The Leather Daddy And The Femme

It's another night in San Francisco, and Miranda (aka Randy, when she's not dressed like a boy) has hit the streets looking for trouble. She has an eye for gay men in leather, and most nights she's too much of a girl for them. But tonight she meets her match: Jack, who thinks she's hot no matter who she is. This is San Francisco's notorious SOMA of the 1990s - home to dark alleys, tastefully appointed dungeons, hotel penthouses, clubs where gender dissolves and reshapes. In this bygone sexual utopia, Randy/Miranda embraces desires beyond gender and orientation, beyond what she ever thought she could contain... A FIRECRACKER ALTERNATIVE BOOK AWARD WINNER FOR BEST FICTION!

An erotic work in the tradition of "The Story of O" and Anne Rice's "Beauty" series, "The Leather Daddy and the Femme" presents a paean to the classic gay porno of San Francisco's heyday.

In 1994, The Mistress Manual was born as a simple pink guidebook self-published by an experienced dominant woman. She moved on to other efforts, and the book fell out of print - much to the disappointment of thousands of eager submissive men and dominant women. Now, Greenery Press has brought this classic back to life in an updated new edition - perfect reading for the woman or man who has completed our Sexually Dominant Woman and is looking for more information. Covers everything from establishing authority to exerting discipline. (Don't miss its famous "Ten Rules for a Successful Mistress"!)

Queer Theory is one of the most contested and intellectually complex movements in contemporary sexual politics. Where did it come from, and what does it do? Is queer theory only for queers? If you have ever wanted to be a leather daddy, been puzzled by performativity, tried to measure bisexuality, or wondered whether Diana, Princess of Wales could be a gay icon, Queer Theory is required reading. This vibrant anthology of groundbreaking work by influential scholars, activists, performers, and visual artists is essential for anyone with an interest in sexuality studies or gender activism. The 15 articles - including two specially commissioned contributions, as well as an engaging introduction - map, contextualise, and challenge queer theory's project both within and beyond the academy. Helpful critical summaries that link the selections, and suggestions for further reading, make this volume perfect for anyone approaching queer theory for the first time.

The Daddies is a love letter to masculinity, a kaleidoscope of its pleasures and horrors. But who is "Daddy" in American culture? This book aims to find out more than who – but how the process of knowing Daddy can prompt readers to know themselves and their society.

This volume showcases cutting-edge research in the linguistic and discursive study of masculinities, comprising the first significant edited collection on language and masculinities since Johnson and Meinhof’s 1997 volume. Overall, the chapters are linked together by a critical analytical perspective that seeks to understand the relationships between discourse, masculinities, and power. Whereas some of the chapters offer detailed, linguistically informed critiques of the ways in which old and new expressions of masculinities are complicit in the reproduction of men’s hegemonic positions of power, others provide a more complex picture, one in which collusion and subversion go hand in hand. Contributions argue for the need for research on language and masculinities to expand its remit so as to engage with "gay masculinities," and unsettle gendered categories in order to consider the ways in which women, transgender, and intersex individuals also perform a variety of masculinities. Finally, unlike Johnson and Meinhof’s 1997 collection, this volume not only offers a wider—and perhaps "queerer" perspective—on the study of language and masculinities, but also covers a broader geographical and socio-cultural spectrum, including work on Brazil, Israel, New Zealand, Singapore, and South Africa.

Visible: A Femmethology, the only two-volume anthology devoted to femme identity, calls the LGBTQI community on its prejudices and celebrates the diversity of individual femmes. Award-winning authors, spoken-word artists, and new voices come together to challenge conventional ideas of how disability, class, nationality, race, aesthetics, sexual orientation, gender identity and body type intersect with each contributor's concrete notion of femmedom.

Sexuality is neither stable, tidy, nor developmental. This new study provides a critical analysis of the development of gay and lesbian studies alongside the development of queer theory, the disputes between them, and criticism of their activities from both in and outside of the gay academic community.

To understand why the concept of aesthetic sexuality is important, we must consider the influence of the first volume of Foucault's seminal The History of Sexuality. Arguing against Foucault's assertions that only scientia sexualis has operated in modern Western culture while ars erotica belongs to Eastern and ancient societies, Byrne suggests that modern Western culture has indeed witnessed a form of ars erotica, encompassed in what she calls aesthetic sexuality'. To argue for the existence of aesthetic sexuality, Byrne examines mainly works of literature to show how, within these texts, sexual practice and pleasure are constructed as having aesthetic value, a quality that marks these experiences as forms of art. In aesthetic sexuality, value and meaning are located within sexual practice and pleasure rather than in their underlying cause; sexuality's raison d'être is tied to its aesthetic value, at surface level rather than beneath it. Aesthetic sexuality, Byrne shows, is a product of choice, a deliberate strategy of self-creation as well as a mode of social communication.

Winner of the Alan Bray Memorial Book Prize presented by the GL/Q Caucus of the Modern Language Association Finalist for the 2015 LGBT Studies Award presented by the Lambda Literary Foundation Sexual Futures, Queer Gestures and Other Latina Longings proposes a theory of sexual politics that works in the interstices between radical queer desires and the urgency of transforming public policy, between utopian longings and everyday failures. Considering the ways in which bodily movement is assigned cultural meaning, Juana María Rodríguez takes the stereotypes of the hyperbolically gestural queer Latina femme body as a starting point from which to discuss how gestures and forms of embodiment inform sexual pleasures and practices in the social realm. Centered on the sexuality of racialized queer female subjects, the book’s varied archive—which includes burlesque border crossings, daddy play, pornography, sodomy laws, and sovereignty claims—seeks to bring to the fore alternative sexual practices and machinations that exist outside the sightlines of mainstream cosmopolitan gay male culture. Situating articulations of sexual subjectivity between the interpretive poles of law and performance, Rodríguez argues that forms of agency continually mediate among these various structures of legibility—the rigid confines of the law and the imaginative possibilities of the performative. She reads the strategies of Puerto Rican activists working toward self-determination alongside sexual performances on stage, in commercial pornography, in multi-media installations, on the dance floor, and in the bedroom. Rodríguez examines not only how projections of racialized sex erupt onto various discursive mediums but also how the confluence of racial and gendered anxieties seeps into the gestures and utterances of sexual acts, kinship structures, and activist practices. Ultimately, Sexual Futures, Queer Gestures, and Other Latina Longings reveals —in lyrical style and explicit detail—how sex has been deployed in contemporary queer communities in order to radically reconceptualize sexual politics.