citizenship without disharmony, without the right to dissent. His revolution was partial; one in which new constituencies and rules were grafted onto traditional political practices. Vargas devoted as much effort to manipulating workers as he did to benefiting them. By the end of his long tenure in power, some things had hardly changed at all: the readiness of the armed forces to intervene; the elite's tenacious hold on privilege; and the historical predominance of the Center-South. Brazil's distribution of income remained among the least equable in the world, but Vargas did not perceive this as a problem that needed to be solved. That Vargas promised much and delivered little did not diminish the adulation that Brazilians held for him. Ordinary people would shrug and say 'O presidente sempre lembrou da gente' ('The President always thought about us').

WINNER OF THE NOBEL PRIZE IN LITERATURE A landmark collection of essays on the Nobel laureate’s conception of Latin America, past, present, and future Throughout his career, the Nobel Prize winner Mario Vargas Llosa has grappled with the concept of Latin America on a global stage. Examining liberal claims and searching for cohesion, he continuously weighs the reality of the continent against the image it projects, and considers the political dangers and possibilities that face this diverse set of countries. Now this illuminating and versatile collection assembles these never-before-translated criticisms and meditations. Reflecting the intellectual development of the writer himself, these essays distill the great events of Latin America’s recent history, analyze political groups like FARC and Sendero Luminoso, and evaluate the legacies of infamous leaders such as Papa Doc Duvalier and Fidel Castro. Arranged by theme, they trace Vargas Llosa’s unwavering demand for freedom, his embrace of and disenchantment with revolutions, and his critique of nationalism, populism, indigenism, and corruption. From the discovery of liberal ideas to a defense of democracy, buoyed by a passionate invocation of Latin American literature and art, Sabers and Utopias is a monumental collection from one of our most important writers. Uncompromising and adamantly optimistic, these social and political essays are a paean to thoughtful engagement and a brave indictment of the discrimination and fear that can divide a society.

Mario Vargas Llosa condenses a lifetime of writing, reading, and thought into an essential manual for aspiring writers. Drawing on the stories and novels of writers from around the globe-Borges, Bierce, Céline, Cortázar, Faulkner, Kafka, Robbe-Grillet-he lays bare the inner workings of fiction, all the while urging young novelists not to lose touch with the elemental urge to create. Conversational, eloquent, and effortlessly erudite, this little book is destined to be read and re-read by young writers, old writers, would-be writers, and all those with a stake in the world of letters.

The true story of Guatemala’s political turmoil of the 1950s as only a master of fiction can tell it Guatemala, 1954. The military coup perpetrated by Carlos Castillo Armas and supported by the CIA topples the government of Jacobo Árbenz. Behind this violent act is a lie passed off as truth, which forever changes the development of Latin America: the accusation by the Eisenhower administration that Árbenz encouraged the spread of Soviet Communism in the Americas. Harsh Times is a story of international conspiracies and conflicting interests in the time of the Cold War, the echoes of which are still felt today. In this thrilling novel, Mario Vargas Llosa fuses reality with two fictions: that of the narrator, who freely re-creates characters and situations, and the one designed by those who would control the politics and the economy of a continent by manipulating its history. Harsh Times is a gripping, revealing novel that directly confronts recent history. No one is better suited to tell this riveting story than Vargas Llosa, and there is no form better for it than his deeply textured fiction. Not since The Feast of the Goat, his classic novel of the downfall of Trujillo’s regime in the Dominican Republic, has Vargas Llosa combined politics, characters, and suspense so unforgettably.

"A small mountain community in the French Alps is roused to terror when they awaken each morning to find yet another of their sheep with its throat torn out. One of the villagers thinks it might be a werewolf, and when she's found killed in the same manner, people begin to wonder if she might have been right. Suspicion falls on Massart, a loner living on the edge of town"--Publisher website (April 2007).

An apocalyptic prophet in the Brazilian backlands creates the state of Canudos. In it there is no money, property, marriage, income tax, decimal system, or census.

Set in Lima, the novel tells of a love story whose participants may be the fictional characters of Don Rigoberto. With his usual sly assurance, Vargas Llosa keeps the reader guessing which episodes are real and which issue from the Don's imagination; the resulting novel, an aggregate of reality and fantasy, is sexy, funny, disquieting, and unfailingly compelling.