The Literature Of Printing

A full-scale historical treatment of the advent of printing and its importance as an agent of change, first published in 1980.

The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race.

This classic work, first published as a Pelican Original in 1955 and maintained in successive editions until 1980 is now available in a finely illustrated larger format book, drawing on the collections and curatorial expertise of The British Library. It has been completely revised and brought up to date, covering topics such as censorship, best-sellers, the invention of lithography and the connection between printing and education. It is of particular use to anyone studying the huge technological changes that the printing industry has experienced during its long timespan.

In 'The Art and Craft of Printing' by William Morris, the author delves into the intricate processes and techniques involved in the printing industry. Morris explores the history of printing, from traditional methods to more modern advancements, highlighting the importance of craftsmanship and attention to detail. His writing style is elegant and informative, making this book a valuable resource for anyone interested in the art of printing within a literary context. The book serves as a bridge between the past and present, showcasing the timeless beauty of printed works. Morris's focus on quality and aesthetic appeal sets this book apart from others in the genre, making it a must-read for scholars and enthusiasts alike. As a leading figure in the Arts and Crafts movement, Morris's passion for craftsmanship and dedication to preserving traditional techniques shines through in this comprehensive and insightful exploration of the printing process. 'The Art and Craft of Printing' is a testament to Morris's expertise and love for the art form, making it an essential addition to any library.