The Literary Theme Of The Third Self In The Novels Of Miguel De Unamuno

"The Tragic Sense of Life," first published in 1912, was the most important philosophical work by Miguel de Unamuno and is now generally considered one of the great existential texts of the 20th century. In the book, Unamuno rejects the life of reason for one of intense passion, faith, and love, establishing Don Quixote as a great role model for the contemporary man.

The work of Miguel de Unamuno y Jugo, one of the most important writers of 20th-century Spain, has recently enjoyed a resurgence of interest within the English-speaking world. In contrast to previous studies of Unamuno's extensive literary corpus, which consider his work primarily from the philosophical points of view, Jurkevich challenges the hagiology which has traditionally dominated Unamuno scholarship with extensive psychoanalytic examination of the writer's life and work.

"Uncovering the Mind" is a ground-breaking revision of the intellectual context of the Spanish 20th Century philosopher and novelist Miguel de Unamuno and offers a psychoanalytic re-reading of some of his key literary works.

This book analyzes the social and contextual causes of suicide, the existential and philosophical reasons for committing suicide, and the prevention strategies that modern fictional literature places at our disposal. They go through the review of Modern fictional literature, in the American and European geographical framework, following the rationales that modern literature based on fiction can serve the purpose of understanding better the phenomenon of suicide, its most inaccessible impulses, and that has the potential to prevent suicide. From the turn of the 20th century to the present, debates over the meaning of suicide became a privileged site for efforts to discover the reasons why people commit suicide and how to prevent this behavior. Since the French sociologist and philosopher Émile Durkheim published his study Suicide: A Study in Sociology in 1897, a reframing of suicide took place, giving rise to a flourishing group of researchers and authors devoting their efforts to understand better the causes of suicide and to the formation of suicide prevention organizations. A century later, we still keep on trying to reach such an understanding of suicide, the nature, and nuances of its modern conceptualization, to prevent suicidal behaviors. The question of what suicide means in and for modernity is not an overcome one. Suicide is an act that touches all of our lives and engages with the incomprehensible and unsayable. Since the turn of the millennium, a fierce debate about the state’s role in assisted suicide has been adopted. Beyond the discussion as to whether physicians should assist in the suicide of patients with unbearable and hopeless suffering, the scope of the suicidal agency is much broader concerning general people wanting to die.

Camilo's religious sentiment, his sense of maternal deprivation and his presentation of love (in particular the fictional representation of his relationship with Ana Placido) - topics frequently discussed by previous critics - are reassessed through an examination of non-fiction sources as well as through the novels themselves.

Miguel de Unamuno was profoundly influenced by S ren Kierkegaard's pseudonymous works at a time when Kierkegaard was virtually unknown in Southern Europe. This book explores the scope and character of that influence, clarifies misconceptions in the relationship between the authors, and offers an original, Kierkegaardian reading of three of Unamuno's best known novels: Niebla, San Manuel Bueno, m rtir, and Abel S nchez. Both authors hold a "self as achievement" view in which the authentic self is seen as the result of the choices one makes over a lifetime. For Kierkegaard, the spheres of existence-the esthetic, the ethical, and the religious-are "stages on life's way" to becoming an authentic self before God. Unamuno, however, holds that the same spheres of existence offer equally valid modes of authentic existence as long as one chooses them freely and passionately. This book will be of great interest to scholars of existentialism, Unamuno, and Kierkegaard.