The Life Of Jonathan Swift

Draws on discoveries made in the past three decades to paint a new portrait of the satirist, speculating on his parentage, love life, and relationships while claiming that the public image he projected was intentionally misleading.

A rich and riveting portrait of the man behind Gulliver’s Travels, by a “vivid, ardent, and engaging” (New York Times Book Review) author. One of Europe’s most important literary figures, Jonathan Swift was also an inspired humorist, a beloved companion, and a conscientious Anglican minister—as well as a hoaxer and a teller of tales. His anger against abuses of power would produce the most famous satires of the English language: Gulliver’s Travels as well as the Drapier Papers and the unparalleled Modest Proposal, in which he imagined the poor of Ireland farming their infants for the tables of wealthy colonists. John Stubbs’s biography captures the dirt and beauty of a world that Swift both scorned and sought to amend. It follows Swift through his many battles, for and against authority, and in his many contradictions, as a priest who sought to uphold the dogma of his church; as a man who was quite prepared to defy convention, not least in his unshakable attachment to an unmarried woman, his “Stella”; and as a writer whose vision showed that no single creed holds all the answers. Impeccably researched and beautifully told, in Jonathan Swift Stubbs has found the perfect subject for this masterfully told biography of a reluctant rebel—a voice of withering disenchantment unrivaled in English.

Jonathan Swift: Our Dean (along with its companion, Jonathan Swift: Irish Blow-in) aspires to be the most accurate and engaging critical biography of Jonathan Swift ever. It builds on the thorough research of Irvin Ehrenpreis’s highly regarded 1962–1983 three-volume biography, but re-interprets Swift’s life and works by re-assessing his 1714–1720 repudiating the pretender while remaining friends with many who did not, by acknowledging that he likely had a physical affair with Esther Vanhomrigh between 1719 and 1723, by questioning whether in any sense he was a misanthrope, by noting his real care for Esther Johnson in her final illness, and by emphasizing the mutual love between Swift and his caretakers during his final difficult years.

Jonathan Swift: Irish Blow-in (along with its companion, Jonathan Swift: Our Dean) aspires to be the most accurate and engaging critical biography of Jonathan Swift ever published. It builds on the thorough research of Irvin Ehrenpreis’s highly regarded 1962–1983 three-volume biography, but reinterprets Swift’s life and works by reassessing his childhood, stressing his exuberance, honestly portraying his intense affection for Esther Johnson (he called her “saucebox” and not “Stella” when she was in her twenties), and not projecting Swift’s later-in-life angry behavior back onto his first forty-seven years.

Presents a fresh account of the life history and creative imagination of Jonathan Swift Classic satires such as Gulliver’s Travels, A Modest Proposal, and A Tale of a Tub express radical positions, yet were written by the most conservative of men. Jonathan Swift was born in Dublin and spent most of his life in Ireland, never traveling outside the British Isles. An Anglo-Irish Protestant clergyman, he was a major political and religious figure whose career was primarily clerical, not literary. Although much is known about Swift, in many ways he remains an enigma. He was admired as an Irish patriot yet was contemptuous of the Irish. He was both secretive and self-dramatizing. His talent for friendship was matched by his skill for making enemies. He hated the English but yearned to live in England. The Life of Jonathan Swift explores the writing life and personal history of the foremost satirist in the English language. Accessible and engaging, this critical biography brings Swift’s writing and creative sensibility into the narrative of his life. Author Thomas Lockwood provides the historical and modern critical context of Swift’s prose satires and poetry, as well as his political journalism, essays, manuscripts, and personal correspondence. Throughout the book, biographically contextualized descriptions of Swift’s most famous works help readers better understand both the writing and the writer. Provides critical profiles of Gulliver’s Travels, An Argument Against Abolishing Christianity, Drapier’s Letters, and Swift’s other famous works Offers insights into Swift’s relationships with Esther Johnson, “Stella,” and Esther Vanhomrigh, “Vanessa” Highlights Swift’s poetry and how verse writing was a vital part of his creative being Summarizes and contextualizes lesser-known works such as The Conduct of the Allies Addresses the historic critical bias against comedy or satire as inferior forms of art, both in Swift’s lifetime and the present The Life of Jonathan Swift is an essential resource for general readers of literature and literary biography, university instructors and researchers, and undergraduate students taking courses in English literature.

This biography emphasises the extraordinary versatility and resourcefulness of a lifetime spent serving the public interest with the pen. At the same time, it shows Swift's distinctive love of writing for personal entertainment and diversion, with little or no interest in publication. While remaining a fiercely committed writer, he always tried to preserve, especially in his poetry and letters, a literature dedicated to friendship. Swift's literary career comprises much more than the well-known satires.

"For the first time in his life, Gulliver felt ashamed of himself and his fellow-humans." Gulliver is a travel-hungry and adventurous ship's doctor, who has the odd misfortune of being ship-wrecked four times in as many voyages. Through Jonathan Coe's expert retelling of Swift's famous satire about our human hubris and desires, today's young readers are swept along as Gulliver finds himself a giant among tiny humans in Lilliput; a tiny human among giants in Brobdignag; on the flying island of Laputa, with its most impractical intellectuals; and finally in the land of the Houyhnhnms, talking horses who think precious little of human "Yahoos". Dave Eggers says, of the series: "I couldn't be prouder to be a part of it. Ever since Alessandro conceived this idea I thought it was brilliant. The editions that they've complied have been lushly illustrated and elegantly designed."